Lozz196

Agree. It’s your band, pick who/what you want.

If I can establish the exact line then I’ll learn it, but depending on the band line up I might simplify if required (1 guitar with widdly solo when original band had 2gtrs etc).

I use a Wenger rucksack, plenty of compartments, including one that takes my Pedaltrain Nano (in its own carry pouch) quite easily. Very hardwearing too, used it pretty much weekly for a 3 year period and still looks virtually new. The good thing is having all the compartments I can keep amp/speaker leads in one, instrument leads in another so I’m not scrabbling through a mess of cables when setting up.

Best check out Dirt Box Disco then 😁

Me too. On Mex Fenders & Squiers I usually change the baseplate to a Gotoh 203, retains the look but just that little bit more stability, plus you keep the original saddles/springs from the stock BBOT.

Ears, if they like I like. I don’t care about genre, era, band, artist, if the ears approve that’s it. My only filters are I won’t listen to anything extremely political (both sides) or religious. At that point I don’t care how good the music is, the lyrical content tells me no.

Lady Ga-Ga, without posting any of her music (as I’m not particularly keen on it) she is one hell of a singer.

Same, I love Tech21 gear, it does sound good in that demo.

I use the Sansamp Para Driver. It’s pretty similar to theit Bass Driver, but has sweepable adjustable mid-range, and a selectable filter that removes all the sub-bass frequencies. Also like the Bass Driver it has the blend control so it’s a very versatile pedal.

My findings have been to only buy wireless kits where the transmitters are bugs that plug directly into the instrument.

Well aside from that the HLF is a deeper more low-end biased cab, it’s also 4ohms and a fair bit bigger, though has inbuilt castors you help move it about. I used each amp with different amps & bands so difficult to be objective but I’d say the HE was more what I would recognise as the traditional Ampeg sound.

I had an SVT410HE and it was a nice sounding cab, nice balanced sound, and used an SVT410HLF on tour last year, again nice cab. They have a reputation for being very low end biased but as I had a twangy overdrive sound it worked very well.

Very good points Chris, I prefer the bigger heavier amps but have had to acknowledge that my body can’t deal with them anymore. So in that case, I got what I considered the best amp in an easily carried format. I keep looking at heavier - and I only mean about 13kgs - amps, but my 2.5kg amp is the right choice for my circumstances. And it’s not like I’m going to get younger or more able bodied so I just have to make sure I stay strong of mind and resist weightier temptation.

I really wish I could get past myself in the thought that I’m not a serious bassist unless my Fenders are US made. As I’ve said the Squiers that I’ve had have been a joy to play and have sounded fine. It’s not even the thought of others judging me, it’s purely this devil on my shoulder telling me they have to be US made.

All of my basses are pretty expensive, but I recall buying a Squier Precision that I couldn’t put down. Similarly my Squier VM77 Jazz, whilst its not as good as my US Jazz I really enjoy playing it.

A few years back when buying a bass the seller had a Barefaced cab if some sort with an Ashdown Little Bastard 15 watt amp. It sounded amazing.

Great looking bass, congrats

Well I started it last night intending on reading a few chapters, and an hour and a half later was still there, thoroughly enjoying it.

Great production, really like both the sound of the guitar and how it sits in the mix.

Yes, it’s taken me along a long and interesting journey to realise that the tone I use at home isn’t the right one for band use, and that a scratchy/rattly/gainy sound isolated comes across in the mix as a really good bass presence. All learned via Basschat I should add, though I’m sure someone somewhere will provide statistics that prove otherwise 🤣

Agree, something I’ve never really understood (not the street cred but, AC/DC much cooler).

I’ve found that it seems to give a slightly higher tension. And it might be all in the mind but it seems to be a deeper more resonant sound. Though to be honest I string through the body mainly to both stop the ferrules in the back possibly falling out, plus in case of string breakage, it’s much easier to get the strings out than if strung through the hi-mass bridge - the ball ends can get pretty tight in there.

Agree, I’d have thought 60 or even 80 a bit more use.

Great song