stingrayPete1977

No I'm saying to bring your existing kit up to match the RCF ones you would need to add subs.

Glare at the drummer so everyone else knows it was their fault

Looking at the specs the Aguilar ag500 has 40hz shelving anyway.

[quote name='Treb' timestamp='1477340302' post='3161610'] [color=#282828][font=helvetica, arial, sans-serif][size=3]£2,250 for that bass, what a rip-off! That's a lot of money considering you can buy a new one @ Esse Music for €1900 ([/size][/font][/color][color=#282828][font=helvetica, arial, sans-serif][size=3]£1690[/size][/font][/color][color=#282828][font=helvetica, arial, sans-serif][size=3]): [/size][/font][/color]http://www.essemusic.it/EN/Electric-Basses/Music-Man/Stingray-Classic-4-white-perloid-Rw/ [/quote] That's cheap for a classic of any type tbf, a natural 4 string is £2100 at GAK.

I wanted the white when I bought mine (jazz v) but they were sold out everywhere! I really like mine but I have stuck a bartolini preamp in it

Most of the big band bands I've seen lately are using in ears and unmic's cabs, or no cabs at all, I like the idea of no amp at all!

This could be the new Basschat craze then!? Who's going first?

I played a U2 number for the first dance a couple of weeks ago, the first time I'd heard it was as we were playing it, I think I played both notes in the right places throughout

Wow

[quote name='bonzodog' timestamp='1477296338' post='3161097'] Yes i fully agree. Its just that in last 2 years i have bought 5 bass amps and 1 active speaker second hand and 4 of them have failed within a few weeks of having them. [/quote] Fingers crossed you've got past that run of luck now then!

Ha,there's definitely a bit of Les Claypool in there isn't there? I like primus,for about ten minutes.

I'm reading it that the pianist is the friend and the entertainer?

[quote name='JTUK' timestamp='1477309603' post='3161230'] I'm very senstive to the feel of the bass... not sure that is a good thing or bad thing, but it is the way it is, for me. So..I can't do what I do on any old bass with a variable set-up. Sure, I could cover a 'gig' but I'd hate it being stymied so much .... It wouldn't be worth doing for me... [/quote] Get an upright bass for a few months, even an encore P bass will feel awesome!

Reminds me of the bits I skip on the Primus Albums, each to their own though.

I'd call that working it out by ear, it's what most people do unless it becomes too tricky to work out, some people will get Dakota down in one but not much else, others can unravel a whole level 42 album no problem.

How long does a sample triggered by a real person need to last before we are classing it as miming? As a youngster I spent a lot of the 80s trying to work out what noise was coming from where or what the other bloke in the pet shop boys was for on shows like totp. I see a lot of these 'stars' from yesteryear performing some old classics on tv and they need six guitarists, five of them on clean sounding Fender Strats! Wtf is that about?

Turning up to practice once a week working out your parts as everyone else is playing then playing the same parts from memory at the gig isn't playing by ear imo. "Your on in five, I'll give you the key and just join in", that's playing by ear imo. In that situation most guitarists will tell you the key is whatever their first chord is!, tread with caution for the first verse and chorus is my rule of thumb

One of my 3 piece bands has a guitarist with a synth and a looper, we do Imagine and space oddity with only three people on stage.

[quote name='tauzero' timestamp='1477267434' post='3161046'] In our band, I [1] own the bits of PA that actually make the noise, the guitarist owns the rest - mixer and lots of outboard bits. SRM450s for vocal FOH and a bit of kick, Behringer D210s for vocal monitors. RCF 735s or 745s and no backline sound nice to have, but it means that someone has to find somewhere over a grand to do it. That's 20+ £50 a head gigs for me to finance them when what we've got works well. Maybe we're just so entertaining that the audience don't notice the sound deficiencies, because we haven't had any comments about poor sound quality since starting using the current setup a couple of years ago. [1] As I'm married to the vocalist and what's mine is hers, and what's hers is hers, the vocalist owns the PA. [/quote] There absolutely nothing wrong with that kit but if you were starting out with a blank canvas the cost wouldn't be that different, you'd only need to buy a pair of active subs to add to your PA to bring the cost level and the volume level but you'd have two more big boxes to store and carry for each gig. If you don't need them then it's neither here nor there anyway.

[quote name='TimR' timestamp='1477258726' post='3160989'] I really don't agree with this. I've heard people sing Beatles tunes while strumming an acoustic guitar. No bass, no drums, no lead guitar, no three/four part vocal harmonies... [/quote] Exactly, I missed the last few posts before my last post.

There are people out there doing perfectly enjoyable renditions of songs on an acoustic guitar and singing along.

[quote name='AndrewJordan' timestamp='1477250609' post='3160891'] sh*t! I didn't realise you had actually seen us So, I guess we are a bit crap anyway so why worry about the sound...............is that what you mean? [/quote] I'm yet to hear of a pub band JTUK rates around his parts, other than his own of course

I've got less fussy tbh, 5 string bass, decent cab and a decent head and I'd be happy enough.

[quote name='mikel' timestamp='1477249313' post='3160871'] The same as the keys or guitarist. Ask what chord the composer is playing, or watch and listen as he/she runs through the song. If its a cover I listen to the recorded original and work it out "By ear". [/quote] I think ambient means when the audience are already there waiting, they can't sit and watch you learn each song for 15 mins before watching the whole band then play it again!

There's a reason I like trios and four piece bands