thumbo

I've never thought anything bad of the small questions that get asked whilst I'm selling something here. It's a chance for you as a seller to get talking to a potential customer.

I wonder where my Bassbase 600 is now? I sold it on basschat, might have even been way back on bassworld actually. I bet where ever it is it's still in the condition it was when I had it, that thing was built like a tank!

My first loud amp was a Bassbase 600 head. In hindsight, it was one the best amps I've owned in terms of useful features, volume and build quality.

I've had good results from re-amping recently. I've recorded my bass parts into a nice mic pre amp, got a really nice clean tone and used a small amount of compression and recorded it. Then I've sent the signal back out to my bass rig which is mic'd and DI'd. This has given me a good chance to play around with my pedals and mic placement whilst hearing my bass lines.

I use the G loads, my Yamaha TRB 6 string is tuned EADGCF because I get so much use out of chords and harmonics on high strings.

First Bass Owned: Warwick Thumb Bolt-On 'Go To' Bass: 1974 Fender Precision 'Your' Bass: 1974 Fender Precision

My trusty 1998 Warwick Thumb Bolt-On. The slim wenge neck on this bass makes it so easy to play, it's had a lot of a love and feels very worn in. 2006 Warwick Streamer Stage 1. I custom ordered this with an ebony fretboard, black hardware and a d-tuner. The Streamer is my go to bass for a great all-rounder, the Thumb is my pick up n' play bass at home and it's seen it's fair share of gigs and recordings.

This isn't porn, this is absolute filth! And I'm getting some serious GAS looking at all these basses!

I see your next one is at the Post Office Inn on the 8th April. I'll be there if I don't have to work! That pub is a 5 minute walk from my house, ideal!

DI + mic is great if you get the right mic for the situation. Your best bet is going to be trying out a few mics and see what you like the sound of, also pay close attention to how much bleed you're getting from other loud things on the stage. There is no "best" mic for this situation, just personal preference. Take note of what the guys here prefer to use and then go and do a little online homework!

Having a jam with some musicians I've not played with before, or haven't played with in quite some time always makes a difference for me. Maybe that's worth a try? Playing with different people can often shed a different light on the way you're playing, and in turn this can give you more energy to work on some aspects of your playing in your own time.

I don't think it's a gimmick at all. I see this as a clever idea, as I've always hated slack-sounding low B's. I've not played one though, so I'm only talking "in theory" here!

Wal Mk2? Yes please!

I used to deal with Rotosound a lot in 2 jobs in the past. They always had stock, the staff were very knowledgeable and friendly, and they shipped stuff out almost instantly. If only all companies were like that in the music industry!

definitely is

Looks great! I'd like to play it to see if it plays as nice as it looks.

I've got a Warwick Streamer Stage 1 that has an ebony fretboard. I added it as a custom order when I bought the bass because I wanted as much attack and brightness as possible for finger tapping. It does the trick! Looks great too with the maple body.

That's correct, you want the ones that don't have any abbreviation on the end. Congrats on the bass purchase by the way, they look like great basses.

Short scale strings are generally for 30" scale. Medium scale - 30.5-32. Long scale 32-34. (these are what you'd expect to put on a standard scale 34" bass) Extra long 33.5-36

You'll need D'Addario Long Scale for a standard 34" - most of my basses are 34" scale and I've been using D'Addario long scale strings for several years. Just to double check though, what bass are you putting them on?

The Barge VFB-2 is an incredibly useful pedal. I currently use mine to make to tame my octave pedals a little, in which I run a Digitech Whammy and MXR Bass Octave. I've always found that I much prefer the sound of the MXR Bass Octave in the VFB-2 loop, it just sounds much nicer to my ears - less boomy and a clearer sound. But more to the point, the VFB-2 is great for taming fuzz and drive pedals in particular. Another +1 on the Fulltone Bassdrive too. I haven't tried many drive pedals of this kind of price, but I honestly don't feel like I need to as this pedal has done very well for me in pretty much every band I've played with over the past 4 years. It does old school grunt very well and it also screams like an evil thing if you need it to! I think for a lot of people the appeal of this pedal is that it doesn't mess with your low end too much, I don't find that I'm having to compensate for the amount of bass this pedal produces.

Out of your list the Lakland gets my vote. Great all round bass in my opinion. In terms of quality I think it's a big step up from the Highway 1 Jazz and massive step up from a Mexican P. Although I can't comment on Schecter as I haven't played that model.

Welcome! Where are you located in bristol? I lived in St Andrews for 6 months last year and really loved it!