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wal4string

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About wal4string

  • Birthday January 2

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  1. Dougie Thomson's bass line on "Lady" by Supertramp Lady.pdf
  2. Here we go mate. I believe it was a Arcelles Sykes transcription. Shooting Star.pdf
  3. You gently rest your thumb on the string below the one your playing surely?
  4. Anyone have a transcription? I suspect not. (The "fella with the Brite Nitegown" refers to a statement from W.C. Fields -- he liked to refer to Death as "the fellow in the bright nightgown."). I dreamed I had a fever I was pushin' one-oh-three My mom's all upset - cryin' by my bedside Everybody's prayin' for me I hear a scratchin' at the window I somehow twist myself around I realize I'm eyes to eyes With the fella in the Brite Nitegown Brite Nitegown Brite Nitegown You can't fight with the fella In the Brite Nitegown The eagle flies on Friday My baby wants to bash I hit the ATM - and march down the street With a roll of party cash Right then a couple lit-up brothers They gently put me on the ground They do the steal and leave me to deal With the fella in the Brite Nitegown Brite Nitegown Brite Nitegown You can't fight with the fella In the Brite Nitegown Ten milligrams of Chronax Will whip you back through time Past Hebrew kings - and furry things To the birth of humankind I shared in all of nature's secrets But when I finally came around I'm sittin' on the rug gettin' a victory hug From the fella in the brite Brite Nitegown Brite Nitegown Brite Nitegown You can't fight with the fella In the Brite Nitegown
  5. My final words are this, TAB is really the work of the devil and more often than not inaccurate. It belongs in Room 101. TAB should only be used as a learning aid on the way to learning to read notation. There are far too many TAB sites but thankfully, not enough but also several sites with really good transcriptions, TKendrick to name just one. However there is just one exception to my hatred of TAB, this site I believe belongs around the year 1700, just prior to the start of notation as we know today, and the only site I would recommend. If all TAB was written this way I would have no issue with it. Unfortunately the site is now subscription only to download but the songs are all visible. Also be aware not all have the bass lines and also several have the bass written on the very last page. https://www.guitar.ch/en/guitars/tabs/tabs.html
  6. You are over complicating things, I think you will find all Western Instruments are chromatic, adjacent pairs of lines or spaces are a third apart but not all without a sharp or a flat. i.e. A to C# and D to F#. A major third up is always 4 frets or 4 semi-tones apart regardless of the starting note. Think of the sharps or flats simply as the black keys on a piano, just not so easy to see.
  7. Written notes are not difficult to learn. If you learnt all the notes on all 4 strings there is a total of 48, which sounds a lot but in reality there is only 12, as the notes are repeated the higher up the fret board you play (by higher I mean the closer to the pickups) . And to play the same note an octave higher its up two frets and up two strings. If you learn the twelve notes on the E string and then apply the above to play an octave higher already you would have learnt 24 of the 48 notes. Another rule which never changes is that the note F is played one fret higher than an E, the same goes for C which is one fret higher than a B. All other notes are two frets apart i.e. G is two frets higher than F, A is two frets Higher than G and B is also two notes higher than A. I recall my music lessons in school, I never could grasp the rhymes on learning the notes on a stave "Every Good Boy Deserves Favors" E,G,B,D,F which represents the note names on the lines of a stave. There is another rhyme for F,A,C,E which represents the spaces in between the lines. Total crap for three reasons 1. This is for the treble Clef. 2. Why not teach line space E,F,G,A,B.C,D. and 3 by continuing the same alphabetical pattern we see that the next E,F,G,A,B,C begins on a space. There are only 7 note names which is G,A,B,C,D,E,F and the octave G. If starting on any other note i.e. a B this would be B,C,D,E,F,G,A and the octave B. The frets which don't have a note name are known as either a # (sharp) or a b (flat), so between the F and G the note is known either as F# or a Gb. Between the G and A known as either G# or Ab Between the A and B known as A# or Bb Between C and D known as C# or Db Between D and E known as D# or Eb Between F and G known as F# or Gb As a reference point an added line above the stave is a C. A bit of theory not necessary to know but may make a bit more sense. You are familiar with how a treble clef and a bass clef look and that the bass clef is always written below the treble clef. Both clefs originally was written on eleven lines which eventually was divided, The top 5 lines became the treble clef and the bottom bottom 5 the bass clef with the remaining middle line became known as middle C . It's learning to read rhythm which can take time. But it is really a question of remembering what has gone before. By this I mean that there is not an infinite number of rhythms and the more you play the more you will recognize these patterns. I do remember when I started to play I began to learn riffs while I was saving up for lessons. One of the Riffs was Zeps "Whole Lotta Love" I could play along to the track no problem but then when I began to learn to read I picked up the transcription and immediately thought I could never play that. But of course I could already, no, it was just a question of working out why the rhythm was written as it was and realizing it was all to do with how the beat fell. I am glad I took the initially harder route of learning to read music. I am not restricted to playing only tunes I know or have heard before. I can now play whatever is put in front of me having never seen the chart before whatever genre or style. I have literally hundreds of charts that I can pull out and play having not looked at them for years. This allows me to dep with little or no rehearsels.
  8. TAB was originally developed around the 1300's and notation began to be developed around the 1750's. So, in reality TAB has moved on and notation gives you the added information of where notes are to be played in relation to the beat or tempo and not just which notes to play. In my opinion the main problem with TAB is that more often or not where it is telling you to play any given note . A bass with tuning 1st (E), 2nd (A), 3rd (D), 4th (G). And so for example if TAB is telling you to play the 2nd fret on the 3rd string then to play the 9th fret on the 4th string then this would need a left hand shift. Notation however leaves the choice of note position to you. But notation visibly makes it clear that to play the same sounding notes as the TAB if first note is played 7th fret on the 2nd string and then 9th fret of the 4th string with no left hand shift needed. Likewise the same notes could be played 12th fret 1st string then 14th fret 3rd string. with no left hand shift. Even if you never learn to read music it is a good idea to learn the notes on the fret board and where the same note can be found. i.e. 2nd fret 3rd string, 7th fret 2nd string and 12th fret 1st string all three the same sounding note (E).
  9. No problem with you downloading. I posted it for fellow basschatters to enjoy.
  10. Mr.Blue Sky.pdf Been teaching my 10 year old Grandson bass. After wracking my brains I rediscovered my love of ELO and this bass line. He nailed the bass line to the intro and verse no problem. Will be teaching him the chorus next week. The walking bass line section will be his homework. His Mum tells me he is able to sing along while playing along. The rug rat is an aspiring Jack Bruce, Mark King, Sting etc. However he is only 10, I just hope his enthusiasm continues or I can sustain his love of the bass while I try to teach him to read so he will no longer need his grandad to show him. If any basschatters can suggest any similar tunes for a beginner I would appreciate any suggestions.
  11. Any Good? Babooshka.pdf
  12. Dougie Thomson's bass line on Take The Long Way Home by Supertramp. For educational purposes only. Bass enters around 1.17. Apologies for yet another Supertramp track. Blame Alexa for re-unitinting me with these long forgotten tracks. Have always licked Supertramp from their first album in particular the bass lines. I have tended to skip the tracks with Hodgsons Squeaky high voice but with somewhat more open ears, still mentally turning off Hodgson I realise I have been missing out on Dougie Thomson's fine bass contributions. On this track he throws in not only plays quaver triplets but also plays the top note on his bass the 21st fret (an E). Take The Long Way Home.mp4 Take The Long Way Home.pdf
  13. Dougie Thomson's bass line on Sister Moonshine by Supertramp. For educational purposes only. Sister Moonshine.mp4
  14. Dougie Thomson's bass line on Child of Vision by Supertramp. For educational purposes only. Child Of Vision.mp4
  15. I use these play along movies as quick practice movies. I have produced countless numbers of similar what I would say are easy practice tunes. No need to find a pdf and mp3 file and then somehow get everything to fit on screen and then having to hit the space bar to move the pdf on, that is of course if I don't happen the the mp3 file chosen. With this particular tune from letter F until the 8th bar after Feel no Sorrow, try playing in the 3rd position (Ist finger over the 3rd fret) which means the bar before F begins on the 4th fret of D (Gb) starting with your second finger. Next note 2nd finger on G (5th fret D string) then at F your 4th finger on the Ab (6th fret D string). Try playing the rest of F section still in the 3rd position. The Bb on the 6th fret of the E string is a bit of a stretch but is more than doable.
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