visog

Brian Carroll apparently. Ex-student of Paul Gilbert.

Meh... admire him as an artist and doing things a little bit differently but his music to me is quirky for the sake of it and his ideas sound unfinished. Also the Deliverance Backwoodsman shtick was a good antidote to the po-faced grunge crowd at the time - less so now. Can't blame a guy for tryin' I do like that guy with a bucket on his head though... can't remember his name but he's a bit good.

No info sorry but it's beaut!

Oof! Loving this and your photos look like it has a pretty decent action. Thump-on!

Christ! Recounting your dreams is tantamount to regaling your golf stories... Or epic drinking stories. You had to be there...

I think Adam is great. Very learned. Interesting perspectives..

Having a noodle on the GB... Last chord terribly late sorry.... SysBlues.mov

Never did understand what a 'funky boogaloo' was though....

Absolutely... so she's published her tutor books 50 years ago. Now let's address Gary Willis' phenomenal approach...

I like the look of these... Sort of Wal on steroids but then I remember I set my EQ then forget about it so having 10 trillion options is somewhat redundant...

Yeah the 'Groovehacker' thing grates but otherwise, that's the nature of digital promotion. As I say, he's more than justified his presence with lots of great free content. I like his Billy Sheehan fixation and his respectful coverage of Jaco. He needs more Stanley thinking about it...

Hmmm his advertising is pretty intense BUT he's got so much good free content I think we can give him a pass. Currently hacking through interminable Gary Willis lesson promotions but hey, Gary is great too. Love his books. Nice chap too - met him at a Bass show a few years back.

Saw Chris, Neil and Allan many times. Never saw Jaco. Just missed his Manchester WR 8:30 show by a year of gig attendance...

Think I just want Jaco and Chris Squire to be reborn TBH... And Allan Holdsworth and Neil Peart.

I have the Two Notes too but I accept the hiss as part of the whole hairy sound mojo. I do GAS for the DG range, actually the Vintage micro tubes. My concern over your recommendation though is the ubiquity of this sound from the Prog-Metal arpeggiators. Also the IRs.... phfffw... Just make a righteous sound out the box. Maybe I should try a DG again...

BC'ers, Is it me or is played music going through a mass extinction event? No live music and recorded music having no value. I can't see us coming back from this for months and I'm not talking purely Covid. Not heard any played band music that inspires for ages. Bit bleak I know but suggest a counter argument. Please no Snarky Puppy, Wulfpeck or other re-heated jazz-funk. I'm looking for a new Beatles with a bit of Pink Floyd. And Stravinsky.

Waves of Shergold... Nice. So what is it and what are specs? How does it sound?

He is a top bloke... many layers which you can research. In bass terms though, he's a walking encyclopaedia and I've enjoyed many a clinic from him... Pretty interesting set of techniques too. I recommend this vid of him playing with Stanley and in a sea of bass solos, Billy distinguishes himself with a manic solo and Stanley's reaction at about 7:50 is hilarious...

OK, so we've got the 'one'. What are we going to do for the 'two', 'three' and 'four'?

So GB Team, I'm a proud and happy user of a GB Spitfire... Loving it's 'B' to 'G' consistency, hi-fi sound and stupidly low action... So my question is what am I missing from a Rumour? Dangerous question I know as I don't want to create unwanted GAS. What are the key differences as I've not played one?