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  2. Definitely Following! Where' that "munching popcorn" emoji gone?
  3. I agree with @Hellzero - it definitely looks better with the extra pickup. And sounds good too - well done that man!
  4. I seem to have an odd relationship with Sire. I had one of the original early model V7 ash bodied models in trans white, followed by a couple of second generation V7/P7/V7 Vintage models and finally a V10 which was a cracking bass. But I ended up selling them all on. Seems I prefer a Pure Vintage pickup equipped passive real Fender Jazz. (I have two, both with the Pure Vintage 64s and nitro finishes.) I also have a recently acquired 2016 American Ultra Jazz which is utterly phenomenal. I found with the Sire preamp that the sound was too deeply scooped (even for me!), and I had to boost the low mids in order to get to the sound I really liked. I've really been fancying a Z3, but I've held off, having recently bought a '95 2eq Stingray with an Aguilar pickup. Maybe I'm just in a lucky position where I can own great examples of the real thing. Let's hope Sire don't bring out a Status alternative. Then I'll be in real trouble. Oh no, there's one coming out, isn't there? 🤔
  5. One more order slot left for anyone interested in a graphite jazz neck!
     

     

  6. Dropped the price to £375..
  7. Great tone, great playing, I do find it hilarious that he's playing a Sire bass, but he's still using a Fender branded strap.
  8. https://www.andertons.co.uk/sterling-by-music-man-bongo-5-bass-in-firemist-purple-satin/?utm_source=google&utm_medium=organic&utm_campaign=surfaces&gad_source=1&gad_campaignid=20740064305&gclid=Cj0KCQjwqebEBhD9ARIsAFZMbfzluWZstvyIdzYnPqDNx6l7fI3In8OhC-FjCSDIYJ7fkQSrM-QdHFQaAvZVEALw_wcB Wow! I’m sure you can get a second hand USA model for £1500-1700.
  9. Here you can check my feedback: https://www.basschat.co.uk/topic/142127-feedback-for-bgmttt/?tab=comments#comment-1276030
  10. wateroftyne

    Jazz

    i should pop my new'un up. A bit of a rare bird... details here:
  11. Surfin' USA - Beach Boys
  12. Some people are just dicks
  13. Two more days were spent filling the exposed ends of the fret slots with lacquer, which is a slow process of dripping stuff in with a pipette and then filing it down. After that I was ready to start painting in my newly aquired (from Argos) spray booth/greenhouse. I was a little stumped by how to hold an instrument that has no tuning peg holes or neck pocket to use, but decided on a big M-10 eyebolt through the jack socket hole. And here's how it looks as of right now. Don't worry, this is just the first step in what will be a fairly elaborate finish.
  14. Good man!
  15. It’s a brand new Chinese one that I have levelled, fret dressed and made generally lovely
  16. Righty. So I've made more progress since the last update, but I'm afraid I've not been very diligent about taking pictures. When I last checked in, the new frets were in the board, but that was about it. The first big job after that was to trim/file them all to the right length. This is a painstaking process because you're filing and filing and filing for ages, but you're still having to maintain enough control that you don't accidentally gouge a chunk out of the fingerboard. I did one half of the fingerboard one day, then came back and did the other half of the fingerboard the next day. I've learned from experience that if you try to do the whole thing in one go, you're going to end up with a cramped-up claw hand. I didn't take any pictures of this process, partly because it's really boring and partly because I was listening to something interesting and got distracted. Here's the finished fingerboard. The little shiny spots you can see here and there are a mix of glue and sawdust, used to fill the tear-out from the fret removal. As I said, I didn't do the neatest job of that, so these are sort of like bits of tissues paper stuck on after a really inept teenager's first shave. Next comes the leveling and crowning. Again, not many pictures of this process. I did what I always do, which is mark the tops of the frets with a sharpie, then put some 320-grit self-adhesive paper on my 1-metre engineering straightedge. I only had to take a little material off here and there because the fingerboard was nice and level and the frets went in cleanly. After that I roughly rounded over the frets with my crowning file and then tidied them up with a three-corner fret dressing file. After that, it's polishing time. Which involves lots of 2500 grit wet/dry paper and a lot of patience. Here's the finished neck. I'll oil up the fingerboard when the rest of the work is done.
  17. Sounds promising, but I think you should raise the T40 pickup a bit as the P-Bass pickup seems more powerful. I really like the look it with the added pickup. Congratulations, very nice job!
  18. Sounds to me that venue acoustics meant the guitarists couldn't hear themselves, so they all kept turning up. Instead, the band leader should be taking control and telling everyone to turn down. It's not a difficult concept to grasp. I saw a band on Saturday night. They complained about the sound. The guitarist and bass player had amps set on stun, the sound guy had to turn off everything in the PA except vocals. At one point he went up to the stage and told them all to turn down. Which they did, but 2 minutes later, turned back up before the sound guy had a chance to sort it all out properly. I didn't see their soundcheck, but you wonder how they'd got to that point.
  19. I picked one up a couple of weeks ago. I have a terrible habit of just not practicing electric bass at all between rehearsals and gigs, and I thought a handy headphone amp device might help me break that, as well as fulfilling some guitar functions. It is working for that, it's a handy little thing and I like that it charges off the ubiquitous USB C cables that are already around my living room. Though I must say I'm not really blown away with the actual sound possibilities of it so far. The amp models mostly sound somewhat like you'd expect, it's quite functional, but I haven't really dialled in something that makes me smile yet. Totally clean or strongly driven it works OK, but getting an amp model into where it's just very subtly breaking up and squashing at the top of my dynamics is quite hard to nail.
  20. Haven't used my '90 Thumb Bass for a while and when trying it today, when I inserted the jack plug there was a static type electrical noise, like something being turned on, it lasts two to three seconds and then all is fine. It will do it again after removing and re-inserting the plug. It never used to do this and my other Thumb Bass, a '91, doesn't do it. A new battery doesn't help.
  21. Today
  22. Bumping this thread. I believe they went under and stopped producing strings at their Welsh factory yet Picato strings are still widely available and have the UK flag on the packaging. Any ideas?
  23. Re-uploading this with better pictures. This is the same pedal as the now famous Taylor Shift but with a different visual design. It includes a low pass filter which sounds great and the octave circuit is one of the best OC-2 clones out there. Can either ship or happy to meet anywhere in London.
  24. Marshall ‘69 super bass coming up for sale soon.

  25. Negative, captain...
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