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oh that's it! THat was quick. Cheers. It was so blurry that I read the logo as Gibson but it's absolutely the Ibanez Black Eagle. Right period too.
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B-b - double course on the A and D (what would be d/g on a standard tuned guitar)
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Your best (and worst!) bass gear purchases of 2025?
rwillett replied to Al Krow's topic in General Discussion
Were the ear protectors somebody else's best purchase of 2025? -
Been there, done that, got the frostbite....
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Too major a modification to be classed as maintenance/setup, unless over 50% of the frets have already fallen out without assistance.
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Fantastic communication from Neil and a speedy delivery. Packaged better than most companies! Cheers!
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Looking at just the repairs side, rather than the emotional attachments, is it worth just re-making the solder joint and seeing if that sorts anything out? Shouldn't matter about the ninth fret, you shouldn't be all the way up there anyway. You don't have your pal but at least you have something to remember him by.
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Oh, great and wise denizens of the Abstinence Thread, what is your thinking about having a bass defretted, in terms of category 1/2 failure?
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Sexiest looking guitar on the planet IMO. I can’t play them, however. The ergonomics are all wrong for me (that’s my excuse anyway ).
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It does look like the Black Eagle, maybe with the standard mishap to the headstock sort-of repaired hence the Fenderish blob at the end. I thought a different video might be clearer but he's playing a different bass. No decent shot of it until 1:20, that's a 2+2 headstock, possibly a Gibson but I'm no expert. According to Wikipedia, Gary Taylor was the bassist. There was also a Gary Taylor who was the bassist for The Herd and, in the late 70s, Gerry Rafferty, so that may be the same one. https://rateyourmusic.com/artist/gary_taylor_f2/credits/
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Mixed emotions with that one for you certainly. However, if it makes you think of him every time you play it (hopefully, of good times), maybe that’s not a bad thing.
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I’m reluctantly selling my Japanese fender P bass. This was purchased from Guitarzilla.co.uk exactly 5 years ago. It has been gigged many times (because bases shouldn’t be ornamental 😉) and has a few scuffs as part of its history - one noticeable (details and photos below) others just normal minor belt rash and dings. The reason I’m looking to move this on is to fund a second jazz bass and I have my eye on a couple on here. Details, to best of my ability: Fender Japan Precision Bass, Made in Japan, serial R019581 (serial at heel of neck). From what I can tell it’s early-2000s (possibly around 2003–2004). I seem to remember purchasing it as a 2004. Spec / details: Black body Black pickguard fitted + original white guard included Original Fender Japan pickups (no electronic mods) Genuine Fender High Mass Bridge fitted by me (clean install) Professionally set up last year by the sadly defunct super axes in Harrogate. One small cosmetic dink on the top of the body, approx 1.5-2cm, small belt scuffs on back (hard to photo) otherwise tidy. I have the original white pick guard that will be included. Oh, and look how sexy the pattern of the headstock wool is!!! 😍 Not sure of weight, and currently don’t have suitable scales. But if I get the chance I will find out and update. Plays great, nice punchy P-bass tone with plenty of bite. A solid rock machine. I know everyone says stuff like this, but of all the P basses I’ve owned, I think this is my favourite. I’m just more comfortable with a Jazz. I’m not looking to post this bass, as there is no case, I don’t have a box, and I’m nervy about that stuff. However, happy to arrange tryouts, collections and willing to drive 1 hour from HG to meet up or deliver. Trade wise I am looking for a 4-string Jazz with maple fret board and block inlays in natural finish. Very specific, I know. But have always wanted that aesthetic since I’ve been in short pants. But sadly that dream never came a reality. Make that wee boys dream come true. Any questions, just shout and fire me a DM. -
Goodfellow Rumour and/or Ken Smith Burner FS/FT
tubbybloke68 replied to roger's topic in Basses For Sale
I’ve had a go on the burner and it really is a lovely bass, here’s a bump for Rog! X -
Guitar player friend messaged me on Xmas Day, said he'd got his hands on a mutual friend's bass 🙂 Seeing as our pal hung himself in 1999, I was both glad and surprised to hear a bit of his gear was still about. Was even more surprised when I was told it should be with me 😲 Got another message yesterday telling me to collect it 🙂 Old Japanese Gibson copy, think it may be a Sakai Mokko. @Bassassin care to give an opinion ? Neck is straight but it's missing a fret. No sound bar a loud hum, pickup selector switch is goosed, I see one failed solder joint in the cavity. Won't be doing any fault finding, it's easier to replace the electrics. Can't see the pickups failing but I've a replacement set in a drawer. Nice wee fixer up job but I'd rather my pal was still with us 🙁
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- japanese 60s/70s
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Planet Rock - Top 500 - Interesting listeners votes
hiram.k.hackenbacker replied to rwillett's topic in General Discussion
So you’re saying a shit band band doesn’t feature on a list of bands voted for by people with insufferable musical taste? -
Selling my 2001 Musicman Stingray5. Amazing sounding bass, a few dings & chips from gigs but easily one of the best sounding SR5’s I have owned. The white has aged nicely into a creamy white colour. It’s just back from a full overhaul by my guitar tech including - Deep clean • Fretboard restoration • Neck de-gloss • Fret level crown and polish • Electronics inspection • full multi-step setup Totalling - £325 Comes with original MM case, case candy & white pick guard. Bass is in Glasgow if anyone wants to try it out first. Lots of nice SR5’s for sale on BC just now, not to fussed if this doesn’t sell. £1400-
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Don't worry @Sean, I fixed my bass teacher's 5-string Tobias (yes, the original, and when it was brand new). There were issues with sound, and the electronics most likely worked by accident. After just a couple of minutes (*) of fixing the preamp, wires, contacts etc., I was confident that it would work for years to come, as it did. *) When something takes at least 3 hours, I've heard Australians say: "Just a couple of minutes."
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2002 Pedulla MVP4 in charcoal AA flame with original Bartolini soapbar pickups and ebony fretboard. I bought this from Mansons guitar shop in Exeter in 2004 and despite being well used since then it’s in great condition- the neck is as straight as the day it was made and it plays perfectly. Comes with the owners manual, original Pedulla branded hard case (which is a little worse for wear) and a truss rod adjustment tool (not original) which I think I’ve had to use three times in the last 20 years. One pot has been professionally replaced but I have the original if you want it. Super low action and thin neck but this thing has a huge beefy sound. Some minor cosmetic scratches and so on which I’ve tried to show but most would probably buff out. About 10 years ago a small section of lacquer started to separate from the edge of the fretboard, again could be fixed if you want something immaculate. An awesome bass but I have too many and it’s not getting enough use. You don’t see many of these up for sale and are only going to go up in value over time now that Mike Pedulla has retired. Collection only from Bristol. Not looking for trades, sorry. Here’s the blurb from Pedulla: Pedulla MVP4 – Where Precision Meets Power Experience the legendary craftsmanship of the Pedulla MVP4, a bass designed for players who demand uncompromising tone and playability. Hand-built with meticulous attention to detail, the MVP4 delivers a rich, articulate sound that cuts through any mix, thanks to its premium woods and proprietary electronics. With its sleek neck-through design, flawless balance, and ultra-smooth feel, this instrument offers effortless performance whether you’re laying down grooves or exploring melodic lines. The MVP4 isn’t just a bass—it’s a statement of quality and artistry, trusted by professionals worldwide. Key Features: • Neck-through construction for superior sustain and stability • Custom Pedulla electronics for versatile tonal control • Ergonomic design for maximum comfort during long sessions • Stunning finishes that showcase its boutique heritage -
I could be wrong, but it looks like the other side, where the sound/air comes out.
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I like the look of that Guild. What's the tuning, considering it's a 8 stringer ?
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No idea Sir, beyond my technical knowledge, as are most things. -
Does it have any kind of buffer added to the piezo circuit?
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Worth it for the straighter string path past the nut alone... seriously though, it's spiffy looking.
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Very blurry, Ibanez Black Eagle?
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As someone who should know better and who rarely buys cheap cr4p, I will put my hands up and say that cheap soldering irons/stations are just landfill. I found out the hard way of buy cheap, buy multiple times. Spend a few quid on decent kit. Cheap stations have vague temperature control, they can have thermal lag after delivering their initial heat and the actual temperature versus setpoint can be off enough to screw up your work. Also, the tips are rubbish, although you can use good tips with them but that doesn't fix the other issues. The vague temperature control and lag can lead to dry joints, component damage through overheating and just frustration with the job that can lead to burnt fingers. The recommendation from @itu on 60/40 and 63/37 is very good too. Lead-free solder plus cr4p gear is a "challenge" to say the least. I was reminded of my own past failings recently when someone showed the difference in quality of the work between the looms in a Nash Jazz and a Limelight Jazz. Now, the quality of the work in the Limelight has nothing to do with the price difference of £1k vs £2.5k between 2 different partscasters. The quality of the work in the Nash is what it's supposed to look like and that in the Limelight was just unacceptable. I'm capable of getting both results and even following the same process, the big difference is the gear and the solder.
