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  2. Hi all, I'm shortly going to be stripping and refinishing a Stingray 5. I picked it up quite cheap as it needed a refinish so I am going to be sanding and stripping it myself and then sending it on to someone for a refinish - unless i sand back to the wood and it has a lovely grain then I may consider a tru-oil finish with a poly top coat for a glossy finish. So basically, the (colour) world is my oyster... what would you have? It has a maple neck and fingerboard, natural headstock and currently sports a black scratchplate. I would like to change the hardware for black lightweight options as I like black on a SR5 and it looks a bit tired. With a fresh finish, I would prefer it to look nice and new. So... i don't want a plain black or white finish, if I go solid colour, something funky could be desirable... I do like the look of the new Kiwi Green colour which is now available... What combinations look good in your book for a SR5?
  3. Spitting sawdust does not even come close and to add insult to injury, after wr got going again, my mic was “not working”. I managed to joke that I did not sing much in the second half. At the end he said that he did not realise how much I sang until he could not hear me. Classic comment of the night “ I have tried everything else it must be the one of the cables feeding back”. Anyway thanks again for your help, Phil.
  4. FOR SALE BROUGHTON MESSENGER D.I. in Mint Condition I bought this fairly recently from a fellow Basschatter, but I have too many preamps and have decided to move it on. I'm asking £200 and will post it to UK Mainland too. Also, if you buy this preamp I'll give you a free preamp! A Sonicake B Factory which I also bought from a Basschatter to use as a spare, but it's not really to my liking so I'll throw that in for free! Here's the blurb about the Messenger D.I from the Broughton website: Introduction The Messenger is a high fidelity instrument preamplifier, perfect for the studio, live performances, or practicing at home. The preamp offers a wide array of features in a compact, easy to use format. Up to 15 dB of clean gain Shelving bass and treble EQ Variable low pass and high pass filters Middle EQ with adjustable frequency Headphone output Auxilliary stereo input with level control Unbalanced line out and balanced XLR out with ground lift Foot switch function can be assigned to either bypass the EQ or mute the signal Input The 1/4" unbalanced input can accept instrument level signals from various sources, such as electric bass, guitar, acoustic guitar, and keys/synth. If you wish to use a line level signal, it is recommended to use a higher supply voltage (up to 24V) to provide adequate headroom. The input impedance is 1MΩ. Low Noise Gain The Volume knob provides clean, low noise gain to the instrument input, ranging from -∞ to +15 dB. Set the Volume knob at noon for unity gain. Equalizer (EQ) The EQ is a boost/cut type, providing +/-15 dB of range, and is flat with the knobs at noon. The EQ is applied to the instrument input signal only. The auxilliary input is unaffected. The Bass is a shelving type EQ, affecting frequencies below 80Hz The Treble is a shelving type EQ, affecting frequencies above 3kHz The Middle EQ affects the frequency set by the associated Middle Freq knob The Low Pass and High Pass filters are 12dB per octave active filters with a smooth response in the pass band Auxilliary Input The 1/4" auxilliary input accepts stereo signals from your music player. If you wish to use an audio source that only has an 1/8" output (such as a smart phone), you will need a separate 1/8" to 1/4" cable, like the Hosa CMS105. The Aux knob controls the volume of auxilliary input, and varies from -∞ dB to unity gain. When setting the volume of the auxilliary signal, start with the knob at minimum and gradually turn up the volume. The auxilliary signal is only present in the headphone output, and is not affected by the EQ or foot switch. Outputs The 1/4" line out is an unbalanced instrument level output, capable of driving other pedals, amplifiers, or preamps The 1/4" headphone stereo output can drive headphones or in-ear monitors. The auxilliary signal is sent to the headphone output only The balanced out can drive long XLR cable lengths, and includes a ground lift switch. The Messenger will safely block phantom power applied from a mixing board. The balanced out is not attenuated. Be sure to have the receiving device set to line level sensitivity (not mic level). The Volume and EQ settings affect the instrument signal in the line out, headphones out, and balanced out Foot Switch The foot switch bypasses the EQ section. One use of this feature is to compare your affected and unaffected signals, helping you to determine if you have made the right EQ changes. Another use is to switch in an EQ setting for a part of a song, such as for a solo, or a song that requires a different tone than normal. The foot switch function can be assigned to mute your signal instead of bypassing the EQ. To assign the function, set the internal toggle switch to the down position. If you wish to assign the function back to EQ bypass, set the internal toggle switch to the up position. Power Requirement The Messenger requires a DC supply (not included). The supply must be at least 9V, but no greater than 24V. The Messenger draws 25mA. The connector must be a boss style, 2.1mm barrel, center negative polarity. A 24 volt power supply may be purchased separately. The Messenger does not accept a battery. Phantom power will not power the pedal, but no damage will occur if applied. Dimensions The Messenger is 4.8" wide x 4" long. Thanks for looking, Ian
  5. Partner said yesterday - this needs a good hoovering. I said “it’s gets used for every single trip to the tip, it’s a very small car, and I have no free time when there is also daylight - what did you think was going to happen?”
  6. And very good it is too - the fizz that the blend control isn’t really to my liking but the sweepable mods more than make up for it. I removed the two red clipping LEDs from that part of the circuit and it was much more useable!
  7. Looking at these as one pic, I thought someone had spiked my cornflakes!😮
  8. Senseless Violins - Sparks
  9. Yep, what they said. Everything that has been suggested above, and just keep at it. At some point it will become second nature. It's the whole 'patting your head and rubbing your tummy' thing.
  10. The Begringer ADI21 is a Paradriver clone
  11. Even a mega comfy and capacious Skoda Superb estate gets torturous after ten hours traveling before the gig, LOL!
  12. ezbass

    Hi there!

  13. I didn’t realise that you took my Peugeot. TWOCker
  14. have you not read over the last 8+ years why Scott wears a glove ? I wonder if a playing style with lots of hammer ons and pull offs, bends, vibrato and fretting hand tapping might exacerbate it or if there is a genetic component that makes some more susceptible ? Even diet may have a role, Scott has stated being on atkins style diet seemed to reduce his symptoms so he could shed, record and gig more
  15. I assume you mean being trapped in a mobile torture chamber on wheels for ten hours, @Geek99 ? 🤣
  16. Thank you! I’ve sent you a text.
  17. Thanks Dave, will def still be playing, got my non gigging classic rock band and a new (to me) Sandberg Superlight California TT to make that easier. Spot on
  18. Ok … I have a newer, higher bar to aspire to 👍 edit- there is a parallel universe where I’m even half that capable but sadly I don’t live in it 🤷
  19. Is that a statement or a warning ? 😂 Dave
  20. Nice Stingray. Got a notion for one at the moment but need to get some more gig money first 😂 Dave
  21. No one leaves basschat whilst still breathing
  22. when you know its time, you know and i wish you all the very best in whatever else you get up to Lozz. Hopefully not giving up bass completely and you'll still be on BC as normal. Dave
  23. I think, this is from situations I've been in, it's the continuous wash of a 'what are the chords?' ( rather than a specific part) chord bashing type guitarist. Particularly on a piezo equipped acoustic into a PA. I've never found any amount of, or quality of, bass gear that can cope with the lack of space in the arrangement. Keyboard lefthand obviously also. I would always choose the right part played at the right time on mediocre gear over the opposite. I remember reading an article with George Massenburg being asked about how you make a great record. He just said all you need is a great musical arrangement....he didn't say one of his mega fancy mastering EQs or anything.
  24. Coming to China is always an option 😁 There's a direct flight from London to where I live twice a week.
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