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  1. Past hour
  2. Somehow I have managed to not buy any basses, but there was one more tier 2 failure (a Fender Jaguar, for playing jazz on).
  3. Awesome man, yeah they're great things. If the other doesn't sell I will build something 🤣
  4. Big bottom? Talk about bun cakes my girl’s got em! sorry…. Couldn’t resist…
  5. Congrats looks very nice indeed! I absolutely love my GB fusion 5 but absolutely love the wood on these! The Pickguard is off mine but I’m yet to fit any capheads and it looks great without! Enjoy!
  6. Premium ultra-low noise, high headroom analog mixer, Hardly used, boxed, £115 MY FEEDBACK ON BC. 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps 4 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound Neo-classic "British" 3-band EQs for warm and musical sound New studio-grade FX processor with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects, Tap function and storable user parameter settings Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins and ultra-low latency driver downloadable at www.behringer.com 7-band stereo graphic EQ allows precise frequency correction of monitor or main mixes Revolutionary FBQ Feedback Detection System instantly reveals critical frequencies Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image Voice Canceller function for easy-to-use sing-along applications 4 fully equipped stereo input channels featuring 2 additional mic inputs on channels 5/6 and 7/8, 3-band EQ and input trim control Channel inserts on each mono channel for flexible connection of outboard equipment 2 aux sends per channel: 1 pre fader for monitoring, 1 post fader (for internal FX and/or as external send); 2 multi-functional stereo aux returns Balanced main mix outputs with gold-plated XLR connectors, headphone/control room output and stereo rec outputs Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving Rack mount brackets included for ultimate flexibility Designed and engineered in Germany
  7. all the answers are good. The thing is that you really don't need to oversize. The resistance of the cable is going to be close to zero because you are dealing with a really short length. As to power handling you hve to remember the speaker is playing music not continuous current. Most of the time there is little or no signal and any note you play decays quite quickly. It's normal to think in terms of a duty cycle of 15-20% but that is allowing for a considerable safety margin, under 10% might be more 'real world' use so 20W for your 225W speaker would be a more reasonable rating. The voice coil of your speaker is wound with hair thin copper wire only slightly thicker than the strands in your cables and that doesn't burn out in normal use. Like @Stub Mandrel I use a couple of cores from any mains cable laying around most of the time, even 1mm lighting cable is plenty big enough. The reason speaker cables use thicker wire is to keep resistance to a minimum on longer cable runs. That's not relevant for the 40cm wire inside the cab.
  8. Luck of the draw really, I managed to find a 95 stingray that weighs 8.6lbs...they do exist if you look hard enough lol.
  9. Today
  10. The hardness of the fingerboard mainly makes a difference to the percussiveness of the sound. A graphite neck with phenolic fingerboard will sometimes add a "shimmer" to the sound too. But you do often find that there's a big difference in attack and percussiveness, for instance when one maple fingerboard is glossed and another isn't. There are a huge amount of variables at play. So are you keeping the "chunkier" maple neck on your 'Ray, KillerFridge?
  11. I’d agree, and I don’t see a lot of scope for lateral movement there
  12. So which one of you is the Gordon Murray of the Bass World? It is utterly fascinating, but I generally don't take things apart. I have been genuinely surprised at how light my GB Spitfire & 95 Stingray are, though. Also, has anyone found that lighter basses seem to resonate better?
  13. Very nice, these look much better than the NJS line to my eye
  14. Interesting. I'd always thought of string spacing as the distance between each string, rather than the length of the string.
  15. Cry Like A Baby - Bourgeois Tagg
  16. So the question is would this knock someone out of the running??
  17. Kingdom Cone. (Obscure 90s metal band but good bass player)
  18. I think @itu is right. A standard 9V battery can't supply huge amounts of current, and between any losses in the step-down circuit and the start-up draw of the pedal it probably can't cope. You can try it from the 9V pedal supply, that ouught to be able to handle the startup current. If that doesn't work then it may be the lighter circuit is a problem. A 9V-5V converter is only a few quid on Amazon: https://www.amazon.co.uk/Converter-Module-Transformer-Voltage-Regulator/dp/B09B829DL9 It's also designed for the job. If none of that works then an alternative could be to use a USB power bank as the 5V supply, strapped under the pedalboard.
  19. would also accept trade for an iPad pro T.Hanks
  20. I Wanna Make You Scream – Battalion of Saints
  21. Let me know what 42mm wide 5 strings you come up with.
  22. Replied, and thanks for all the bass ❤️
  23. Very reasonably priced for such a fantastically simple and effective compressor
  24. Led Zeppoli Sex Pistachios Iron Maid :cleaning service, £12/hr 😂
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