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Wish our band would go down that route. Might swing it for next year as we will be mostly using PA hire company for our gigs. Once he has it set up on the desk he just saves the settings. Will def be looking into it for next year. Dave
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Graphiteneckchat - calling all graphite neck enthusiasts!
obi 2 kenobi replied to Kiwi's topic in General Discussion
Definitely interested in a SR4 or SR5 neck. Had a status SR4 years ago which I sold on this forum. But would need to be a complete headstock match to stingray like Status made to tempt me. -
Could go down in history as one of the great insults π€£
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FS: Ashdown Drophead 200 fliptop combo
Beedster replied to Beedster's topic in Amps and Cabs For Sale
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Huge Hands started following Very Belated Harley Benton PB-50 Build Diary
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Hello all, I am very late in posting this up, but Christmas 2023, I bought my son a Harley Benton acoustic g****r from Thomann and managed to sneak myself in a PB-50 (sunburst a'la Sting) into the order. All delivered to my house from Germany before the big day for under Β£200. I don't really play 4 strings these days but I love the original Precision look. I have not seen a decent 5 string one without blowing a wads ot cash on a custom, so thought I would get it for my own guilty pleasure, and at that price (I think it was Β£105), it was hard for me to refuse I liked the bass straight out of the box and apart from filing down a few rough fret edges, it was ready to go. I spoke to forumites on here who kindly sent me the templates to cut down the headstock to match. This concerned me as with my blunderbuss approach and giant sausage fingers, I reckoned I'd be left with a snapped headstock and a bloodstained house. But then during Christmas 2024 I had a dafter idea. I have always loved the look of upside down headstocks, so why not look for a lefty neck for it? I also looked for original look bridge and pup covers.... I was talking to @Merton about it last week and realised I hadn't posted a thread about it I did complete it in January and don't have the greatest amount of photos from the build, but happy with the results, so here we go ...
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wateroftyne started following Live Aid
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I don't think they were..? They were just beginning their 'Long, drawn out arrangement' phase. (edit) I will say that it sounds like their TV feed was mixed by a drummer...
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Martin bought a Swan Flight case from me. Great communication and quick to send over the payment. Hope you enjoy the case! Thanks, Mike
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Quatschmacher started following A lesson in perfection - Freddie Washington
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A lesson in perfection - Freddie Washington
Quatschmacher replied to musicbassman's topic in General Discussion
Check the album too - Short Court Style. -
The Sinking Belle (Blue Sheep) - Sunn O))) & Boris
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Played a rare gig with backline and without inears over the weekend...never again (if I can help it). I'd forgotten what a rare thing it is to have a decent onstage sound (I didn't have one, obv), and obviously everything was wayyyy too loud...pfffttt... Once you've gone inears (with your own mix), it's tough to go back...
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There is something weird going on when you have both volumes on full, I've always found it better to back the neck pickup volume back to about 75%. Definitely both tone knobs wide open though. Then amp / pre-amp EQ to suit (plenty of mid though). I see @Jasper has his mid set around 75% (ish), treble a similar amount & bass around 60%. Sounding quite nice. π
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Bought a flight case from Mike, it arrived super quick and very nicely packed. Thanks.
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It's perfectly capable as a buss comp, I had it on the master buss for years, but it also works as a pair of tracking comps, which is now its main function, maybe as a drum or guitar buss comp in the mix. It's a very versatile unit, sounds great.
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Black Sheep of the Family - Rainbow
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Nige! π He deps for us now and again... The Inn On The Wharf is a great gig, we're trying to get back there ASAP...
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B E A D G C is the tuning. And trust me they are all BASS!!
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It was a memorable weekend back in 1985. During the morning of the Saturday I moved into my first purchased house, starting as early as I could so I could set the tele up and watch the show. Iβd stretched myself to the limit to buy a new-build semi for Β£22k. Different times.
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Β£128 Ibanez TMB on Amazon
Sean replied to YellowLedBetterBass's topic in eBay - Weird and Wonderful
It shows as Β£279 for me. -
John East P-Retro - never to be made again?
Beedster replied to CameronJ's topic in Accessories and Misc
That's good to hear, I understood that supply of the rechargeable battery was the core of the problem, glad John's found a solution. A very elegant piece of design and engineering π -
FS/FT - Nr Mint 1994 Yamaha TRB6 Six String (Β£1400)
Cairobill replied to Cairobill's topic in Basses For Sale
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Muzz started following John East P-Retro - never to be made again?
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John East P-Retro - never to be made again?
Muzz replied to CameronJ's topic in Accessories and Misc
Zombie thread revival, I know, but I've recently bought a P-Retro from John - they don't have the silver knobs in stock, and the website looks like it's Out Of Stock completely, but they're not, they have the black ones. It's now a v2, I think the change is the battery. I shouldn't be surprised (because I've got U-Retros in everything else), but it's a stellar preamp; it takes the workhorse P and, somehow without changing it fundamentally, takes it into another league of usability. That two-way parametric EQ thing is genius (clockwise for mids boosted around the frequency point of the other dial, anti-clockwise for a bass/treble boost/scooopiness), and the selectable pull-bass (4 points of boost, I use the 100Hz one) is really useful. It sits post-tone control, and when switched out you have your original tone without any bells and whistles. As if you'd want that... π Not exactly cheap, but for my money (which John now has π) it's worth every penny. -
Thanks guys, I agree re both. I bought this when I was playing upright in a 3-piece band which had a very specific challenge with live sound and especially vocal monitoring (some songs required 3-part harmonies supported by upright bass, slide guitar, and banjo. I'll give you a few minutes to calculate the chances of the whole thing being in tune with anything but 100% monitoring fidelity......) Anyway, I loved the guys and and the music, but ultimately it was a real niche band (think Wood Brothers gigging the pubs of Kent), and we sacked it shortly after I bought this unit. My current band is one of these rare beasts that plugs into a mixer, plays, and barring a few tweaks, sounds good, so replacing the simplicity of the current Peavey desk that works really with the (relative) complexity of this unit seems unnecessary. A sound guy who I was talking to at our last gig however said he'd love to get his hands on one of these because it makes his job infinitely easier. Guess it's horses for courses π