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Stand Back - Stevie Nicks
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NickD started following Strunal 5/35
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Obviously I can't speak for that particular bass, it's history, setup and all that... But I play a 5/35, and it's a good solid bass, sounds good, and seems to be quite insensitive to the weather, temperature, humidity, etc. Over the past few years I've had the bridge reprofiled and a fingerboard shoot, which has improved playability, but I've no complaints at all really.
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pmt was ok ...i bought a squire and even had a couple of basses worked on plus strings and pedals ..i think there is now no other option for me other than online.
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HeadlessBassist started following First gen classic vibe Vs sire p5
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Like he said ☝️ Try both and see which you like the sound of best, and which feels best in your hands. Remember that you're obviously going to need to allow for the instrument not having your ideal setup or favourite strings, but you'll know which one it is. My generic personal preference would be the Sire. They offer a lot of quality bass for not much money, especially on the used market.
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FS: Ashdown Drophead 200 fliptop combo
Beedster replied to Beedster's topic in Amps and Cabs For Sale
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Slimming down my studio gear at present, aiming to only have what I need rather than a lot of spare capacity! This has been very well looked after and has probably ad no more than 200hours use (still has the plastic stuff on the display!). I only use it for tracking as I use a UAD Satellite to manage plugins while mixing. Come with all original packaging/documentation. Happy to courier or for collection in person in Whitstable or London Also moving on a pair of Towsend Labs/UAD L22 Sphere modelling mics here
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Competition Burgundy for the win 😎👍
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I depped for Tiago once (I believe he is in Cambridge). Apparently, he was in college with pianist Hiromi Uehera and played in her trio. I had not heard this band although I think I have heard of them somewhere on my travels. Sounds great. I'd dep for him with this lot if he ever needed me to 🤪 Just looked it up. It was a band Tiago played in called Q3 led by pianist/composer Martin Hallmark. All original compositions. It was a nice gig. Electric bass (my favourite).
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I’m Coming Out - Diana Ross
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Warwick Masterbuilt Thumb NT5 - Bubinga pommele with black hardware
tvickey replied to tvickey's topic in Basses For Sale
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Warwick Masterbuilt Thumb NT5 - Bubinga pommele with black hardware
tvickey replied to tvickey's topic in Basses For Sale
Warwick s/n lookup says this is product number: 1275080004BWBPOWWW, which is a product number still being used today. IF those specs have not changed for this product since 2016 (SOME specs have though, e.g. Ratio tuners, brushed metal pickup covers,... why does Warwick use the same product number ) then it has the following: Fingerboard Radius: 26" (660 mm) Scale length: 34" (864 mm) Long Scale Width Nut: 45,0 mm / 1.8" Width 12th fret: 60,8 mm / 2.4" Width 24th fret: 69,11 mm / 2.7" I can't get more quantitative than that at the moment, as I'm traveling. Neck feels pretty comfortable to me, so I don't believe it is a 'broadneck' Thumb, if that is what you're wondering. 'Broadneck' NT5 (product number: 1975671004BWABPFBW) has the following specs: Fingerboard Radius: 47" (1200 mm) Scale length: 34" (864 mm) Long Scale Width Nut: 47,0 mm / 1.9" Width 12th fret: 71,5 mm / 2.8" Width 24th fret: 84,38 mm / 3.3" - Today
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We played our first full gig last night (we did a short set at a charity event few weeks ago) We couldn't of hoped for better. The venue is outside but part covered... it's a bit different which makes a great place to play. We were all worried that we'd have problems with the mixer like at rehearsal, but all was good. There was a decent sized crowd with added benefit a hen do were there (big tick for target demographic there). It was our singer's first ever full gig and she was fantastic. She was insanely nervous to begin with, but after a couple of songs she was loving it. The manager told us it was the best attended night so far this summer and we'll get booked again, definitely. Also a guy from another band said he'd drop our name to a really good venue with good rates. A 10 out of 10 night.
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Breakout - Swing Out Sister
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Breakdown - Tom Petty
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The Machine Stops - Level 42
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So just in from an absolute belter of a gig. Used my Senheiser IEM100’s in combination with my X-Vive U4 and due to getting there nice and early I had time to tweak my in-ears mix as well as eq them better with the result that I think I’ve just had the best gig ever on a difficult stage sound-wise.
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Hey BigThumb. Sometimes ,despite everything we as performers do to ensure a good sound at our gigs , the world of construction materials and reflective surfaces make it an un-winnable fight. Don’t be so hard on yourself. All these factors add to the stress of having new/returning members and new songs and therefore impact on the performance. Your next gig should be based on things that you can control and not things that you can’t. Upwards and onwards (or is that Buzz Lightyear’s saying?). DLTBGYD!
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Gig 2 of 3 this weekend. This one was at the White Hart in Ashby de la Zouch. It can be a bit hit and miss sometimes. It was pretty much empty when we arrived, but before too long more and more people came in and we had the whole place jumping. I'm not sure if bands really do drum solos any more (?) Moby Dick went down an absolute storm! Ideal time for me to grab a quick photo. Note the security staff and the local pastor team at the window. You can also see my "stingish" Sub5 and Fender Rumble there. The bass has been promoted to the better gig bag - the one with the band cards in it 😁 So anyway, the really strange bit. We play "dad rock" - pop, rock and prog rooted firmly in the 70s. We usually attract old blokes to our gigs. Ashby is a bit different - it's a really buzzing town on a Saturday night, lots of pubs, lots of transient crowd. So there's more of a wider mix of people than normal and we're getting them to linger - all good stuff. Half way through the night four stunningly gorgeous young ladies came in, dressed in their underwear by the look of it. They grabbed themselves a pint of Guinness each and then started dancing right in front of the band singing along loudly to pretty much everything we played. Not only that, but after we'd played Oh Well they asked for another early Fleetwood Mac song - Albatross! - Then danced along to it. There were a few people in the crowd that found it quite amusing watching us trying not to stare at the gyrating ladies, although we did make a few more mistakes than usual. What a great night. I love it when the room is in full swing. Most important though... ...the purple suede Gazelles
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Doing so would also make up for half the bass only entertaining the area behind the tent. I pity the drummer's right foot though.
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The Last Time - Rolling Stones