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So i picked up an old UK made ABM 300 Evo II (not the one i linked above, i found one for much less). Thing sounds great but there is a constant buzz, even when my bass is turned right down or even with nothing plugged into the input at all. If i plug into the Effects return the amp is silent. Im assuming that means the issue is in the pre-amp section?

Original Funky Drummer!

Did our monthly duo gig yesterday at The Sun Inn in Beverley, usual request format. Plenty of people in, including one table of folk from Ilkley and another from Sheffield. Probably the most requests we’ve ever had, with some nice stuff we haven’t played much, or ever! These included ‘Can’t take my eyes off you’, ‘Change the world’ ( which I love), ‘Let it be me’ , ‘ Dakota’ ( which I’m starting to dislike a lot now…) and then for an encore Albert Lee’s ‘Country Boy’. My guitarist partner was on fire in this, despite us losing the delay repeats at one point, and with no drummer to blame too! A very jolly gig in a great venue, with a lovely audience and some dancers as well. Used my Sire U5 into the Rumble 500, which has more authority than the 100 combo I’ve used before. Next one there is in late August, so looking forward to that already.

This seems to be a recurring feature at many gigs. Any mileage to be had using short-boom mic stands, such as this one..? Thomann : Mic stand ... ... or a goose neck instead of a boom..? Thomann : Goose Neck for mic stand... Just a thought. Any use, anyone..?

Indeed.

this^ we have just had a request for I Wanna Be Sedated for one of our gigs, they don't come any simpler than that but it's a great song and good fun to play IMO. It's one those where you think why is this simple song so good, I remember a quote for the Gay Moore when talking about great guitar riffs, "A great guitar riff is one that is so simple you think to yourself why didn't I think of that?"

Frank's bass was one of the few you could actually hear, apart from Geezer's (with his massive purple Ashdown rig, which I now really want ) and Josh from Halestorm. Poor Rudy Sarzo deserved better in the all-star segments, he was completely buried in the mix.

Love his work with the Mizell Brothers production duo. In particular the Gears album by Johnny Hammond from 1975.