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  2. I don’t work for Focusrite anymore, but that’s a fairly standard response in any industry. If you want a warranty repair, buy new (I think Focusrite’s is a pretty solid 3 years), if you’re buying used, you’re sacrificing the warranty for a cheaper price, and you accept the potential for paid repairs. I feel like that’s on you. FWIW, when I left, I believe that Scarlett hardware ‘failures’ within the warranty period (first 3 years of life) were <1%, so any issues on that front is pretty unlucky, with almost all repairs coming in under 1 hour. I wouldn’t have thought Clarett’s are much more than that. Cheers Si
  3. 1. Anything Trace Elliot that doesn't run on Hitachi or Semelab TO3 Mosfets 🙄 2. Precisions with rounds 3. Stingrays with flats 4. Lefty players with upside down righty basses🙄 5. Righty players with upside down lefty basses😬 6. Amps with missing knobs! Phew. I feel better already getting all that irrationality out in the open. Dear Basschat, thank you for being my catharsis!
  4. I strongly counsel against buying an (expensive) Focusrite interface; I bought a Clarett 4Pre (used) and it blew up after a couple of months use. Whilst you might think thats the luck of the draw, Focusrite support didn't really offer much in the way of support for an (supposedly premium) interface that was only a couple of years old - just the possibility of a (paid for) repair at a 3rd party with no guarantees that even after paying £££ for that it would even be repairable.
  5. OMG what a beauty!
  6. How do we know that's not pronounced yiff? (Make sure you're not at work if googling that one)
  7. For sale is my Epifani amp. This has been my backup amp for a few years and has been used a few times. As I hope you can see from the pics, the amp is in excellent condition and is in full working order. It will come with the following: · Original manual (in colour) · Carry case with strap · Rack ears · Kettle lead There is information on the web about the amp and Epifani in general. This is straightforward amp and the simple control set make it very easy to dial in your tone. Specifications - Power: 850W RMS @ 4 Ohms, Class A/B - Preamp: Solid State - EQ: 3-band with switchable treble frequencies (3 kHz and 6 kHz) and a mid-cut control - Tone Controls: Bass (shelving +22dB @ 40Hz), Mid (peak +17dB @ 550Hz), Treble (shelving +22dB @ 3kHz/6kHz) according to Esse Music Store - DI: Balanced, pre/post EQ - Cooling: Variable speed fan - Input: 1/4" TS (470k Ohms passive, 200k Ohms active) - Connectors: 1/4" TS input, SEND, RETURN, TUNER OUT, FOOTSWITCH (1/4" TRS), DIRECT OUT (XLR), SPEAKERS (combo Speakon) - Dimensions: 3.5" H x 12.5" W x 10" D - Weight: 7.5 lbs - Voltage: 110-240 Volts - Frequency Response: 20Hz - 25Hz I would prefer collection or meet up but I am prepared to post to UK mainland as I think I have enough suitable packaging. This would be at cost to you. £525 ovno please. Here are some pics:
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  8. I made the rookie error of trusting one of my students. A long time ago I took my class of hairy rockers into a theatre pit to play West Side Story with the Performing Arts dept on stage. I downloaded the whole thing on Midi Files and then loaded them into Logic. I printed them out as TAB and handed them to my hairys. To make sure we had a safety net I had piano tracks on a CD. This was back in the day. We radically were running a silent pit with everyone on cans. There were some tidy players in the pit with 3 drummers sharing duties and everyone getting a good crack at it given numerous shows. The fight scene (if you know the show) was absolutely rocking. We ripped off a Steve Vai/Chick Corea version of it. Lots and lots of fun while they were really being stretched. Of course, not everyone was a player and there were students who needed to be accommodated with various roles. I shall call him Dave. He was clueless in virtually all aspects of the course. He was put on monitors (which were set and forget) and playback. How much of a mess could he make? We got to the quiet number before the finale of the first act. This was programmed on the CD to wind down with some gentle piano arpeggios and segue on the same track into the finale. Dave, who was chemically enhanced by then, hit stop at the end of the arpeggios. The intro the "The Jets are going to have their way tonight" etc just did not happen. That song was meant to start at 2:36 in the track. There is no way he could queue it up again even if he was operating at 100%. And he was not. So I turned to, let's call her Sue, on the keys and hissed, "Give me a G". "Huh?" she responded. "Give me a G", I hissed louder. This, while all the cast were frozen on stage. I started singing "The Jets are going to have their way tonight" acapella. The cast joined in and hammered through it. Acapella. With all the moves to the music which only existed in their minds. How we all laughed. A few weeks later. The energy levels on stage were insane, though!
  9. Yep - I had a feeling it might either be tumbleweed or crikey!
  10. The best. Glwts
  11. Hi, For sale the above, in full working order and great condition. Not needed now, recording finished. Price includes UK Mainland Delivery.
  12. Today
  13. Play the game - Queen
  14. GIF has to be gif not jif, because the g is for graphics.
  15. GIF has to be gif not jif, because the g is for graphics.
  16. Will the bassist be required to stand too close to the back of the singer whilst blinking aggressively? 🤭
  17. Happy update. Got a can of Kobra "Venom Red" from the local DIY store and this is the colour I was hoping for (going for an Audi Quattro sort of a colour scheme).
  18. how funky is this groove? Man why wasn’t I a teen in the 80’s🙄. 2000 Neo soul shaped my ear
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