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  1. Past hour
  2. Jay2U
    American Idiot - Green Day
  3. Quatschmacher
    No problem. I hope you enjoy using the FI once you’ve got your head around it and its idiosyncrasies.
  4. upside downer
  5. Quatschmacher
    As I stated earlier, this is being addressed in the forthcoming update: all global menu parameters will also be accessible via the editor.
  6. Stub Mandrel
    I'm probably going to set up a couple of banks with colour washes, then program a few banks as short chases.
  7. Stub Mandrel
    Yes, but they are quite subtle and hard to see aside from a few obvious things... the condenser traces (three at top right) have MUCH higher frequency response and are much more sensitive. The drum mics and the (very old, cheap and nasty) Ross 338 have better low end, even though the T-Bone one has a cheap as chips insert chosen for a claimed good low-end response (it also has very low sensitivity). The SM58 is low sensitivity as well. Some have a distinctly lower response below around 32kHz and a few have apparent extra dips and peaks, but hard to be definitive.
  8. dave_bass5

    Valeton GP-5

    dave_bass5 replied to Al Krow's topic in Effects

    So who's upgrading to the GP-50? Already placed my pre order in.
  9. bnt
    Breakfast in America - Supertramp
  10. Rosie C
    My cheap generic controller arrived today. £21 posted. It's good at creating scenes. Less good at programming chases as editing an error in a chase is awkward, and it seems to automatically play a chase then move to the next one, rather than keep repeating the same chases as I'd expect. I bought it for a gig next week, though we only have 4 LED par lamps. I'm thinking to not bother with the chase and just have 8 scenes in the first scene bank for colour wash.
  11. dmccombe7 started following Your best (and worst!) bass gear purchases of 2025?
  12. dmccombe7
    Some really nice gear listed so far. That blue Sandberg i especially like. 2 purchases for me this year not including stage gear. #1 Barefaced 212 cab that is now my main gigging cab along with the HB WB-100 amp. Could do with a little more mid punch but i've recently increased the mids to 3 o'clock and its made a huge change in tone. Not much happened from 12 to 2 but 3 was a WOW moment. #2 Next off was a set of nut files to let me lower the strings a touch on my Overwater J4 and that now feels a lot better. First time i've ever adjusted the nut height and it could come down a little bit more. No worst purchases this year. Excuse the stage mess. It was a sound check and cleared for the show..............honest.
  13. ikay started following Feedback for JazzyJ
  14. ikay
    Just bought a Cali76 from Ian. Splendid chap to deal with, good comms, super quick delivery (arrived next day), well packed and pedal in excellent condition. Thanks Ian!
  15. Rosie C
    I had a pretty bad face-to-face viola exam, just after covid. I got a 'merit' but it still put me off doing face to face exams. I have since done a couple of grades with Rock School which I found to be a little less formal.
  16. Jean-Luc Pickguard
    Lady Marmalade — LaBelle
  17. BigRedX
    So it is. Confusingly it's 3/4 of the way through the manual rather than being at the end where I would normally expect to find it. It is also rather sparse and AFAICS I will need to use the 4 flexi controllers if I want to do anything interesting with MIDI control of a program's parameters. I assume that since they are in the Editor their assignments can be changed per program rather than being global? The MIDI implementation chart does answer my question regarding program mapping - it's only available on send and not on receive. Which you have just confirmed. It's a little disappointing that not all the parameters are accessible from the Editor application. It would be a massive improvement of the usability if everything was accessible via the Editor, or at least those parameters that can only be changed from the pedal interface itself were made A LOT MORE OBVIOUS in the manual Thank you for all your help, I realise that as a new user with unconventional requirements I'm probably asking lots of weirds and difficult questions that never occur to most potential users of this device. I appreciate the time you've taken to help me. I'll email the maker now requesting that the Instrument mode either be changed on a per-program basis or separately by MIDI command in a future update.
  18. Al Krow
    We're bloody lucky to have Peter on hand to deal with detailed queries like this! Amazing customer service!
  19. graham1945
    Purchased by me in 1972 from Sound City, Shaftesbury Avenue and extensively used throughout the 70's and 80's until GAS took hold! It has been refinished many times since the blue sparkle finish seen in the Fender catalogue. The current finish looks OK but isn't great, with a few marks and a chip near the jack insert. The original pick up was soon added to with a John Birch steel guitar near the bridge, which sounded great. The feint outline of this pickup is still visible. This was replaced by the Bartolini MM pickup at the bridge by Mansons of Exeter. The original Fender pickup was then outed in favour of the Bartolini PB pickup installed by The Bass Gallery - the battery is for this pickup. Currently the bass sounds better than it ever has. Original reverse thread tuners. 34" scale. Truss rod works. Hardly any fret wear. Around 4.3 kilos. Bit of neck dive. Strung BEADG instead of EADGC. Original bridge. 15 frets only. I've loads of photos which I may have to post separately. The case is a fairly cheap TGI one in good condition. A bit difficult (for me anyway) to access the higher frets due to a rather bulky neck pocket and the left over damage from a broken wrist. The buyer may like to restore this to its original specs, but I assure you the pickups now fitted sound infinitely better than the original one. Any questions please ask. The price is firm, and no exchanges thanks. I'm now 80 and certainly don't need any more basses! Meet up somewhere in the south is the preferred course of action
      • 1
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  20. Today
  21. Robert Manning
    hey there, I believe it’s the usual MM width. I’ve attached an image with the measurements there for you. cheers
  22. Leonard Smalls
    Jam Fan - Bootsy's Rubber Band
  23. kevin_lindsay
    Traffic - Stereophonics
  24. Sweeneythebass started following Ken Smith Burner 5
  25. Quatschmacher
    Yes.
  26. Quatschmacher
    Instrument mode is wholly independent of program. It is possible to play the same program in either mode. (I did suggest the possibility of having something in the editor to log which mode the user wanted to use the patch with in a previous update round, but it was deemed too much work/unnecessary at the time.) (Pre-v4 FIs could switch mode automatically depending on whether audio or MIDI was detected at the input and it’s feature that is now not present, due to the fact that the MIDI and audio modes now inhabit two separate areas of the memory. I do wonder if there might be code space to add a similar function that can switch between the two quickly. I’ll ask. Instrument mode can’t currently be changed via MIDI command either but I’ve been asking for this for a while. If you email them asking for it, it’ll lend more weight to my argument. Yes, and they are all detailed in the manual. Currently anything in the Global menu and the two Global options on the Parameter dial.
  27. Me And My Bass started following Ken Smith Burner 5
  28. Me And My Bass
    Selling my stunning Japanese Ken Smith Burner 5! Bought from Bassbro’s but has sat unused since, to scared to take it out giging! It is nice and light too which is very noticeable on this one - 3.6kg. For its age the bass is in great condition for its age with only some minor marks in the finish and 1 small ding on the back of the body, other than this it is in excellent shape for its age. Included is the original gigbag. These are pretty rare basses - £2000. Bass is in Glasgow, happy to post at buyers cost. Trades - Nice Stingray SR4 2 band Body Wood – Swamp Ash Body Finish – Gloss Neck Finish – Gloss Neck Wood – Maple Fretboard – Rosewood Frets – 24 Scale Length – 34″ Weight – 7lbs15oz/3.6kgs Electronics – Ken Smith 2 Band Gigbag/Hardcase – Gigbag
      • 3
      • Like
  29. miles'tone
  30. Quatschmacher
    It’s under “MIDI Implemention” in the table of contents funnily enough. 🙂
  31. Jay2U
    Stop in the Name of Love - The Supremes
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