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Marvin started following Google Veo 3
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I wholeheartedly agree. There's nothing about AI that interests me in the slightest, especially regarding art. It's a complete oxymoron.
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jonnybass started following Renting vs buying first bass
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I’d back this 100%. I’m pretty new to this, buying my first upright from @Happy Jack in October. I’ve thrown myself in and I’m loving every minute. Couple of gigs done and some recording. great fun but apart from “note geography” it’s not like playing electric. Jonny
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Byo started following Where to get pedals fixed?
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Martin Owen, from Owen Electronics, was my guy... he repaired a few pedals for me back in 2017-2018. After a quick search, looks like his website no longer exists... His business email was: [email protected] Not very helpful, but I will follow this thread as I will also need pedals looked at down the line and without Martin, I am not sure who to go to either.
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Johnnyguru started following Chowney
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Got my 2021 Chowney swb1 couple of weeks ago. Real pleased till I found tge neck had crack that the previous owner did not tell me about🙁 Anyway managed to glue it up, looks great now with a set of Labelka tapes on. looking forward to learning to play it now.
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Going Underground - The Jam
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Well I'm no way as handy (or patient) as you @The Guitar Weasel your restoration has been really impressive to read!
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Forgot to mention that the general rule of thumb with the Meatbox, and other variants like the Mantis Density Hulk, has always been to max out the controls and let the pedal do its magic via the PA. Mantis even released the version with the EQ knobs inside the casing as users tend to run the thing maxed out anyways. Beware, you can fry a speaker and even a power amp section if you are not careful! There is so much low end content that amps struggle, hence the PA + Subs approach.
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All I can say as regarding the sound it an absolute funk machine. I have totally been blown away with it. I have a few stingrays but this bass just sounds a little different in a good way though.
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Ultimately, you need to make it your interpretation, rather than a slavish copy of PP’s line. One of my fave tunes to play is I’m Gonna Tear Your Playhouse Down (that pesky Pino again), there are some things that I just can’t do smoothly (the outro for instance), so it has to be an ez version. Vultures is another sneaky tune from that Mayer album.
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Wow, that’s quite a beauty, can I ask how they sound
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edpirie started following PJB Double Four
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Here we have a red PJB Double Four with a proper earthed psu. It took a bash at some point - you can see the roll bars did their job but they’re both bent, one more than the other. It’s probably easy enough to straighten them but I’d prefer to sell with the damage fully visible. Still rock solid. Also the clip light doesn’t work. Otherwise all working as it should and amazing bass tones out of such a small box. Hopefully I’ve priced it fairly to reflect the condition. Meet-up in London/Margate ideal, but can hunt for a box and price shipping.
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Two mighty fine basses on the loggia settee: Serek Midwestern and Wilcock Mullarkey.
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Great way to describe him ez 😁 and yes, it’s the timing that keeps catching me out, I kinda jumped straight in but I think I need to listen to it a lot more first, thanks 🙏
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Your best bet is to take some pictures and post them in the EUB and Double Bass Forum. That's where people who might be able to advise you are likely to be found.
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Sansamp Paradriver V1 in great condition * now £140
Clarky replied to Clarky's topic in Effects For Sale
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Sean started following Ibanez SRX700 Natural
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It's a superb example of Carol Kaye's bass of choice from 2002. These don't come up too often. Condition is remarkable for the age. It's even got the plastic film on the cavity covers. It's Korean-built and we know they know how to do neck-through properly. The build quality is stunning as is the grain of the ash wings. The neck profile is what I'd call slim modern J. Controls are: Vol, Blend, Treble, Bass. It's been deep cleaned and set up beautifully (med/low) with D'Addario EXL170BT strings. that's a balanced tension set. As per all my rosewood board instruments, it's been treated with Montypresso. Frets are level and polished to 7000 grit. All electronics have been checked and all pots cleaned. Truss rod is perfect. It's 4.4kg. I've got proper packaging and am happy to ship insured at buyers expense, which will be about £30.
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It’s Pino, innit, it was never going to be straightforward; he’s a sneaky bugger. Good luck in your endeavour.
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Fender Made in Japan Short Scale Jazz Bass, Piano Black. Awesome short scale bass, only selling to reduce number of basses and unfortunately not getting much use. I can't see any scratches etc on it. Imported from Japan in September 2024, around £850 new including import duties. Can include the Fender gig bag it shipped with. Price now dropped to £650. Weight is 3350g. Although collection preferred, I can ship. If so, will send UPS insured with an extra cost of £35. Will need to purchase a proper bass guitar shipping box and packing so will mean shipping is somewhat delayed. Description from original seller below: The Made in Japan Junior Collection Jazz Bass features a 30" scale fingerboard with traditional Fender looks, The 30" scale fretboard makes it an excellent choice for entry-level players and younger players who are just starting out. The 30" scale fingerboard makes it easier to play chords and reduces the burden on the fingers when pressing strings, The compact body, scaled down to approximately 94%, and the new body cavity design make it lighter, providing greater playability. The newly designed Junior Collection Modified Single Coil Jazz Bass pickups provide the extended, undulating tone of a Jazz Bass. Vintage tuners and a vintage-style 4-saddle bridge ensure tuning stability. Neck Material Fingerboard: Rosewood Fingerboard radius: 9.5" (241 mm) Neck Finish:Satin Urethane Neck:Maple Neck Shape:Modern "C Number of frets:19 Nut Material:Bone Nut Width:1.5" (38.1 mm) Position Inlay: White Dot Nut Material: Bone Body Material Body: Basswood Body Finish: Gloss Polyester Body Material:Basswood Body Shape:Jazz Bass Hardware Material Bridge:4-Saddle Vintage-Style Control Knob:Black Plastic Hardware Finish:Nickel/Chrome Neck Plate: 4-Bolt Pickguard:4-Ply Tortoiseshell or 3-Ply Mint Green or 3-Ply Eggshell String:Nickel Plated Steel (.045-.105 Gauges) Tuning Machine: Vintage-Style Electronics Materials Bridge Pickup: Junior Collection Modified Single Coil Jazz Bass Controls: Volume 1.(Middle Pickup), Volume 2.(Bridge Pickup), Master Tone Middle Pickup: Junior Collection Modified Single Coil Jazz Bass Pickup Configuration: SS
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edpirie started following Elektron Digitone
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This is a mk1 Digitone in very good condition with original psu, no box. Loaded with a bunch of additional presets, and I have a print-out of the manual and cheat sheet. The only issue with it is that the volume encoder is a bit wobbly. Apparently this is quite common with some of the older Elektron boxes, looking at the Elektronauts forum, and it does not affect the function. Still, I’m listing it with a decent discount just in case it needed seeing to down the line. Meet-up preferred in London/Margate but can ship Parcelforce 24.
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Renting vs buying first bass
The Guitar Weasel replied to Fishfacefour's topic in EUB and Double Bass
Actually I think that's why it's easier to come to double bass if you're not an electric bass player first. They are radically different instruments. -
2006 Rick 4003 in jetglo, good condition *final cut to £1800
Skybone replied to Clarky's topic in Basses For Sale
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Byo started following DOD Meatbox behaviour
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I can't answer for the noise you're experiencing, but regarding the Meatbox itself, I have always found it behaves differently to a regular octave pedal. I have always used mine on a clean parallel signal that is split from my compressor and goes straight to a DI and to FOH. Never in line with my amp or other effects. The intent behind the Meatbox, or at least the meta that Juan Alderete popularised, is to give you that ultra low bass extension that pushes the subs in a venue. Emulating the range of a 808 synth. The eq controls, as far as I recall by memory, were around 30Hz and 60Hz (I could be wrong), which will make any amp sweat a little if you are pushing them. This is essentially killing all your headroom too. Maybe the perceived volume drop is based around the frequencies that are boosted when the pedal is engaged. Not sure if you have access to a second amp or a PA system, but if you can split the signal into two separate rigs, you will really be able to balance your main sound and the sub accordingly.
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