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Possibly the guy I saw in Bognor a couple of years back. Hugely talented, but what a racket.

From the product website site: "Very water, dirt and abrasion resistant. Highly resistant to common liquid spillages such as water, juice, tea, cola and wine. Saliva-resistant and sweatproof." What sort of gigs do you play @ped??

I bought an effects pedal from Simon. It arrived exactly as described after a very smooth transaction. Great communication too. Thanks Simon!

Now I might be able to lay my hands on one of those. In the first instance I can just take one out of the PC and see if it fits.

Isn’t he now POTUS, or is it the haircut that is?

Shep bought my Octamizer. Great communication throughout the transaction and fast payment. Enjoy the pedal!

Thanks for that Andy, a really nice story. I'd guess that the success of the Ampeg small format all-tube models from the PF-20 through the 50 and up to the V4B suggests that there is a market for all tube heads below the more usual 300w plus, in part perhaps because for example the post power stage DI on some of the models makes them a far simpler gigging and recording proposition? I have to say I'm currently looking down the back of the sofa to see if I can scrape the cash for the 800D, had it been the all-tube model I initially thought it was, I'd be parked outside Anderton's already

Mowing The Seeds Of Love - Tears For Fears

Sort of easy to miss....you know.

Another good question, nothing is off the table and personally it's something that I would like to do... in part to honor my dad's memory since he started his engineering career during the (all) tube era designing servo amplifiers (which are similar to audio amplifiers). He then went on to handle spacecraft attitude control on the Mariner Mars project which allowed him to step away from strictly hardware design and into the control systems side of servo theory. My dad passed away 2 years ago at the age of 90, this model was the last amp that he provided his insight on (he remained interested in engineering and math until his death). It's also why I followed in his engineering footsteps at university. I wouldn't rule this out either, but there's nothing immediate on the table either. I'm always open to hearing what YOU PLAYERS would like to see, sometimes that's what provides the impetus for new projects.

It’s a great excuse to dress up, if that’s your thing. I still have my white jacket that I rolled up the sleeves of. Then came the jacket that you see in my avatar.

I've been on a bit of a journey with my Euro. I have taken the tonepump out and added an LHZ3 in. I took the pair of EMG TWs out and added in a EMG 40p5 and a 40J, essentially trying to turn a 5 string euro into a classic split p + J 1980s NS. Only issue has been...EMG. The first attempt had a p5 where the width of the magnets didn't cover the G. As such the G is weak sounding and bad to play. I tried a second EMGP5...same problem. Have any of you experienced this? The other issue is that the 40J is....quiet. notably less output than the 40P5. I'm not running a blend pot. It's two seperate volumes. But I'm having to ballpark a blend by rolling off the p5 because it just bullies the J. And I hate doing that. Just feels like it's not working as it was meant to. Have any of you experienced a quiet J? I've had two of them. Both quiet. Lastly, I'm abandoning the P5 and trying the six string 40p. This might cover the G. I am taking a risk that the A will get caught between two rails and be weak. But we will see - it can only be as bad as the 40p5 farce. Have any of you ever tried this out? Overall, I've tried to mod a Euro and I'm on the verge of cathartically defenestrating the entire thing. I didn't care for the sound of a satin finished Euro maple fretboard with the tonepump and TWs. I'm chasing the classic Spector tone. Trying to undercut the US model because I can't afford one brand new (£6500+). I'm running out of ideas. I've seen a bit of chat from some of you LHZ modders and I wonder if you have any tips because so far I'm feeling like I have botched this 'un. Anyway. Tinketytonk.

This is complicated. I want to point out that if we look back at the history, we should be aware that today's social media is faster and far more aggressive to judge people compared to historical composers and musicians. If we dig any deeper, there are many, many very controversial opinions said out loud. Such that today many would nail those persons right away. We are wiser than ever before - so was the people in Germany in the 30's. Still I read news on a daily basis which tell me about wars, famine, dictators... Why it is impossible to solve problems instead of cause more of them? If Roger Waters supports Russia instead of Ukraine, Pink Floyd still has a few good songs. Prokofiev, Wagner... let's not go to this. As was seen from @Beedster's flag example, there are lots of loud people who do not understand satire at all, although satire can be done like Kenny Everett did: with the best possible taste.

Flymo to the moon - Basie and Sinatra

Miami Mice?