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  1. Past hour
  2. : popcorn 🍿
  3. The earth from the neck pickup is normally wired to its pot, but the nature of the metal control plate doesn’t make this an absolute, just so long as it is earthed somewhere. If you don’t access to a meter, disconnect the bridge pickup and wire the neck pickup to that pot to see if the problem goes away (dodgy pot) or remains (dodgy pickup/wiring).
  4. The wiring is totally correct, assuming there's no grounding issues as it's relying on the metal plate and that the pickups themselves are working. Take that multimeter, check the pickups resistance and the grounding continuity. Then come back with your findings.
  5. Joyo Ironman Rushing Train mini pedal, mint condition, complete with box. This is a Vox style amp sim pedal. £20 posted within UK.
  6. Joyo Ironman Husky Drive mini pedal, mint condition, complete with box. This is based on an OCD type drive pedal. £20 posted within UK.
  7. Hi all! Still haven’t been able to sort the issue as have been super busy and using my new 5 string jazz bass primarily on gigs, I opened up the bass today and I think it may be wired wrong from the factory, as I have not touched the wiring since I bought the bass from new, and it doesn’t appear to match up with any diagrams that I have seen online, I have attatched a picture so that those with a little more experience than me can have a look. Does this look right? All the diagrams I have seen suggest that both wires from the neck pickup should go to the neck pickup volume but this is not the case with my bass. Any help would be greatly appreciated
  8. It's been a few weeks since I started this. Sadly I was hospitalised after a nose op went wrong and I enjoyed the hospitality of Bradford Royal Infirmary for a while. This has not been forgotten though. The design has now been finalised and printed up. Here's some earlier designs. This was rejected as I wanted the control panel area to be a panel to and bottom. This is the latest design, with all four pieces glued in. The frame is very stiff and the glue is as strong as the filament so twisting it to breaking point could be anywhere on the frame, not at the joints. The next steps are lightly sanding down the rough areas. This is printed at 0.2mm height and the fastest speed the Prusa can do. I have sacrificed a little quality for speed, but as the frame will be sanded, filled, sanded, covered,sanded primed, sanded, painted, lightly sanded and then finally multiple coats of a finish, the reduction in quality will not make any difference. I know this because I've tested it. I am aiming to have zero printing lines visible so its indistinguishable from any other type of non FDM finish. It does have the tummy cut at the top but I'll show that later. I'm also trying to do the same design for a bass as well Thanks Rob
  9. I think sometime its just my mood. Loved it before, now im hearing something else. Same headphones etc. I had the B1Four out during the week and could hear it on that, and it's less pronounced on the 60+, but I just cant get rid of it. When im playing along to music it's fine. If I didnt have the EBS sitting next to it (and hadn't spent over £300 on it in July) maybe id be more open to the 60+. Definitely going to give it a go with the band before I make any decisions. I was hoping to replace the EBS but I'll have to see.
  10. I have had that with every zoom effects pedal since the B3
  11. You only live once....go for it!
  12. Akai MPK25 MIDI keyboard/controller Solid, reliable MIDI controller with programmable rotary controls and MPC style pads. Features MIDI in and out along with expression/sustain pedal inputs. If connected to a computer via USB, the MPK25 detects which DAW you are using, and is designed to work with most major ones out of the box. Fully working. Comes with user docs, Ableton Lite demo CD, and USB-to-MIDI cable (this supplies power). Can also be powered via external 9v power supply (sold separately). Please message if you have any questions
  13. Today
  14. Will of course listen to sensible offers
  15. If I wasn't so sensible, that Decision P would be hanging on my wall. So good.
  16. I had lessons with Ian in 2018. The first lessons I'd ever had. It as an eye opener. That was before his zoom days. Just sitting in front of such a great player and soaking up what he was doing, and how he was doing it, was worth it. Ian didn't change my basic style, I'm probably too old for that, but he added more layers to what I do. He also got me off my backside, widened my horizons, showed me different ways of getting the job done, suggested playing material I would never have attempted. Basically added to my technique and the way I approach songs. Stuff I was too lazy or blinkered to work out for myself!!
  17. You won't regret it and if you can pick up a used one you can get your money back. Hope it works out for you
  18. Nice
  19. Yea, ive been looking at that. I think I would be fine with just using the pedals foot switches at the moment. I am struggling to get it to sound as open as my EBS. Im only using headphones and im sure through a rig it would sound fine, but I cant get away from hearing something like a blanket over everything. Ive tried various EQ adjustments, but it's always there. I'll have to wait until next weekend when I'll be rehearsing and see how it sounds through a rig. It will certainly do the job if I can get past this issue.
  20. I love the portability of the Yamaha but I like the versatility of the RCF. I think the RCF probably wins because I can use it for vocals at other gigs. Appreciate the help team!
  21. You are making someone else’s gig happen so make the transition seamless. Be on time, know the material, sound good, look the part, make sure you know what the band leader wants and be flexible. Apart from that the floor is yours.
  22. What Hodge said above
  23. I believe in fashion catalogues that pose is known as “3rd position”…
  24. Went down to a local cricket club last night, we played it recently on a sunday afternoon, but this was an evening one. Couldn't start until 9 as they had some event ceremony. Its an odd layout as we can setup to face into the field or setup to face into the club - we compromised on a diagonal so we could do either as necessary, As it was we stayed doing the front - it was a nice night and people were ok outside. Sound sounded a bit weird but hard to get right in these places - the singer had to use a sax for his micophone as the transmitter was away being investigated for noise and he forgot tot pick it up. Played for the usual 1:15 first set, and then the drummer and guitarist decided to investigate what time their curfew was as we were effectively outside and there were houses around. Came back with 11, so no point having a big break, so we went back on. I was showing the guitarist the EQ as he was wondering about it, and realised I had put my vocal and bass in the wrong socket, so a few songs must have sounded weird! Really short second half and rushed through a few songs, all went down really well, it was getting crowded towards the end, as people were now half in and out. Kind of glad it stopped when it did. Unfortunately though it seems that for some reason in the last 2-3 months, our drummer has swung wildly right wing (where he never really seemed bothered about politics before), so just spent all the non playing time ranting about muslims. Hoping it is a phase, I can ignore so much, but this is so OTT, if it carries on then it would get rid of my interest in playing
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