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2006 Squire Vintage Modified Precision Bass in Olympic White for sale - with some modifications to dress it up like a 70s P bass. I will include the Thomann gig bag with the sale. I have always wanted a 70s P, but as a mainly 5 string player I knew I wouldn't use it that much so I didn't want to commit too much cash to one. So, I found a Squire VM P bass in Olympic white which had a few dings online and then proceeded to create my own. Personally I think it looks great and it saddens me to sell it but I could do with a little cash injection right now. So, the main change is the headstock. The squire details were removed and sanded flat, some discolouration added to age the wood, a 70s decal added and then a vintage amber Nitro lacquer from NorthWest Guitars. I have flatted it back and flatted off the sheen from the back of the neck so it's nice and smooth. Aged string retainer and neck F plate was added (I always intended to add aged tuners and bridge but never got round to it.) Body - it had a few dinks here and there which have been added to (nothing major to be honest) and the bass still has the Seymore Duncan designed pickups, original bridge and tuners. The olympic white has aged and yellowed really nicely and the rosewood board is nice and dark. I know this won't be to everyone's taste but if you fancy a 70s P and don't fancy the price of one, this could be for you! I have included a picture of the original squire serial number for information. Not sure what else to add about the bass. It plays great and sounds just like a P should. The previous owner changed the wiring to cloth wiring and added an orange drop cap to the tone control. Any trial is welcome and I have packaging to post. Will look at quotes and would be happy to share the postage costs.
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ash started following Moog Minitaur Analogue Bass Synth Module
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Moog Minitaur Bass Synth Module This is the up to date v 2.2 edition, comes complete with box, PSU and manuals. Lovely two oscillator synth specifically voiced for bass but can produce lead sounds too. The ladder filter is classic Moog with weight and width to the oscillators. It is a US made synth - Moog has since changed ownership and now mainly manufactured in the far east. The Minitaur is well constructed in a pressed steel case with nice positive action on all buttons and knobs. It is based on the classic Moog Taurus bass pedals of the 70’s as used by Rush, Genesis, Yes and more. All works as it ought to with plenty of control via the front panel, also presets and the ability to hook up to a computer and fine tweak sounds via free Moog software. The module is in excellent condition albeit with some cosmetic ‘rack rash’ on the sides of the unit. UK only, I’d prefer pick up in person but can post at buyer’s expense.
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Getting The Good Gigs, Talent, Networking Skills or Personality?
SteveXFR replied to Bluewine's topic in General Discussion
The main talent needed is entertaining an audience. Its entirely possible to be musically amazing but boring to an audience -
binky_bass started following Willcox Guitars Saber VL5 Fretless Trades
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Willcox Guitars Saber VL5 Fretless Trades
binky_bass replied to bigmuff69's topic in Basses For Sale
I had a 6 string Lightwave fretless for all of about 4 days before I traded it for a 9 string fretted ACG with @7string about 400 years ago... I'm not a fretless player, but I remember thinking it was an excellent bass and tempted for a few scary moments about keeping it! T'were it a fretted, it may have remained with me as the ACG has. This is a very good price for an excellent and quite unique thing! -
Sire z7 alder for sale Price drop £340 delivered in UK
BaggyMan replied to jezzaboy's topic in Basses For Sale
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Given the nature of the Bird... I'd prefer collection/Delivery but well packaged and very insured postage is possible. This one has been my gateway drug, and before i knew it i've bought myself an old single pickup model. It's in mint condition, and comes with a great padded gigbag. Pretty light at 3.8 kg, and personally I haven't had an issue with neck dive as these sometimes suffer from. These are proper neck-through models like the originals. As always please hit me up with questions/photo requests! .
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Dear Basschatters, I have a P bass body, along with original pots, neckplate (and bolts) and knobs, pickup screws (they look old but I'm aware they're just a bonus!), strap and bass case that I believe to be from a 1977 Fender Precision bass. I have some pickups too but they don't have any serial numbers or markings so I am not sure they are from the same bass. I am looking to sell the body and parts but I'd love to know if anyone can help identify the body especially. The pots are from 1977 and the body looks to be from then too but any help would be hugely appreciated. And any estimates on a price for it (as a package with everything or stand alone) would be hugey appreciated! Best wishes, Sam
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Over the last 3 years my band have done 4 charity gigs. They are all local, either at established venues or somewhere where to PA will be provided by the organisers. Therefore the amount of effort required on our part other than playing is minimal. We have also been able to sell some band merch which normally goes to offset any travelling expenses we might have incurred. We've played Oxjam Beeston three times now and the first two times we were definitely playing to an audience that had mostly never seen us before, and several of those have come to see us play at subsequent gigs. Having said that, the last time we played there was a good chance that the number of people in the audience who had specifically come to see us outnumbered those that just happened to be at the venue already. At Oxjam we get given wristbands that gets into all the other gigs for free, and overall the organisation is excellent so it's a joy to be able to take part. The other charity gig we have done recently was probably one of the best paying gigs we did that year. Again excellent organisation at an impressive venue where we were fed and watered and had proper back-stage facilities including a kitchen and a bathroom with a shower. Apparently these were for all the performers but we appeared to be the only band that wanted to make use of them. So long as we are doing gigs of this caliber we will be happy to play Charity events. Just remembered that Leeds Goth City Festival is technically also a charity event, but again it's well organised and all the bands are paid an amount that at minimum covers their expenses, and the organisers still manage to raise a significant amount of money for the charities they support.
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Baloney Balderdash started following Never use my G string
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I use all my strings. And yes, I do very often use the G string too. I am a very melodically founded bass player, that seldom just do root notes unison with the guitar.
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Another one with Mark Egan. This one is from the American Garage album. Pat Metheny Group - Airstream
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What new gear should be produced?
SumOne replied to Jean-Luc Pickguard's topic in General Discussion
More Basses with purple sparkle/flake paint jobs. -
Getting The Good Gigs, Talent, Networking Skills or Personality?
BigRedX replied to Bluewine's topic in General Discussion
I know it's probably not a popular opinion, but IME talent is probably the least import thing. So long as you don't mess up too obviously too often you'll be fine, and besides until you are totally without ability, you'll make less mistakes as you get more experienced. The other things are much harder to improve should they be lacking. I've managed to be a lot less obnoxious as a band member than I was in the 80s and 90s but it has taken 25 years of concentrated effort to achieve a more "chill" persona and being being in bands where I haven't been responsible for almost every aspect of the organisation has most definitely helped. -
HeadlessBassist started following What new gear should be produced?
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What new gear should be produced?
HeadlessBassist replied to Jean-Luc Pickguard's topic in General Discussion
The problem with the Bass Dept. at Andertons (and many other stores) is that they often have nobody to set up the basses, so you end up playing on grotty strings that have been played by all sorts of little Herberts who never wash their hands before playing, and actions created by speedy mass production which leave the strings three nautical miles off the fingerboard. If I go to Andertons, I usually stick some Alun Keys in my back pocket and do a mini setup on the bass I'm trying. That way I can at least feel if it's something like what I'm looking for. Obviously a bass is never going to sound how you want/expect until you get your favourite strings on it and get it set up to your own preferences, but I'm sure they don't mind carefully done small adjustments that make the bass more playable and therefore more saleable even if you don't end up buying it. As for what I'd like to see, I guess I'd like to see more aftermarket Graphite necks on the market, but hopefully Kiwi has cornered that side of things. -
TheSwing started following GENZ BENZ AMP SAC. Price dropped
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GENZ BENZ AMP SAC. Price dropped
TheSwing replied to gary mac's topic in Accessories & Other Musically Related Items For Sale
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Matt_gtr76 started following TC CORONA CHORUS £50 Delivered
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FaitalPRO 12PR320 12" X 2
JPJ replied to JPJ's topic in Accessories & Other Musically Related Items For Sale
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Here we have my DBX DriveRack PX professional loudspeaker management processor with matching DBX reference microphone for sale. I am the second owner, and this has lived in a flightcase all its life alongside my mixing console. Condition is used, although the reference mic was new this year (2025) has never been used in anger. A great tool for those of us who mix live sound from stage side whilst playing. I’m only selling as I have now upgraded my bass bins to a matching pair to my tops so will be using the internal crossovers to cut down on the weight of gear I shlep to gigs. Because I am inherently lazy, I asked ChatGPT to describe the functionality and this is what it came up with, which sounds accurate to me based on my experience. “The DBX DriveRack PX is a professional loudspeaker management system that optimises live sound systems. It combines automatic room tuning, crossover control, EQ, dynamics, and feedback suppression in one rack-mount unit. Using the included DBXRTA-M measurement microphone, you can run auto-EQ and real-time analysis to tailor your speakers and subs for smooth, balanced frequency response in any venue. Other key features include configurable crossovers, delay alignment, compression/limiting, and feedback elimination, making it ideal for PA systems, bands, DJs, and event sound setups.” I’m looking for £300 for the DriveRack and reference mic, or £250 for the DriveRack and £50 for the microphone. Collection from Killingworth Newcastle upon Tyne, or delivery at the buyers cost and risk. Any questions, please ask!
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Here is a collection of Kalium strings. I stocked up on these years ago when I was using them on all of my instruments but I've now moved onto Elixirs. Without bringing up recent controversies, these were bought before Kalium (formerly Circle K's) quality control seemed to nose-dive. I have two full sets of balanced tension strings in Hybrid (proprietary alloy... brighter than nickel, smoother than steel) and 6 steel singles: Hybrid set: 102-76-57-41 Hybrid set: 106-79-59-43 Steel singles: 98 x2, 73 x2, 55 x2 + 1 Single Elixir Nanoweb Nickel .135 B string. All in for £40 £30 £20 posted. Thanks for looking!
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Belka started following It's "for charity"
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During one summer in my university years (sometime in the late '90s) I thought I might switch from my usual pub work to do something else. I applied for, and was offered a job as a charity collecter - or what these days would be termed a chugger. Each day was a different pitch and a different charity. The deal was that for each pound collected, I kept 80p. another 10p (at least this is what I was told - it could have been more) went to the company organising us, and the last 10% to the actual charity (although how much of that actually ended up paying the salaries of staff at these charities and how much went to the intended recipients is another matter). I lasted two days - even as a money hungry 19 year old I could tell the whole thing was rotten. It was essentially high pressure sales, but with a bigger commission and no basic rate. That soured the whole meaning of charity for me for a good few years. Of course, perhaps, things are better now and not all operators are perhaps so cynical, but it is as you say, a business. As a musician, our function band has done one or two charity gigs. We made sure we got petrol money and a meal, and it was a better use of a Saturday night than sitting in front of the television, but the 'exposure' never lead to any gigs.
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I am finally becoming part of this comunity
PaulThePlug replied to Carlos-JC's topic in Introductions
Something Fishy about all those basses... - Today
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Swamp Ash Prototype. This is the one I thought I wouldn’t sell! It is a 2001 Electric bass with Swamp Ash body and Maple/Rosewood neck with bird inlays. So here is the special bit. When I saw it for sale at Absolute Music I thought there was something unusual about the serial number. I contacted the support team at Stevensville and here is the story. When Mr Smith has an idea for a new guitar model he keeps either the prototype or one of the production models and keeps them in the factory music room. The design for the EB4 had been settled and was in production but he wanted to try a Swamp Ash body, this is the prototype. It was not initially issued a serial number and only when a smart broker convinced PRS to sell some of the guitars in that room that this one made the cut. At that point it was issued the serial number 150. This is easily established by contacting the Support center at the factory. I have one of the production Swamp Ash models which was the first EB 4 I bought. This model is pretty much NOS and is mint. The only thing apart from cleaning and periodic playing is fitting GHS flatwound 105 strings which IMHO brings out the true tone of the SwampAsh body. I really dont like the idea of sending it so would prefer a meet up or collection and trial first hand. It really is special instrument and worth every penny of £1500 especially safe in the knowledge that Mr Smith himself thought it good enough to keep.
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Maybe I don't know, I don't use them. But its worth trying to rule out what is causing the issue. Does the AH have an external power supply or a proper plug?
