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  2. I had a Varitone on a (righty) Ibanez ST924 I was given by a client. It was much like the Tonestyler mentioned several times above, as it switches between various capacitor / resistor values (I don't know a thing about electronics) and doesn't function as a regular treble rolloff. I thought it was incredibly useful on that bass, and had a LOT of impact. That bass has a regular passive tone control too, and combined the range of sonic possibilities was ginormous. Wonderful bass! It now lives with my (righty) guitarist, who's very happy with it and uses it in his band with other teachers at the school he works at.
  3. Can't believe this is still here. Fantastic value for money and looks great. Love mine! GLWTS!
  4. Great little chorus pedal. Glwts
  5. The mate booking ours is in Stratford-upon-Avon. I guess it's IP sensitive too...
  6. Ah, very cool. Gets way more out of that pedal I guess then.
  7. Really? I just got two excellent seats on the side, a 1/3 of the way back for £175 each + fees.
  8. Perhaps when the ticket sales come to 3 million pounds a gig you might think about a tech!
  9. Limited edition only 50 made I believe, feel free to correct me if I’m wrong! Gated fuzz with two channels, channel 1 bypasses the tone pot and channel 2 includes the tone. Plus it has clean blend so you can quite a few different sounds out of it. Does that really spitty Velcro fuzz sound very well! There’s a couple of videos on YouTube showing what it can do. It’s not on my board anymore and I’ve been toying with selling it for a while now, mostly just with it being a limited run and it’s pretty cool but ultimately I just don’t use it these days and the money could be put to better use elsewhere. Annoyingly I don’t have the original box, must’ve lost it during a house move, but it will be packaged up securely. Price includes UK postage, cheers
  10. Hi @Noyzbite yes, still here.
  11. The "hole" near the attachment arm, isn't a blemish.... it's for adjusting the neck angle. I should have mentioned in my first post, that the necks on these are removable, for packing down smaller for taking on tour / air transport etc. But the beauty of the system is that you can finely adjust the neck angle to set up to your preference, and it's really quick & easy to do.
  12. That's a nice example - very unique too. Usually the headed S2-Classics have a continuous flat bottom edge, but this one has the headless body with the middle cutout at the bottom for the monorail tuners, but the headed neck. Looks all the better for it, too. GLWTS!
  13. Owned from new for around 12yrs, I bought this from Thomann and had it set up for Rockabilly. It definitely feels a step up from the entry level basses and I have used it live a lot. Most of its life has been more of feature in my living room though. The last couple of years I have been coming to terms with the fact that I need to sell it. Space is at a premium, it rarely gets used and I am of an age where the EUB seems the easier option. The specs are here Thomann link if anyone is interested. I added a pickup which has been useful - a David Gage Realist. People often call it a copper head. They’re industry standard and normally about £120 used. Mine is included with the bass at no extra cost to you. There is a tatty (by my high standards) gig bag and the strings are currently Gut-A-Like vintage ones Gut A Like strings You’ll see I added a few stickers. These should be fairly easy to remove. I’m happy to do it, or I can leave it. Equally I am happy to add more pictures. It’s currently lent against the wall in my place in Hungerford, where I am Sunday to Thursday evenings. Postage looks too hard to do so it would be a collection. I have gotten it in a Peugeot 107 before - not comfortably, so perhaps don’t bring the family if collecting!
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  14. These are great and I am only selling as I just upgraded to the BCB-90x. It’s set up with the daisy chain all in place. You just need to add your pedals and patch cables. Cut for six Boss sized pedals. Price includes UK postage. Check my feedback and buy with confidence. PayPal or bank transfer preferred.
  15. I’m a big fan of Boss pedals and have just re-done my board. I went a bit mad recently and have a fair few that are surplus to my requirements. All are boxed (initially the OC3 was listed as unboxed but I have since found the box) and only the super overdrive has Velcro on the bottom. I would grade these as at least 9/10 in terms of condition. Prices include UK postage. Boss Octave OC3 - £85 Boss Tuner TU3 - £70 Boss Super Chorus CH1 - £75 Boss Super Overdrive - £60 Boss Bass Overdrive - £80 I looked around online and believe these are priced to sell. Check my feedback thread and buy with confidence. PayPal or balance transfer preferred.
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  16. A small but powerful modular system I put together based around a Moog Mother 32 synth and sequencer. I added a Doepfer LFO A145 for increased modulation possibilities. I also added an Erica PICO DSP for onboard effects such as delays, chorus and reverb. There is a Doepfer mixer A138 and Behringer CP1A power supply. The modules are housed in an official Moog 104 HP case with some rack space left for more modules. The unit is unboxed and comes with mains adapter, patch leads as pictured. There is no midi lead included. The units are in very good condition and the Moog unit was recently serviced. The case has a cosmetic scratch at the front as pictured. I can include some extra rack screws. It’s compact but quite heavy as there is a lot packed into a small space! It is a great introduction to modular with plenty of patch options for experimentation. The Mother 32 has an onboard sequencer and small rubber ‘keys’ so it can be used standalone using headphones or an amp. It can be triggered by external midi or cv controllers. Selling as a complete unit. Pickup preferred but I can post UK only at buyer’s cost. It’s worth looking at reviews of each module to get a better perspective of what they can do. I’ll list on here to see if there is any interest before trying the usual….. One last try before I withdraw and sell the modules individually - price reduced.
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  17. Kluson bass tuners complete with ferrules and screws, all in working order Price to include postage
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  18. Tier... ZERO
  19. Regarding paying £300 to get the Steve Wilson remix of Farewell To Kings, I can help you out with that. I've got a budget-friendly alternative. The Steve Wilson remix is supposed to be "an immersive experience with more clarity and an in-your-face drum sound". Well, I remember getting exactly the same effect listening to that album forty-odd years ago by lighting some joss sticks, drinking a couple of pints of snakebite made with Carlsberg Special Brew, turning the music up loud, putting the speakers on the floor either side of my head and laying there smoking Embassy Regal cigarettes while the ceiling spun. Remix that Steve Wilson. We knew how to make our own entertainment in those days.
  20. Is suspected that may be the case - so can we define an "Epic" fail as spending a five figure amount on gear, and thus one above a T1 fail?
  21. In one of my old bands, we'd flyer the audience post gig and on these offer ridiculous things for the next gig: 'The best day of your life could be coming! Be one of our crew for a day! Experience the load in! The soundcheck! The interminable sitting around! The gig! The breakdown! The load out! Have a beer and a burger with us pre-gig!' Amazingly, a few people actually took us up on the offer. Complete strangers. It certainly made gigging easier having someone doing the heavy lifting.
  22. Today
  23. Mmmm… it’s easy to look as bands having large egos due to them getting huge and needing extra assistance so to speak. Whether we have time for bigger bands or not doesn’t really come into it . Bigger bands need roadies for example . That gives roadies paid work . This sometimes leads to permanent friendships with the band. Plus the techs are often friends of the various members of the bands ..looking after their mates as such . Plus the bands see other bands and copy them ,and their management advises them perhaps 🤔
  24. I found line level out of HX stomp and pad on gave me a really wide pallet of tones, cleaner on the low range and then more headroom before clipping on the high range. I was just playing with more saturated sounds influenced by @fretmeister's post - running the omnicomp into it. I built a clone of Barbershop, and now have a similar SSBS mini clone - and run them both, I think it's a different feel of drive.
  25. You could of course consolidate all of your smaller cases into this one easier to manage case.
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