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Connecting the speaker output of your Rumble to the input of an active speaker is definitely not recommended. You are likely to blow both the output stage of your combo and the preamp of the active speaker. You could run the "LINE OUT" of your Rumble to the active speaker though using an XLR cable, but your combo will still be running though it's own single speaker and seeing total load of 8 ohms. Rob

(Squier)

Stand Back - Stevie Nicks

Obviously I can't speak for that particular bass, it's history, setup and all that... But I play a 5/35, and it's a good solid bass, sounds good, and seems to be quite insensitive to the weather, temperature, humidity, etc. Over the past few years I've had the bridge reprofiled and a fingerboard shoot, which has improved playability, but I've no complaints at all really.

pmt was ok ...i bought a squire and even had a couple of basses worked on plus strings and pedals ..i think there is now no other option for me other than online.

Like he said ☝️ Try both and see which you like the sound of best, and which feels best in your hands. Remember that you're obviously going to need to allow for the instrument not having your ideal setup or favourite strings, but you'll know which one it is. My generic personal preference would be the Sire. They offer a lot of quality bass for not much money, especially on the used market.

Competition Burgundy for the win 😎👍

I depped for Tiago once (I believe he is in Cambridge). Apparently, he was in college with pianist Hiromi Uehera and played in her trio. I had not heard this band although I think I have heard of them somewhere on my travels. Sounds great. I'd dep for him with this lot if he ever needed me to 🤪 Just looked it up. It was a band Tiago played in called Q3 led by pianist/composer Martin Hallmark. All original compositions. It was a nice gig. Electric bass (my favourite).

I’m Coming Out - Diana Ross

We played our first full gig last night (we did a short set at a charity event few weeks ago) We couldn't of hoped for better. The venue is outside but part covered... it's a bit different which makes a great place to play. We were all worried that we'd have problems with the mixer like at rehearsal, but all was good. There was a decent sized crowd with added benefit a hen do were there (big tick for target demographic there). It was our singer's first ever full gig and she was fantastic. She was insanely nervous to begin with, but after a couple of songs she was loving it. The manager told us it was the best attended night so far this summer and we'll get booked again, definitely. Also a guy from another band said he'd drop our name to a really good venue with good rates. A 10 out of 10 night.

Breakout - Swing Out Sister

Breakdown - Tom Petty

The Machine Stops - Level 42

So just in from an absolute belter of a gig. Used my Senheiser IEM100’s in combination with my X-Vive U4 and due to getting there nice and early I had time to tweak my in-ears mix as well as eq them better with the result that I think I’ve just had the best gig ever on a difficult stage sound-wise.

Hey BigThumb. Sometimes ,despite everything we as performers do to ensure a good sound at our gigs , the world of construction materials and reflective surfaces make it an un-winnable fight. Don’t be so hard on yourself. All these factors add to the stress of having new/returning members and new songs and therefore impact on the performance. Your next gig should be based on things that you can control and not things that you can’t. Upwards and onwards (or is that Buzz Lightyear’s saying?). DLTBGYD!

Gig 2 of 3 this weekend. This one was at the White Hart in Ashby de la Zouch. It can be a bit hit and miss sometimes. It was pretty much empty when we arrived, but before too long more and more people came in and we had the whole place jumping. I'm not sure if bands really do drum solos any more (?) Moby Dick went down an absolute storm! Ideal time for me to grab a quick photo. Note the security staff and the local pastor team at the window. You can also see my "stingish" Sub5 and Fender Rumble there. The bass has been promoted to the better gig bag - the one with the band cards in it 😁 So anyway, the really strange bit. We play "dad rock" - pop, rock and prog rooted firmly in the 70s. We usually attract old blokes to our gigs. Ashby is a bit different - it's a really buzzing town on a Saturday night, lots of pubs, lots of transient crowd. So there's more of a wider mix of people than normal and we're getting them to linger - all good stuff. Half way through the night four stunningly gorgeous young ladies came in, dressed in their underwear by the look of it. They grabbed themselves a pint of Guinness each and then started dancing right in front of the band singing along loudly to pretty much everything we played. Not only that, but after we'd played Oh Well they asked for another early Fleetwood Mac song - Albatross! - Then danced along to it. There were a few people in the crowd that found it quite amusing watching us trying not to stare at the gyrating ladies, although we did make a few more mistakes than usual. What a great night. I love it when the room is in full swing. Most important though... ...the purple suede Gazelles