asingardenof Posted Wednesday at 11:27 Posted Wednesday at 11:27 On 31/08/2025 at 09:14, Geek99 said: I agree, if I can’t hear myself Theres no reference point and also no pleasure Edit : I like to think “I’m doing that and it sounds amazing”. I watched a phone recording of myself, an acoustic guitard and a talented female singer. I sounded loud to me, but was inaudible on the phone. She’s always telling me to turn up, maybe she’s right I get that phones don’t always capture bass well but you usually get something Our last gig I had to wear headphones to hear myself at all on the phone recordings, even when it was a bass solo. Quote
MacDaddy Posted Thursday at 23:08 Posted Thursday at 23:08 Well that was eventful. I'll write more tomorrow. 2 Quote
tauzero Posted Friday at 15:09 Posted Friday at 15:09 15 hours ago, MacDaddy said: Well that was eventful. I'll write more tomorrow. It's not going to be a reprise of the "Would you be in a band with a bigot?" thread is it? 1 1 Quote
MacDaddy Posted Friday at 22:46 Posted Friday at 22:46 23 hours ago, MacDaddy said: Well that was eventful. I'll write more tomorrow. Electrick Soup @ Ram Jam Records, Kingston. Ram Jam Records lives inside The Grey Horse pub in Kingston. A charming spot, if you enjoy one-way systems designed to punish mistakes. There’s no parking out front, so you sneak in through the side streets. Take a wrong turn and you’re sent on a sightseeing tour of Kingston. I took the wrong turn. 😖 We were last on, 9:25pm, so naturally soundcheck was scheduled for 5:30pm. Parking restrictions in Kingston run until 10:30pm, so I left the car a mile away. Halfway back to the pub, I realised my wireless bugs were still in the car charging. Back I went. By then it was 6:20pm, so I abandoned the rules and parked half a mile closer in a 6:30pm restricted zone. A calculated risk. When I finally got inside, the band were already soundchecking. I joined without pedals, without tuning, and straight into the house amp — a Hartke KB12. Perfectly serviceable. Loud enough, no complaints. I was the only one who used it. One of the bands had cancelled, so it was three in total. Two covers, one originals. The organisers were great, the onstage mix was fine, and the audience — small but enthusiastic — seemed happy. Mainly 90s covers, nine songs in, we attempted “Mama Told Me Not to Come.” The arrangement confused us, and the audience. The applause was replaced by silence. We clawed back some dignity with “Connection,” but “Mrs Robinson” had to be restarted because one guitarist couldn’t hear. Three more songs survived, then his amp gave up completely. Four songs left on the list, plus two for an encore. None played. The amp’s valves have since been replaced, so tomorrow’s gig should, in theory, last the full length. Shuker 3 -> Getaria wireless bugs -> Helicon polyphonic tuner -> Flattely Poison Ivy bass fuzz -> Hartke kickback kb12. 13 Quote
Norris Posted Friday at 23:26 Posted Friday at 23:26 38 minutes ago, MacDaddy said: Electrick Soup @ Ram Jam Records, Kingston. Ram Jam Records lives inside The Grey Horse pub in Kingston. A charming spot, if you enjoy one-way systems designed to punish mistakes. There’s no parking out front, so you sneak in through the side streets. Take a wrong turn and you’re sent on a sightseeing tour of Kingston. I took the wrong turn. 😖 We were last on, 9:25pm, so naturally soundcheck was scheduled for 5:30pm. Parking restrictions in Kingston run until 10:30pm, so I left the car a mile away. Halfway back to the pub, I realised my wireless bugs were still in the car charging. Back I went. By then it was 6:20pm, so I abandoned the rules and parked half a mile closer in a 6:30pm restricted zone. A calculated risk. When I finally got inside, the band were already soundchecking. I joined without pedals, without tuning, and straight into the house amp — a Hartke KB12. Perfectly serviceable. Loud enough, no complaints. I was the only one who used it. One of the bands had cancelled, so it was three in total. Two covers, one originals. The organisers were great, the onstage mix was fine, and the audience — small but enthusiastic — seemed happy. Mainly 90s covers, nine songs in, we attempted “Mama Told Me Not to Come.” The arrangement confused us, and the audience. The applause was replaced by silence. We clawed back some dignity with “Connection,” but “Mrs Robinson” had to be restarted because one guitarist couldn’t hear. Three more songs survived, then his amp gave up completely. Four songs left on the list, plus two for an encore. None played. The amp’s valves have since been replaced, so tomorrow’s gig should, in theory, last the full length. Shuker 3 -> Getaria wireless bugs -> Helicon polyphonic tuner -> Flattely Poison Ivy bass fuzz -> Hartke kickback kb12. I don't know whether to laugh or cry. I'll settle for a like 😂 1 3 Quote
Lozz196 Posted yesterday at 00:25 Posted yesterday at 00:25 Just got in from a Knock Off gig, supporting Therapy? at 229 Club London. Journey up not too bad, and managed to get parking right outside the door - result. Great backstage area where we could chill before and after the gig. Signal chain was Fender US Precision, via BOSS WL20L into my Sansamp, with my RM500 as a power amp. Therapy? kindly allowed us to use their cabs so I went into an Eden 810, so with that and monitors no trouble hearing myself. Therapy?s monitor mix was perfect for us too so soundcheck was one song and sorted. On at 7:45, for a 45min set, venue holds 600, probably 500 watched us. Being a streetpunk/Oi band we’re not really on the same scene but we went down very well, many people coming up to us afterwards saying how much they liked us and how well we complimented Therapy?, being not just a clone but offering something different. Footwear was my Vans trainers. 19 Quote
Mykesbass Posted yesterday at 06:44 Posted yesterday at 06:44 @Lozz196 Great gig. Not surprised you went down well as Therapy? don't nail themselves too firmly to a scene, so I expect their fans are pretty open to other stuff. The two albums I worked on in the early 2000s had a fair dose of Punk mixed in to the metal. And the drummer then, Neil Cooper, his first love was Jazz! 4 Quote
dmccombe7 Posted yesterday at 09:43 Posted yesterday at 09:43 9 hours ago, Lozz196 said: Just got in from a Knock Off gig, supporting Therapy? at 229 Club London. Journey up not too bad, and managed to get parking right outside the door - result. Great backstage area where we could chill before and after the gig. Signal chain was Fender US Precision, via BOSS WL20L into my Sansamp, with my RM500 as a power amp. Therapy? kindly allowed us to use their cabs so I went into an Eden 810, so with that and monitors no trouble hearing myself. Therapy?s monitor mix was perfect for us too so soundcheck was one song and sorted. On at 7:45, for a 45min set, venue holds 600, probably 500 watched us. Being a streetpunk/Oi band we’re not really on the same scene but we went down very well, many people coming up to us afterwards saying how much they liked us and how well we complimented Therapy?, being not just a clone but offering something different. Footwear was my Vans trainers. Thought you'd moved away from the P basses @Lozz196 Looks like a decent crowd for you too. Nice stage set up. Plenty of space. Nice one. Dave Quote
Lozz196 Posted yesterday at 10:19 Posted yesterday at 10:19 32 minutes ago, dmccombe7 said: Thought you'd moved away from the P basses @Lozz196 Looks like a decent crowd for you too. Nice stage set up. Plenty of space. Nice one. Dave I had Dave, but there’s the possibility that’s my last gig with Knock Off (I’m only standing in and they think they’ve found someone permanent) so wanted to go out playing my fave type of bass. Plus with a great gig like that, time to bring out the big guns so to speak. Am a bit sore today tho….. 1 Quote
Woodinblack Posted yesterday at 10:23 Posted yesterday at 10:23 Went down to a local cricket club last night, we played it recently on a sunday afternoon, but this was an evening one. Couldn't start until 9 as they had some event ceremony. Its an odd layout as we can setup to face into the field or setup to face into the club - we compromised on a diagonal so we could do either as necessary, As it was we stayed doing the front - it was a nice night and people were ok outside. Sound sounded a bit weird but hard to get right in these places - the singer had to use a sax for his micophone as the transmitter was away being investigated for noise and he forgot tot pick it up. Played for the usual 1:15 first set, and then the drummer and guitarist decided to investigate what time their curfew was as we were effectively outside and there were houses around. Came back with 11, so no point having a big break, so we went back on. I was showing the guitarist the EQ as he was wondering about it, and realised I had put my vocal and bass in the wrong socket, so a few songs must have sounded weird! Really short second half and rushed through a few songs, all went down really well, it was getting crowded towards the end, as people were now half in and out. Kind of glad it stopped when it did. Unfortunately though it seems that for some reason in the last 2-3 months, our drummer has swung wildly right wing (where he never really seemed bothered about politics before), so just spent all the non playing time ranting about muslims. Hoping it is a phase, I can ignore so much, but this is so OTT, if it carries on then it would get rid of my interest in playing 4 9 Quote
Stub Mandrel Posted yesterday at 12:31 Posted yesterday at 12:31 2 hours ago, Woodinblack said: the singer had to use a sax for his micophone as the transmitter was away being investigated for noise and he forgot tot pick it up. I spent 56 minutes trying to decipher that before I gave up 😁 2 Quote
Woodinblack Posted yesterday at 12:44 Posted yesterday at 12:44 11 minutes ago, Stub Mandrel said: I spent 56 minutes trying to decipher that before I gave up 😁 Haha, editing error! the singer had a sure wireless system for his sax, which always clicks and pops. After the last gig he gave it to a sound engineering guy to see what was wrong with it but forgot to pick it up so he had to use a sax mic on a stand! 1 1 Quote
dmccombe7 Posted yesterday at 13:03 Posted yesterday at 13:03 2 hours ago, Lozz196 said: I had Dave, but there’s the possibility that’s my last gig with Knock Off (I’m only standing in and they think they’ve found someone permanent) so wanted to go out playing my fave type of bass. Plus with a great gig like that, time to bring out the big guns so to speak. Am a bit sore today tho….. Looking good there Lozz. Dave 1 Quote
dmccombe7 Posted yesterday at 13:10 Posted yesterday at 13:10 2 hours ago, Woodinblack said: Went down to a local cricket club last night, we played it recently on a sunday afternoon, but this was an evening one. Couldn't start until 9 as they had some event ceremony. Its an odd layout as we can setup to face into the field or setup to face into the club - we compromised on a diagonal so we could do either as necessary, As it was we stayed doing the front - it was a nice night and people were ok outside. Sound sounded a bit weird but hard to get right in these places - the singer had to use a sax for his micophone as the transmitter was away being investigated for noise and he forgot tot pick it up. Played for the usual 1:15 first set, and then the drummer and guitarist decided to investigate what time their curfew was as we were effectively outside and there were houses around. Came back with 11, so no point having a big break, so we went back on. I was showing the guitarist the EQ as he was wondering about it, and realised I had put my vocal and bass in the wrong socket, so a few songs must have sounded weird! Really short second half and rushed through a few songs, all went down really well, it was getting crowded towards the end, as people were now half in and out. Kind of glad it stopped when it did. Unfortunately though it seems that for some reason in the last 2-3 months, our drummer has swung wildly right wing (where he never really seemed bothered about politics before), so just spent all the non playing time ranting about muslims. Hoping it is a phase, I can ignore so much, but this is so OTT, if it carries on then it would get rid of my interest in playing Politics, football and personal relationships (wife / partner) should be kept out of bands at all costs. There are plenty of other stupid and ridiculous stuff we can talk about. We are very lucky that we have an ex marine on guitar and his stories keep us amused at every gig when getting dressed for the show. Some of the things those guys got up to are quite simply outrageous and ridiculous whether it was serious or just for fun amongst themselves. Don't think we have any fanatical footballing fans in the band. We do talk about motorbike racing as guitarist and myself are into bikes. We do talk s***e about guitars a lot of the time tho. 😂 Dave 1 Quote
Stub Mandrel Posted yesterday at 14:04 Posted yesterday at 14:04 1 hour ago, Woodinblack said: Haha, editing error! the singer had a sure wireless system for his sax, which always clicks and pops. After the last gig he gave it to a sound engineering guy to see what was wrong with it but forgot to pick it up so he had to use a sax mic on a stand! It looked like a post from my famous thumbs. 😁 Quote
Stub Mandrel Posted yesterday at 14:06 Posted yesterday at 14:06 54 minutes ago, dmccombe7 said: Politics, football and personal relationships (wife / partner) should be kept out of bands at all costs. There are plenty of other stupid and ridiculous stuff we can talk about. We are very lucky that we have an ex marine on guitar and his stories keep us amused at every gig when getting dressed for the show. Some of the things those guys got up to are quite simply outrageous and ridiculous whether it was serious or just for fun amongst themselves. Don't think we have any fanatical footballing fans in the band. We do talk about motorbike racing as guitarist and myself are into bikes. We do talk s***e about guitars a lot of the time tho. 😂 Dave We have a Liverpool fan... that can be stressful, less so since we've persuaded him having a Liverpool FC banner at gigs is not always a great idea (it was ok at the Liverpool fan club gig though...) 1 Quote
dmccombe7 Posted yesterday at 17:22 Posted yesterday at 17:22 3 hours ago, Stub Mandrel said: We have a Liverpool fan... that can be stressful, less so since we've persuaded him having a Liverpool FC banner at gigs is not always a great idea (it was ok at the Liverpool fan club gig though...) In Central Scotland gigs we even need to watch what colours we wear 😂 Dave 1 Quote
Gank Bass Posted 23 hours ago Posted 23 hours ago Played a wedding at a stunning venue, first outing of my latest bass that was kindly built for me by a colleague who builds furniture in his spare time (any resemblance to other basses is purely coincidental or a result of a series of router slips) 10 Quote
WalMan Posted 22 hours ago Posted 22 hours ago Forgot photos. Anyway not a bad night at a venue that is normally busy but slightly less so. Another band on the same circuit as us that generally seem to have a big pull were down the road a couple of miles, though apparently someone went and came back and said it was also quiet there so 🤷♂️ I had some major brain fade moments towards the end. Read the set. Saw the song. Thought it was a completely different song and was expecting something different to start which confused the 🤬out of everyone while they started and I caught up. As anticipated from the rehearsal thread putting a new song as the closer for its first outing whilst a bold move was not the best plan. It sort of worked but fell apart at the end and was a close run thing. IEMs worked well though the leads would not stay attached to the new moulds so I had to revert to the old set. Gear was: FrankenJazz Helix effects Darkglass Microtubes Barefaced BigBaby 2 shoes…comfy barefoot Took the Hardpuncher as a spare tonight as it had sounded nice at rehearsal but not so good against the Jazz so that needs some more thought. 11 Quote
Woodinblack Posted 22 hours ago Posted 22 hours ago Well, better than last night, very little of the same problems of yesterday, but god was it hot! Luckily the club had some fans, but even so it was like a sauna. Not as well attended as some have been there, but for some reason the setup was easier, and I think we seemed to play much better. There were a couple of songs, Learn to fly, the singer decided to do the end part before the end which caused us an issue, and a few other fluffs, but nothing as major as that. At half time we found the guitarist that we had last year came to see us which was good to see him. I played the ric tonight, as I did last night, I really do like that bass live, apart from seven nation army, that is a bit shit for. Everything else it is great. Certainly going to feel it tomorrow though. And black Solovair boots, the broken ones. Oh I took the <£10 laser too.. 15 Quote
tubbybloke68 Posted 21 hours ago Posted 21 hours ago (edited) Just back from Stourbridge town hall where I played with the Phil Collins tribute, lovely old place and the audience and atmosphere were brilliant, decided on the GB Spitfire tonight, put lighter gauge strings on as a bit of an experiment. Had to push the low mids on the Tecamp puma and dial off a bit of the bottom end as it was sounding a bit ‘flubby’ , not tight and punchy how i like it, but after a good sound check everything was fine and nicely cut through as the show went along. My LFSYS Monza was fab as usual. Not very rock’n roll but enjoying a nice cuppa and a couple of bits of toast after a long drive back to West Sussex. Edited 14 hours ago by tubbybloke68 15 Quote
Cat Burrito Posted 3 hours ago Posted 3 hours ago Saturday night was a trip to London to play the legendary What's Cookin', for my friend Rich Davies and his band The Dissidents. I've been part of the band since 2016 and we have kept the same lineup throughout. They are all insanely good players and I like the fact that this keeps me on my toes. We had one rehearsal and I spent the week going through the set at home as we don't play live often and Rich had changed some keys of songs. I'd initally thought of bringing my Rickenbacker but midweek decided to change to my long scale Hofner Verythin bass. Rich wanted me to bring my Blackstar rig but I hate London load ins so when I found out there was a house rig, I was happy to use that. Having travelled up with the keyboard player, we arrived in good time, only to find out our drummer was not so fortunate. We wound up sound checking without him whilst a kit sharing support band quietly twitched! Thankfully he arrived and we got all set up. The nice thing was I had a bunch of old mates show up, including a singer I worked with for 10yrs, a roadie from a previous band and the guy who does the videos in my main band. We went on and just killed it. Due to the tube strike, the venue was quieter than usual but respectably half full and all eyes were on the band. Props to the support act who danced at the back throughout our set. The downside was that an accident on the M25 meant I got in at 3.15am but it was a superb evening. 16 1 Quote
dmccombe7 Posted 3 hours ago Posted 3 hours ago 18 hours ago, tubbybloke68 said: Just back from Stourbridge town hall where I played with the Phil Collins tribute, lovely old place and the audience and atmosphere were brilliant, decided on the GB Spitfire tonight, put lighter gauge strings on as a bit of an experiment. Had to push the low mids on the Tecamp puma and dial off a bit of the bottom end as it was sounding a bit ‘flubby’ , not tight and punchy how i like it, but after a good sound check everything was fine and nicely cut through as the show went along. My LFSYS Monza was fab as usual. Not very rock’n roll but enjoying a nice cuppa and a couple of bits of toast after a long drive back to West Sussex. Love that bass of yours. Dave 1 Quote
neepheid Posted 2 hours ago Posted 2 hours ago Not last night, but Friday night, played a rare live outing with The Inevitable Teaspoons at Krakatoa in Aberdeen. We played last ("headlining") and were treated to some fine acts first - Kaleidoscope and then Autohuman. No pics, it was a bit of a rushed changeover because as usual things ran on a bit. We played pretty well and went down favourably, heard someone describe us as "entertaining", and was speaking to the guitarist from Autohuman after and he was keen to do gigs with us again. It wasn't super busy, but there was an enthusiastic gathering of about 20 folk up front and probably 10-20 more skulking at the back, so eh, as long as it wasn't empty! Gear was the Greco LGB-700 three pickup bass into my pedalboard then out into Krakatoa's FOH, using a Markbass Little Mark Black Line 250W into an Ampeg fridge for monitoring. Because why not? 12 Quote
tubbybloke68 Posted 2 hours ago Posted 2 hours ago 25 minutes ago, dmccombe7 said: Love that bass of yours. Dave Thanks Dave, yes I was very privileged to have acquired it a while back off of rumblefish on here, mr robin vick . Enjoying the lighter gauge strings on it too . Quote
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