How was your gig last night?

[asingardenof]

On 31/08/2025 at 09:14, Geek99 said:

I agree, if I can’t hear myself Theres no reference point and also no pleasure 

 

Edit : I like to think “I’m doing that and it sounds amazing”. I watched a phone recording of myself, an acoustic guitard and a talented female singer. I sounded loud to me, but was inaudible on the phone. She’s always telling me to turn up, maybe she’s right 

 

I get that phones don’t always capture bass well but you usually get something 

Our last gig I had to wear headphones to hear myself at all on the phone recordings, even when it was a bass solo. 

[MacDaddy]

Well that was eventful.

 

I'll write more tomorrow.

[tauzero]

15 hours ago, MacDaddy said:

Well that was eventful.

 

I'll write more tomorrow.

 

It's not going to be a reprise of the "Would you be in a band with a bigot?" thread is it?

[MacDaddy]

23 hours ago, MacDaddy said:

Well that was eventful.

 

I'll write more tomorrow.

 

 

Electrick Soup @ Ram Jam Records, Kingston.

 

Ram Jam Records lives inside The Grey Horse pub in Kingston. A charming spot, if you enjoy one-way systems designed to punish mistakes. There’s no parking out front, so you sneak in through the side streets. Take a wrong turn and you’re sent on a sightseeing tour of Kingston. I took the wrong turn. 😖

 

We were last on, 9:25pm, so naturally soundcheck was scheduled for 5:30pm. Parking restrictions in Kingston run until 10:30pm, so I left the car a mile away. Halfway back to the pub, I realised my wireless bugs were still in the car charging. Back I went. By then it was 6:20pm, so I abandoned the rules and parked half a mile closer in a 6:30pm restricted zone. A calculated risk.

 

When I finally got inside, the band were already soundchecking. I joined without pedals, without tuning, and straight into the house amp — a Hartke KB12. Perfectly serviceable. Loud enough, no complaints. I was the only one who used it. 

 

One of the bands had cancelled, so it was three in total. Two covers, one originals. The organisers were great, the onstage mix was fine, and the audience — small but enthusiastic — seemed happy. 

 

Mainly 90s covers, nine songs in, we attempted “Mama Told Me Not to Come.” The arrangement confused us, and the audience. The applause was replaced by silence. We clawed back some dignity with “Connection,” but “Mrs Robinson” had to be restarted because one guitarist couldn’t hear. Three more songs survived, then his amp gave up completely. Four songs left on the list, plus two for an encore. None played.

 

The amp’s valves have since been replaced, so tomorrow’s gig should, in theory, last the full length.

 

Shuker 3 -> Getaria wireless bugs -> Helicon polyphonic tuner -> Flattely Poison Ivy bass fuzz -> Hartke kickback kb12.

 

[Norris]

38 minutes ago, MacDaddy said:

 

 

Electrick Soup @ Ram Jam Records, Kingston.

 

Ram Jam Records lives inside The Grey Horse pub in Kingston. A charming spot, if you enjoy one-way systems designed to punish mistakes. There’s no parking out front, so you sneak in through the side streets. Take a wrong turn and you’re sent on a sightseeing tour of Kingston. I took the wrong turn. 😖

 

We were last on, 9:25pm, so naturally soundcheck was scheduled for 5:30pm. Parking restrictions in Kingston run until 10:30pm, so I left the car a mile away. Halfway back to the pub, I realised my wireless bugs were still in the car charging. Back I went. By then it was 6:20pm, so I abandoned the rules and parked half a mile closer in a 6:30pm restricted zone. A calculated risk.

 

When I finally got inside, the band were already soundchecking. I joined without pedals, without tuning, and straight into the house amp — a Hartke KB12. Perfectly serviceable. Loud enough, no complaints. I was the only one who used it. 

 

One of the bands had cancelled, so it was three in total. Two covers, one originals. The organisers were great, the onstage mix was fine, and the audience — small but enthusiastic — seemed happy. 

 

Mainly 90s covers, nine songs in, we attempted “Mama Told Me Not to Come.” The arrangement confused us, and the audience. The applause was replaced by silence. We clawed back some dignity with “Connection,” but “Mrs Robinson” had to be restarted because one guitarist couldn’t hear. Three more songs survived, then his amp gave up completely. Four songs left on the list, plus two for an encore. None played.

 

The amp’s valves have since been replaced, so tomorrow’s gig should, in theory, last the full length.

 

Shuker 3 -> Getaria wireless bugs -> Helicon polyphonic tuner -> Flattely Poison Ivy bass fuzz -> Hartke kickback kb12.

 

I don't know whether to laugh or cry. I'll settle for a like 😂

[Lozz196]

Just got in from a Knock Off gig, supporting Therapy? at 229 Club London.

 

Journey up not too bad, and managed to get parking right outside the door - result. Great backstage area where we could chill before and after the gig.

 

Signal chain was Fender US Precision, via BOSS WL20L into my Sansamp, with my RM500 as a power amp. Therapy? kindly allowed us to use their cabs so I went into an Eden 810, so with that and monitors no trouble hearing myself. Therapy?s monitor mix was perfect for us too so soundcheck was one song and sorted.

 

On at 7:45, for a 45min set, venue holds 600, probably 500 watched us. Being a streetpunk/Oi band we’re not really on the same scene but we went down very well, many people coming up to us afterwards saying how much they liked us and how well we complimented Therapy?, being not just a clone but offering something different.

 

Footwear was my Vans trainers.

 

 

[Mykesbass]

@Lozz196 Great gig. Not surprised you went down well as Therapy? don't nail themselves too firmly to a scene, so I expect their fans are pretty open to other stuff. The two albums I worked on in the early 2000s had a fair dose of Punk mixed in to the metal. And the drummer then, Neil Cooper, his first love was Jazz! 

[dmccombe7]

9 hours ago, Lozz196 said:

Just got in from a Knock Off gig, supporting Therapy? at 229 Club London.

 

Journey up not too bad, and managed to get parking right outside the door - result. Great backstage area where we could chill before and after the gig.

 

Signal chain was Fender US Precision, via BOSS WL20L into my Sansamp, with my RM500 as a power amp. Therapy? kindly allowed us to use their cabs so I went into an Eden 810, so with that and monitors no trouble hearing myself. Therapy?s monitor mix was perfect for us too so soundcheck was one song and sorted.

 

On at 7:45, for a 45min set, venue holds 600, probably 500 watched us. Being a streetpunk/Oi band we’re not really on the same scene but we went down very well, many people coming up to us afterwards saying how much they liked us and how well we complimented Therapy?, being not just a clone but offering something different.

 

Footwear was my Vans trainers.

 

 

Thought you'd moved away from the P basses @Lozz196

Looks like a decent crowd for you too. Nice stage set up. Plenty of space.

Nice one.

Dave

[Lozz196]

32 minutes ago, dmccombe7 said:

Thought you'd moved away from the P basses @Lozz196

Looks like a decent crowd for you too. Nice stage set up. Plenty of space.

Nice one.

Dave

I had Dave, but there’s the possibility that’s my last gig with Knock Off (I’m only standing in and they think they’ve found someone permanent) so wanted to go out playing my fave type of bass. Plus with a great gig like that, time to bring out the big guns so to speak. 
 

Am a bit sore today tho…..

[Woodinblack]

Went down to a local cricket club last night, we played it recently on a sunday afternoon, but this was an evening one. Couldn't start until 9 as they had some event ceremony. Its an odd layout as we can setup to face into the field or setup to face into the club - we compromised on a diagonal so we could do either as necessary, As it was we stayed doing the front - it was a nice night and people were ok outside.

Sound sounded a bit weird but hard to get right in these places - the singer had to use a sax for his micophone as the transmitter was away being investigated for noise and he forgot tot pick it up. Played for the usual 1:15 first set, and then the drummer and guitarist decided to investigate what time their curfew was as we were effectively outside and there were houses around. Came back with 11, so no point having a big break, so we went back on. I was showing the guitarist the EQ as he was wondering about it, and realised I had put my vocal and bass in the wrong socket, so a few songs must have sounded weird!

Really short second half and rushed through a few songs, all went down really well, it was getting crowded towards the end, as people were now half in and out. Kind of glad it stopped when it did.

Unfortunately though it seems that for some reason in the last 2-3 months, our drummer has swung wildly right wing (where he never really seemed bothered about politics before), so just spent all the non playing time ranting about muslims. Hoping it is a phase, I can ignore so much, but this is so OTT, if it carries on then it would get rid of my interest in playing

 

[Stub Mandrel]

2 hours ago, Woodinblack said:

the singer had to use a sax for his micophone as the transmitter was away being investigated for noise and he forgot tot pick it up.

 

I spent 56 minutes trying to decipher that before I gave up 😁

[Woodinblack]

11 minutes ago, Stub Mandrel said:

 

I spent 56 minutes trying to decipher that before I gave up 😁

Haha, editing error!

the singer had a sure wireless system for his sax, which always clicks and pops. After the last gig he gave it to a sound engineering guy to see what was wrong with it but forgot to pick it up so he had to use a sax mic on a stand!