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Question. How are people measuring whether an amp is coloured or not? Are you using your ears and comparing against a DI signal, or are you looking at response plots?

Posted

Excellent response @Hellzero - I think you have listed almost all the heads I was considering. The Vanderkleys are hard to find and serious money here in UK, tbh I was thinking up to a grand (£ of course) and I think the Vanderkleys are well above that and used ones are rare as... If they are as good as the cabs they will be supergood (love the 210s a lot!).

I think I'm going to try a GROne; Agi AG 700 and an Eich 900 - for a start.

Thanks for input👍

 

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Posted
2 hours ago, alexa3020 said:

Question. How are people measuring whether an amp is coloured or not? Are you using your ears and comparing against a DI signal, or are you looking at response plots?

Very fair question. I used the word uncoloured quite casually. I know what my P/J sounds like DI into good desk and back through studio monitors or good phones, so for me that's the reference. I also know how it sounds into my PJB Briefcase at low levels (the only levels you get with a Briefcase!) and I reckon that is very close to the actual bass's sound.
But I accept that all amps are somewhat coloured, cabs are too. But I think some have a pronouned 'sound' and you either want that sound or not.

I think I'll know it when I hear it, and it'll likely be one of those amps that a majority think of as 'neutral', quite clean maybe... pick a word!!

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Posted
2 hours ago, alexa3020 said:

Question. How are people measuring whether an amp is coloured or not? Are you using your ears and comparing against a DI signal, or are you looking at response plots?

Response plot in the case of the Handbox R-400.

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Posted
7 hours ago, alexa3020 said:

Question. How are people measuring whether an amp is coloured or not? Are you using your ears and comparing against a DI signal, or are you looking at response plots?

Both techniques for me.

Posted
On 26/04/2025 at 17:02, Soledad said:

If anyone has experience with Eich (T 900 maybe) I'd be keen to hear opinions.

 

I've been using its predecessor, the Tecamp Puma 900, for many years. Very happy with it. And it has options for colouring the tone or just leaving it uncoloured.

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Posted

I was a T900 user and it’s true they are very uncoloured and loud 

 

They can offer warm and woolly too using one control to vary the amp sound 

 

I too used one with a Vanderkley cab and it was a superb pairing and best I had used . 

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Posted (edited)
On 26/04/2025 at 17:02, Soledad said:

Sorry Dan Dare, you did elaborate so ignore that. My experiences as a listener to MB heads has been punchy, cuts through very well, listener fatigue after 3 songs - loads of low mids make it cut very well, but tedious to listen to. But there are many other variables so it may not just be the head.

 

And btw, the Warwick has been a quick fix after my GB Streamliner was nicked recently. But I will be keeping it as backup - way better than price or size suggest.

 

If anyone has experience with Eich (T 900 maybe) I'd be keen to hear opinions.

My main amp for a good few years has been the Tecamp puma 900, forerunner of the eich t900. I tried loads before I settled on it.It can be all whatever you want it to be, very versatile and easy to use. Some have said it’s sterile, but by simply using the’taste’ function it is anything but. Quick, punchy and loud.would definitely try the eich 900. I think they are virtually the same. Form factor tiny aswell. Good luck with your search x 

Edited by tubbybloke68
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Posted

The original Bergantino Forte that had the variable compressor rather than the drive , simple clean hifi power. With some serious slam.

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Posted
On 28/04/2025 at 09:53, alexa3020 said:

Question. How are people measuring whether an amp is coloured or not? Are you using your ears and comparing against a DI signal, or are you looking at response plots?

I once compared the DI output of my MarkBass Nano 300 with the bass signal that I was feeding into it, by recording both to my DAW and listening back to them. With the EQ set to ‘flat’ I couldn’t discern any difference. I don’t think the Class D power amp would impart any coloration, which would leave the speaker cab(s) as the main source of tonal colour.

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Posted
On 27/04/2025 at 12:34, joel406 said:

No, they're not. In fact, the smaller the venue the more the need for IEMs. Amps muddy the sound in small venues. I've had sound techs tell me they had to take me out of the mix all together. And I was just running a 212. ONE! 212. Amps are fun. I get that. But if you want quality sound at an event. No. They are a liability. And your overall sound suffers. 

 

Play what you want. But my ears haven't rung in 3 years. And spectators tell us we're the best sounding band they have ever heard

 

Amps are cool but ignorance will make you deaf.

 

I wouldn't set too much store by what audiences say, I've lost count of the number of times that punters come up at the end of a gig and say 'Best band we've ever had in here!'

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