Scott S Posted February 24, 2014 Author Share Posted February 24, 2014 [quote name='lonestar' timestamp='1393268290' post='2378062'] Either of these amps would be good. Im a markbass user and have used an Ampegs BA15 extensively at rehearsals. Either would give you lots of volume, especially the Markbass should you ever decide to play with others and you can always turn down at home! Ultimately it's all the fingers though I'm sure that a Ray '34 and flats would get you on the right path, especially a natural/maple one which Im gassing for at the moment with similar motives to you. [/quote] Oh, btw, lonestar, your advice re: turning the Markbass volume control in an anti-clockwise direction has merely exacerbated my symptoms, and has caused Mrs S no end of concern, lol. Quote Link to comment Share on other sites More sharing options...
lonestar Posted February 24, 2014 Share Posted February 24, 2014 [quote name='Scott S' timestamp='1393274235' post='2378186'] Oh, btw, lonestar, your advice re: turning the Markbass volume control in an anti-clockwise direction has merely exacerbated my symptoms, and has caused Mrs S no end of concern, lol. [/quote] You'll have to go and try one. My sincerest apologies to Mrs S. Quote Link to comment Share on other sites More sharing options...
Scott S Posted February 24, 2014 Author Share Posted February 24, 2014 [quote name='lonestar' timestamp='1393276026' post='2378228'] You'll have to go and try one. My sincerest apologies to Mrs S. [/quote] It's far too late, the damage was done many years ago! ("Mrs S"). Quote Link to comment Share on other sites More sharing options...
4 Strings Posted February 25, 2014 Share Posted February 25, 2014 Almost all here is good advice, I've studied his playing for some covers and to try and get some of his talent to rub off. He is a supreme bass player, very classy and able so don't feel too down hearted if you don't completely nail his sound, I've yet to find anyone who has! (That clip is sounds great, but nothing is plugged in!) Quote Link to comment Share on other sites More sharing options...
chris_b Posted February 25, 2014 Share Posted February 25, 2014 I'd spend time playing the numbers correctly and fluently, rather than worrying about your sound. Especially as you can't afford to buy any gear. Check this out for BE's "chucking" technique in this video. [media]http://www.youtube.com/watch?v=pyqKmUgkMOs[/media] Quote Link to comment Share on other sites More sharing options...
Dingus Posted February 25, 2014 Share Posted February 25, 2014 [quote name='4 Strings' timestamp='1393345669' post='2379045'] That clip sounds great, but nothing is plugged in! [/quote] Bernard's talent transcended electricity . He was so funky that the normal laws of physics did not apply to his bass playing. 2 Quote Link to comment Share on other sites More sharing options...
lonestar Posted February 25, 2014 Share Posted February 25, 2014 Highly recommend stuart clayton's excellent book funk and soul grooves for bass guitar . All the 'nard bass and Nile's guitar parts are in there. Quote Link to comment Share on other sites More sharing options...
chris_b Posted February 25, 2014 Share Posted February 25, 2014 More BE technique at close quarters.... + John Taylor. [url="http://www.youtube.com/watch?v=14kXaX5D6Ng"]http://www.youtube.com/watch?v=14kXaX5D6Ng[/url] Quote Link to comment Share on other sites More sharing options...
tkbmx Posted February 25, 2014 Share Posted February 25, 2014 (edited) Nice thread. I've used my thumb like that on many an occasion when I havn't had a pick and couldn't keep up with my fingers but never really used it purposely when playing with fingers. Does that make sense????? I'll be practising it now and learning to mix it in. And I think I'm finally going to get some flatwounds on the fretted. I'd like a "dumpf" rather than a "ding". Not that any of this will bring me to the standard of the man in question. Tried it last night and it was me index finger not me thumb I used as a pick.Sounds good on the fretless though. Edited February 26, 2014 by tkbmx Quote Link to comment Share on other sites More sharing options...
4 Strings Posted February 26, 2014 Share Posted February 26, 2014 [quote name='Dingus' timestamp='1393351718' post='2379187'] Bernard's talent transcended electricity . He was so funky that the normal laws of physics did not apply to his bass playing. [/quote] Ha! Where's that 'like' button! In the 'chucking' clip, def flats. Quote Link to comment Share on other sites More sharing options...
shizznit Posted February 26, 2014 Share Posted February 26, 2014 The popular myth about Bernard's tone is the MM bass. He recorded a lot with a P bass too. Later on towards the end of his life he also used G&L and Spector basses. So, the choice of bass is not really the key to his tone. I try to get as close to his tone for a few recording jobs and get nowhere near. I find that lots of mid, bit of bass boost and quite a bit of treble cut gets good results. I have tried flats and rounds and I still struggle to get the Bernard tone. Technique is the key. I have watched his playing very closely and Bernard had a very light touch. Maybe has a lot to do with it. Let's face it guys, he was a one off. The only person that sounds like Bernard is Bernard. Quote Link to comment Share on other sites More sharing options...
Scott S Posted February 26, 2014 Author Share Posted February 26, 2014 [quote name='shizznit' timestamp='1393447893' post='2380536'] The popular myth about Bernard's tone is the MM bass. He recorded a lot with a P bass too. Later on towards the end of his life he also used G&L and Spector basses. So, the choice of bass is not really the key to his tone. I try to get as close to his tone for a few recording jobs and get nowhere near. I find that lots of mid, bit of bass boost and quite a bit of treble cut gets good results. I have tried flats and rounds and I still struggle to get the Bernard tone. Technique is the key. I have watched his playing very closely and Bernard had a very light touch. Maybe has a lot to do with it. Let's face it guys, he was a one off. The only person that sounds like Bernard is Bernard. [/quote] I didn't know that Bernie used a P!...I have a P...I am the problem, lol. Quote Link to comment Share on other sites More sharing options...
Scott S Posted February 26, 2014 Author Share Posted February 26, 2014 [quote name='Scott S' timestamp='1393448933' post='2380549'] I didn't know that Bernie used a P!...I have a P...I am the problem, lol. [/quote] Err...and come to think of it...I used to have a Spector...which was traded for Shemeck's P! Taxi's on its way, has anybody seen my coat? Quote Link to comment Share on other sites More sharing options...
drTStingray Posted February 27, 2014 Share Posted February 27, 2014 [quote name='shizznit' timestamp='1393447893' post='2380536'] The popular myth about Bernard's tone is the MM bass. He recorded a lot with a P bass too. Later on towards the end of his life he also used G&L and Spector basses. So, the choice of bass is not really the key to his tone. [/quote] I can't think of any track after about 1978 that doesn't sound like it's recorded on a Musicman. Unmistakable low note sound. In a similar way it's quite easy to pick out the songs Abba did where their bassist uses a Stingray rather than a Precision - once again those low E, F and G notes have a certain ring to them. Those who have owned and played a 2 band Ray will know exactly what I mean. I don't disagree that elements of Bernard's playing style are crucial to the sound but a 2 band Ray will get you the fundamental tone played in appropriate style. He was back with the Ray by 1996 - a very sad film as this was his last concert before passing away. Nevertheless the playing and sound is great! http://youtu.be/M1APFyc_QtQ Quote Link to comment Share on other sites More sharing options...
mcnach Posted February 27, 2014 Share Posted February 27, 2014 [quote name='Cairobill' timestamp='1393196994' post='2377342'] Stingray classic (2 band) with dead nickel round wounds or flats. Thump city... [/quote] This. Flats are a bit too... "flat". Dead rounds have a bit more of the right personality, to my ears. You can get away with pretty dead rounds on a Stingray and still have a reasonable amount of treble when you want it (that preamp can boost effectively the minute amounts of original treble present), and sound thumpy by turning down the treble to mid-way or lower. Quote Link to comment Share on other sites More sharing options...
mcnach Posted February 27, 2014 Share Posted February 27, 2014 [quote name='Scott S' timestamp='1393204125' post='2377415'] shame that I can't extend to trace elliot money; come to think of it i can't extend to Stingray money at the moment, lol [/quote] Try a USA EBMM SUB. They're essentially uglier Stingrays (although not so ugly, I own two, a white and a wine red one... after replacing the metallic pickguard, they look really nice, I think). Cost? about £350-400 (used, they were only made between 2003-2006, but they are not too hard to find) Quote Link to comment Share on other sites More sharing options...
tonemachine Posted June 13, 2014 Share Posted June 13, 2014 I had a 93 Stingray, single humbucker that I sold in 1998. I was not looking for Edwards' tone but it certainly didn't have it. I heard that in 93 those might have been Ceramic pickups. I played about 10 stingrays at Guitar Center the other day and they all sounded essentially like Edwards. My Bongo HH can sound like Edwards, too. Quote Link to comment Share on other sites More sharing options...
paul_5 Posted June 13, 2014 Share Posted June 13, 2014 I seem to remember reading somewhere that Bernie went direct into the board in the studio. Quote Link to comment Share on other sites More sharing options...
JapanAxe Posted June 13, 2014 Share Posted June 13, 2014 [quote name='drTStingray' timestamp='1393491265' post='2380820'] He was back with the Ray by 1996 - a very sad film as this was his last concert before passing away. Nevertheless the playing and sound is great! http://youtu.be/M1APFyc_QtQ [/quote] I have this on DVD - excellent! Quote Link to comment Share on other sites More sharing options...
iconic Posted June 14, 2014 Share Posted June 14, 2014 [quote name='Dingus' timestamp='1393266352' post='2378018'] This anecdote about Bernard saying that the Musicman bass still had the original strings on is often cited when this topic rears its' head, but it is important to remember that it is exactly that, ie an anecdote and not necessarily the last word in what was actually true. I suppose we will never know the real answer, but to my ears it sounds like dead roundwounds on Bernards' Stingray back on the Chic/Sister Sledge era, and definitely roundwounds on the recordings he made with it during the 1980's. Whatever the truth is , you could certainly emulate that sound pretty well with either type of string. It's worth mentioning the Bernard went on to use Spector , G&L and Sadowsky basses during the 1980's, in addition to the Fender Precision, Fender Jazz, Musicman and B C Rich basses he was spanking during the 1970's. I seem to remember he experimented with an Alembic around the time he and Nile were working with Diana Ross, but that could be my memory playing tricks on me. If Bernard didn't have an Alembic at some point then he should have done, is all I can say. [/quote] beat me to it with all that .....I believe that line about "what strings come..." was said 'tongue in cheek', he was known for having a very professional work ethic AND a very dry sense of humor....as a producer he may of had other reasons to protect his 'sounds' too. Either way a much missed uber cool bass player indeed. Quote Link to comment Share on other sites More sharing options...
Damonjames Posted June 14, 2014 Share Posted June 14, 2014 Not sure about the stories of 'nard using old strings being "anecdotal", in Nile Rodger book, he talks about how annoyed 'nard breaking a string at sound check. Not a reaction of a man who likes new strings! Quote Link to comment Share on other sites More sharing options...
Guest MoJo Posted June 14, 2014 Share Posted June 14, 2014 Check out MarloweDK on Youtube. He gets very close with his Pre-EB 2EQ Stingray Quote Link to comment Share on other sites More sharing options...
PTB Posted June 15, 2014 Share Posted June 15, 2014 I'm looking at the March '98 issue of Bass Player which has a transcription of Le Freak done by staff + Nile Rogers. In the accompanying text, in which Nile speaks on various matters, it says Bernard used his "favoured late 70s natural finish Stingray (with old roundwound strings) direct into the board." Quote Link to comment Share on other sites More sharing options...
Evil Undead Posted June 15, 2014 Share Posted June 15, 2014 I love Chic. That's all I have to offer really but it's a great read Quote Link to comment Share on other sites More sharing options...
JJTee Posted June 15, 2014 Share Posted June 15, 2014 I think it's pretty clear from what Nile Rodgers says at 1:23 in this clip, that Bernard wasn't bothered about new strings. http://youtu.be/s4VfG0oFe3k Quote Link to comment Share on other sites More sharing options...
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