gjones

Use the force Luke.

Just wrap it in bubblewrap and gaffa tape.

A few times drummers have got the rhythm so wrong (boom where the whack should be) that I've just stopped the song and got us to start again. It happens and audiences don't really have a problem with it. It's usually the musicians own embarrassment that makes them continue to grind their way through the song instead of stopping.

Looks like the real deal. The real bidders will be holding out for a last minute plunge. I reckon it will go for £1500 or thereabouts.

I've had a set of standard Mex pickups in my Jazz which were totally underwhelming and a set of vintage alnico pickups from a roadworn Jazz which were fantastic. So the answer is probably that they can be great but you get what you pay for. Just like everything else.

I'm on my 6th set of pickups in my Silver Squier Jazz. I've tried standard Mex, DiMarzio model Js, original 30 year old 1970s Seymour Duncans, Wizard 64s, Road Worn vintage Alnicos and of course the original Japanese Squier pickups. Each pickup definitely had their own character and were, in my opinion, very different to one another. But If I wasn't a bass player I doubt I would be able to tell one from the other. What I figured out in the end was, that by fitting a John East pre amp to my Jazz, I could get the cheapest set of pickups sounding like the most expensive on the market and everything in between. So the moral is, don't fork out for expensive designer pickups, buy a pre amp instead.

Keep on banging away at 'Hit Me' and your playing will get a lot better, that's for sure.

Anti-clockwise adds a bow to the the neck. Clockwise straightens it out. Try a quarter turn anti-clockwise, that should do the trick.

Not a very good demo. You can't hear the clean sound of the pickup, just the overdrive. Any old argos catalogue bass could sound like that if you put it through an overdrive.

I saw this a week or so ago and some people had actually bid over £70 for it. I wouldn't give £20 for it. [url="http://www.ebay.co.uk/itm/Fender-Precision-Bass-body-early-1970s-sunburst-/200911399462?nma=true&si=vtAM%252BuCbJY1Bfduz9BlCwgooE70%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557"]http://www.ebay.co.uk/itm/Fender-Precision-Bass-body-early-1970s-sunburst-/200911399462?nma=true&si=vtAM%252BuCbJY1Bfduz9BlCwgooE70%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557[/url]

[quote name='DorsetBlue' timestamp='1365695930' post='2043125'] Okay, I feel it is time to move on to my next Amplifier setup. The CR25 and/or B3 has been fine for the beginners stage but now I am getting a little more confident, I want a new setup that will have the potential to manage small gigs (my next target milestone), with maybe some additional 'future proofing'. The main requirements I have identified are:[list] [*]Ideally has an effects loop (B3 for the rare occasions I need some effects) [*]Ideally has XLR output (could use B3 I guess) [*]At least 200W [*]Lightweight and reasonably compact (the plan is for it to be out in my front room most of the time) [*]Seperate head and cabinet (I did really umm and ahh about this one I must admit). [*]Budget max £750 (ideally less) [/list] I play mainly Rock and Blues. The ones I have identified (admittedly based on the stock in a local shop) as potentials are as follows: [u]Head[/u][list] [*]Ampeg PF-350 [*]Ampeg PF-500 [*]Ampeg Micro VR [*]Orange TB 500 [*]TC BH250 (no loop noted) [*]TC BH500 (a bit on the large side) [/list] [u]Cab[/u][list] [*]Ampeg PF-115LF [*]Ampeg SVT210AV [*]Ashdown MAG115 [*]Ashdown VS-212-200 [*]TC BC210 [*]TC BC212 [*]Roadkill 2x10 (local cab manufacturer, their guitar cabs are well respected and they are making a 2x10 and 4x10 prototypes right now) [/list] Opinions, alternatives, recommendations all gratefully received? [/quote] From experience I have found that a good, loud, light cab is a priority (I've learned from my mistakes). You can cut corners on a head but you have to have a good cab or you won't get a good sound at volume. The used barefaced cab mentioned before is a good option. Or go for the premium models by Genz Benz, Hartke, Gallien Kruger, Mark Bass etc. Oh and buy secondhand if you can. You can save a lot of money that way.

Only in California [url="http://www.ncbi.nlm.nih.gov/pubmed/21767048"]http://www.ncbi.nlm.nih.gov/pubmed/21767048[/url]

[quote name='Jimryan' timestamp='1365764707' post='2044070'] Morning all, sorry it's been a while, As some are aware, I'm currently using a TC BH250 and running through a ghetto home-made cab. A cab which I've had a few problems with recently. Now that it's rebate time, I thought its a good idea to invest in a decent cab/s. I'm eyeing up the TC BC212, just tried it in the shop and love it. My question is, on it's own, are they loud enough? Or do they really need the additional cab (which I'd opt for the 210). In the shop it sounds loud enough, but I'm putting that purely on it was at head height and the mids are much clearer. Whilst playing I put it up to half volume and walked away and it was loud, but it was stacked in the shop. I'm thinking it might be quieter at floor level. It might help to mention that I'm playing in a bass led funk/soul band, heavy drummer, loud keyboard, even louder guitarist and with two saxophones. I really want the TC cabs to match the head, but is one enough? Cheers James [/quote] I used to own a BC212 which I used with a TC 450 Classic. When I swapped the TC amp for a Ashdown ABM 500 the BC212 just couldn't keep up and resulted in distortion (I was playing with a loud rock drummer and a louder guitarist). The BC212 is only a 250 watt cab and is not really capable of huge amounts of volume unless you use it paired with another cab. For the price of two BC cabs you could buy a RS410 which is much more capable.

On the other had the xylophone player is fantastic (check out the solo).

Not worth a grand that's for sure.

[quote name='itsmedunc' timestamp='1365687069' post='2042908'] Hi, what does it sound and play like? [/quote] This is it. Forgive the playing. The neck is a slim precision shape. Quite nice. Pickups are great. [media]http://www.youtube.com/watch?v=wjXErDb7CDw[/media]

It's a ringer for my bass which I bought back in the early eighties secondhand. Except mine is prettier. I scraped off the Mighty Mite logo in 1984. [attachment=132238:DSC00439.JPG] It sounds great. Mainly, I think, because the jazz pickup is so near the bridge. It has a real retro tone.

The Nigel Ramsbottom Quartet

If you listen to Paul McCartney's sound in Let It Be, when he's just noodling on his own, it's revolting. Just a big wet farting noise from that horrible little Hofner. But when it's integrated within the tracks somehow it sounds great.

Great price on a pair of roadworn Jazz pickups. Delivered very speedily. They sound great! Thanks John.

Here's the link. 55 comments so should give you an idea. [url="http://basschat.co.uk/topic/168110-mexican-fenders/page__hl__mexican%20fenders"]http://basschat.co.uk/topic/168110-mexican-fenders/page__hl__mexican%20fenders[/url]

Oh and I used a little giant 1000 last night. Which is Ashdowns previous digital amp that has now been discontinued. It sounded great. You can get them new at Thomanns the german online shop for about £200.

Can they play? If they turn up for a gig will the venue be horribly disappointed? I know a few corporate bands, up here in Edinburgh, which have a rotating roster of members. They have A, B, and C bands. Any demos or videos of the band on the website will probably not have the musicians turning up to venue playing on them. Which isn't a problem because all of the musicians are of decent standard and customers won't be let down when the band start playing. It's only a problem if your friends can't play for toffee and they're trying to con people who are booking them. But even then there's not much you can do about it, especially if you want to remain friends with them. This isn't them is it? [url="http://www.youtube.com/watch?v=FjeMDvCdrtc"]http://www.youtube.com/watch?v=FjeMDvCdrtc[/url]