Evening chaps...
Jigs : ill try and answer this! Tonally, youve got the two humbuckers, which are absolutely fantastic. With the neck one on only, and the tone whupped down to position switch you get that phat EB tone. A little bit of fuzz and you can nail the Mr Bruce (hero) tone. You can also get a really middly sound by having both on but lowering the bass pickup volume. The only place it doesnt really deliver is at the bridge - you will not get a twangy P-sound, well, cos it aint a P-Bass. Although with new short scale strings on it, it does a passable impression. Also, it has that very nice ability to go into "recording" signal so the sound is totally flat for pushing into a desk. For more info on the sheer amount of knobs 'n stuff on this bass good reading can be had at [url="http://www.flyguitars.com/gibson/bass/LesPaulTriumph.php"]http://www.flyguitars.com/gibson/bass/LesPaulTriumph.php[/url] - very handy.
OTPJ : thank you for your comments! It does indeed have 24 frets, but that cutaway doesnt exactly make the ends ones accessible. If I ever get my watch synchronised with Dood I shall attend one of these here Bass Bashes with the Gibbo and we can all have a twang on it. It is super easy to play, abeit a little on the heavy side!
Stingray5 : me too - I never really went for the LP look at all, I had two bass heroes in my youth, Cliff Burton and Jack Bruce- I had to play either a Ric or an EB3 because they did (isnt that how we all start?). So I had a bit of a decision to make when I finally got a bit of capital. I went for was a Ric - two reasons really, Ric's were far more available in the mid 90's (not like now!!!!) and EB's were rather expensive.
And BTW that is a beauty of a TB Shaggy, I dont normally go on those but mmmmm, thats nice!