LeftyJ

Warwick offers all its German made models in a choice of 30, 32, 34 or 35 inch scale. They also offer their affordable Chinese-made Rockbass Corvette Standard in a 30 and 32 inch version. There were some very cool Japanese Squier Precisions in the mid-80s with medium scale too, they're very nice basses and can be found at good prices sometimes. [quote name='molan' timestamp='1381438539' post='2239249'] I'm hooked on 33.3" scale now - big money option though as I only know of Jens Ritter that makes them! [/quote] So does Rickenbacker. All 4000 series basses are 33 1/4 inch.

I think I read in an interview with Dave Stewart recently that Spotify only has around 6.000.000 paying users WORLDWIDE. All the others are using the free version - which obviously doesn't generate any income. For artists to get paid more, Spotify will need a heck of a lot more paying clients.

[quote name='12stringbassist' timestamp='1381093726' post='2234361'] Hi, They were a listed special limited run item. Quite decent spec / price. Great big sound, superb looking, too. [media]http://www.youtube.com/watch?v=On8TrQ-lv08[/media] [/quote] So when is your guitarist getting a matching Ibanez JS10? I see he's playing a Satriani model already anyway

Tssss, this is a guitarists-only pedal! They walk away freely in any setting...

I haven't played many Warwicks (just 3 I think) but I liked all of them. It took me a while to learn to appreciate the aesthetics, and I'm still not a fan of the Corvette bodyshape but I LOVE the Streamer and the Thumb. I bought my Streamer LX5 unseen and without trying it out first, and it turned out to be a 2003 model with a huge neck, but I have big hands so I'm not at all uncomfortable with it. I love the ergonomics of the body, and the tone is really agressive and punchy. It suits me perfectly

My band plays live with a clicktrack on the in-ear system and all synths and backing vocals on a backing track. Works great, sounds great, and only once did anyone ever comment "Too bad there's no keyboardist in the band" (in an album review, not even at a gig ). Mind you, the keys were not programmed but recorded by a real keyboard player.

I bet a Bootsy Collins Space Bass would be painful (any brand, Washburn, Traben, Warwick). Very pointy headstocks too, for additional drama. This one was by far his pointiest:

Over here there's a party cover band whose name translates to "Free Beer". Whenever they play anywhere, the poster will say "Tonight: free beer!" [size=2]and the venue will be packed with disappointed alcoholics[/size]

Can't you just get a wall hanger AND keep playing it?

[media]http://www.youtube.com/watch?v=oAc4WdReOTI[/media]

Very! Love the Fender Performer

This should definitely be included in the list:

I use a Cort NTL-B acoustic fretless through an EBS NeoDrome 12 (a Line6 Lowdown Studio 110 in the past) and that combination sounds great. I have bright bronze roundwound strings on it now, but I've had flatwounds on it too in the past and it sounds eerily close to an upright with flats.

[quote name='Lowender' timestamp='1379986110' post='2219224'] They're Stingrays made in a place where the labor is a tenth of the U.S. [/quote] Actually, the USA SUBs were made in the same facility in San Luis Obispo, USA as the regular Music Man instruments

[quote name='Dandelion' timestamp='1379625723' post='2215108'] IBANEZ ATK. USA SUB. SANDBERG BASIC M. [/quote] That!

The ATK405, the Prestige ATK1305 or the more recent ATK805 (the really posh model with the wooden pickguard) and 1205 which have both pickups placed closer to eachother. Contrary to earlier twin-pickup ATK's, it has the regular single-pickup ATK bridge, so the humbucker is further from the bridge (in the regular Stingray sweet spot). All other twin-pickup ATK's have the humbucker mounted closer to the bridge. Not sure if the current 1205 is available here though.

That's really pretty! They should also do one with dots and binding, and lollipop tuners. I see they're also finally offering the JB75 reissue with the correct bridge pickup position. About time! I love the JB75B with black blocks and binding! I also think that JB62 Smart Size is cute. But I think the specs are off... 373,5 mm scale translates to less than 15", that can't be right can it? Looks more like 30" to me.

I don't know about LTD, but I have a Japanese-made ESP Horizon g**t*r (sorry) and it is absolutely spotless. Beautiful fretwork, great neck, just a very good guitar.

[quote name='Marc S' timestamp='1378974509' post='2207142'] I've heard many people rave about the quality & playability of Japanese built early Ibanez basses I know my Roadster was great [/quote] Absolutely! I love my two Musicians, Roadster and two ATK's. They're all incredible basses, and none of them cost me more than 400 Euros

[URL=http://s45.photobucket.com/user/de_slager/media/Basses/Ibanez%20ATK/ATK3.jpg.html][IMG]http://i45.photobucket.com/albums/f74/de_slager/Basses/Ibanez%20ATK/ATK3.jpg[/IMG][/URL] [URL=http://s45.photobucket.com/user/de_slager/media/Basses/Ibanez%20ATK/ATK5.jpg.html][IMG]http://i45.photobucket.com/albums/f74/de_slager/Basses/Ibanez%20ATK/ATK5.jpg[/IMG][/URL] Love 'em

I think you mean Catalyst They were made out of one piece of composite ("SoundCompound"). Their bass model was called the Tigris. [url="http://www.bass-aholic.com/basses/C/catalyst/catalyst.shtml"]http://www.bass-aholic.com/basses/C/catalyst/catalyst.shtml[/url]

[quote name='Ghosts Over Japan' timestamp='1378331732' post='2198904'] Yes, very good call, always found the game changer an interesting idea, I'll have to throw the Enfield Super 8 pickup out there then, [url="http://www.enfieldguitars.com/super8.html"]http://www.enfieldgu...com/super8.html[/url], I don't think other brands will copy it too much but it certainly makes for an interesting design and from my experience they do sound very good! [/quote] Well, they basically just copied Wal pickups (which have individual coils for [i]each[/i] pole piece) and added a lot of switching options. Their bass designs are Wal copies too, except for those newer Fender-like models of course. An 'innovation' I'm quite fond of are compound radius fingerboards. It may seem like a small thing, but necks that have it are just so comfortable to play in my opinion. The idea is the radius is smaller (i.e. the fingerboard has a narrower curve) towards the nut, and gets flatter towards the bridge. But the biggest new thing of them all right now in my opinion are definitely those small, lightweight class D amps and lightweight cabs! They're making life so much easier

I love ATK's! I own the left-handed ATK300 and ATK305 in my avatar (and have owned another ATK300 just like it for lower tunings) and they're great workhorses. I own a Stingray 5 too, but I'd say the ATK's are equally dependable, and they play and sound great. I like the contrast with other Ibanez ranges of basses (especially the Soundgear): they're big, heavy, have huge but comfortable necks. Wide range of tones too! I love 'em

Kinda reminds me of a clinic I once saw of the respected Fender Custom Shop master builder John English (RIP 2007). When asked "Do you play guitar yourself?" people in the audience started snickering, but the guy replied: "I play a little nowadays, but I actually came into woodworking through the furniture industry, and rolled into guitar manifacture by accident".