stingrayfan

Couldn't gig with a passive bass - wouldn't sound lively enough for me. But it's horses for courses, everyone's got a different sound in their heads.

One of these: Line 6 Toneport UX2 into one of these: IMac running this: Garageband Works a treat. Runs MIDI through a USB lead, and is so easy to use.

[quote name='OldGit' post='538921' date='Jul 12 2009, 10:34 PM']Seppos?[/quote] I'm guessing: septic tanks = Yanks

Think the shippings costs would make it very expensive and he would have to do a customs carnet to prove that the bass was exported from Oz and will be brought back. They cost ££s. Prob better bet is to buy a secondhand bass here and sell it before he goes home. He might even make a profit!

Just returning from a trip to Los Angeles. Swung into the Guitar Centre as is tradition and was a bit taken aback at how expensive everything seems to be now. Basic Stingrays were $1500+, Geddy Lees, $1300, MIA Ps, $1000 all plus 9% sales tax on top. I'm sure prices never used to be that high. You could buy cheaper in the UK at the moment - and I never thought I'd say that! They were selling an Orange valve head for $2500 too. Plugged into it and it sounded like cotton wool. I've plugged into sheep with less wool - but that's something the magistrate told me was not acceptable.

Boutique basses don't really do it for me, got to say. Most seem to look like Fender copies or overly ornate coffee tables. Fine for sticking on a stand in your living room; not so good for gigging at pubs and parties. I've actually become an inverse snob with gear, selling off my expensive USA basses and using the cheaper ones that I've found I enjoy playing more, live. The G&L, for example is a great workhorse that feels great, sounds brilliant and does the job. It cost £350. Not knocking anyone who owns/wants a custom or boutique bass by the way - just my personal take.

[quote name='charic' post='519815' date='Jun 21 2009, 10:48 AM']My next logical step is an upgrade in amp.[/quote] Bear in mind the "ohm" thing with separates. If you get a head and 1 cab, it'll only be running at 2/3 power, if it's 8-ohms. You either need two 8-ohm cabs or one 4-ohm one to get the most juice out of your head. Combos *tend* to be 4-ohms, so run hotter. That's not gospel, but a good rule of thumb to bear in mind. Nothing more frustrating that upgrading to head and cab and then wondering why it doesn't sound very loud!

[quote name='Hamster' post='532198' date='Jul 4 2009, 12:58 AM']Nathan Watts plays some fantastic bass line so nonchalantly [/quote] Great bass player - big man though!

Trace 4x10 combo. Sounds like it needs fixing but could be a great buy. Used to have one of these - they sound HUGE. [url="http://www.gumtree.com/london/25/40938525.html"]http://www.gumtree.com/london/25/40938525.html[/url]

[quote name='pegman1' post='527841' date='Jun 29 2009, 03:56 PM']When you say: "Ok guys why dont we turn down a bit so that we can hear each other with a bit more definition." Guitar player walks over and turns up his amp.[/quote] So true...

[quote name='yorks5stringer' post='526942' date='Jun 28 2009, 07:24 PM']Don't know, but someone in the business has told me they had a body/voice double lined up to do the lion's share of the work during the now cancelled concerts. Fanciful? Maybe....[/quote] Rumour in the industry that Jacko was only contracted to appear onstage for 13 mins at each gig. News Of World also claiming that he was so out of it on painkillers and prescription pills, he didn't realise he'd signed for 50 shows. Edit: typo

[quote name='neilb' post='526276' date='Jun 27 2009, 09:10 PM']When you can play your band members intruments and they cant play yours.[/quote] +1

Neither Stax or Motown but similar ilk: Jackie Wilson - Sweetest Feeling.

Wow, sunburst. Breaking the mould.

[quote name='Sean' post='520472' date='Jun 22 2009, 07:46 AM']+1 for Garageband and Mac - it's all so easy to use.[/quote] Get one, you won't regret it. I've done more on Garageband in a few months than I ever did in years of running other software on a PC. Garageband is dead easy to use and can get a finished result onto an MP3 player or CD in very few clicks. Oh, and it's fun in the process.

There's a tasty Ampeg 4-ohm 4x10 in the FS section.

Is it a secret gig?

[quote name='Pete Academy' post='517849' date='Jun 18 2009, 09:27 PM']Youi can copy a bass part but you can't copy the original bassplayer's feel and mood on the day. Makes us all unique.[/quote] ..or the way it was done in six takes on the day and edited afterwards. Esp these days with ProTools etc.

Yamaha BB1000 - £275 [url="http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=220436890649&ssPageName=ADME:B:SS:GB:1123"]http://cgi.ebay.co.uk/ws/eBayISAPI.dll?Vie...ME:B:SS:GB:1123[/url]

[quote name='casapete' post='517474' date='Jun 18 2009, 03:41 PM']Just a shame the guitar sounds like a wasp in a jam jar..... [/quote] # "Are there wasps in the jar....? Yes, there's wasps in the jar. I think the people down the hall know who you are..." #

[quote name='JanSpeeltBas' post='515807' date='Jun 16 2009, 10:10 PM']Abraham Laboriel told me about this record. Bass parts were played by several players and edited and compiled to one bass track.[/quote] Worth bearing in mind next time we're beating ourselves up for not being able to "play it like the record". The bass players at the time couldn't either!