nilebodgers

Which strings were they?

Yes, there is a free trial. It looks like one of those programs that will take a fair amount of time to evaluate though.

I'm thinking of getting GuitarPro so I can try and properly notate the songs I am working on. I already use Transcribe for slowing the songs down (+tweaking the pitch if not concert) so I can pick out the bassline. I add section markers as I go then I use it for playing along once I have worked it all out. This works well, but I'd like something written down in a better way than crude tab with no rhythms. (I can puzzle my way through notation at a pinch, but I am very, very slow) Does it sound like GuitarPro would be useful? What is the notation playback like?

Got distracted from what I am supposed to be doing into learning “Top of the pops” by the Rezillos instead. A cracking bit of New Wave melodic bass playing. Both the tab online and the couple of YouTube covers I found aren‘t correct, so I’m taking a bit of time and using Transcribe to get it accurate. I wonder if I should invest in GuitarPro and write it down properly? I’ve been thinking about that recently.

Yes, s/h kit from the eu is subject to uk vat+duty+costs now.

Why don’t people just say where they are based as a matter of course?

According to wikipedia 54sec were cut out for the radio version...that must be the interminable guitar solo.

Or rather it would be if it was a quarter of the length...

What is the current candidate for the horn+hf driver?

Ah - lack of those explains the pony result of my last attempt to jigsaw a curve on a bit of ply.

Me too. I never liked the Sabbath strand of heavy rock, I was very much on the Thin Lizzy/Whitesnake/UFO/Purple side and when Sabbath-derivatives became dominant I lost interest completely.

That is a perceptive comment. I've got a big birthday coming up soon and I'm thinking of buying myself a really nice USA Fender Jazz to replace my ratty MIM Jazz. The thing is - would I play it, or just carry on playing my old one and look at the shiny occasionally and feel a bit oppressed by having an expensive thing I'm not using?

This. One of my top two gigs of all time was UFO at Newcastle city hall around 1979-ish. The other one was Whitesnake at the same place (proper Whitesnake!).

Me too! Good song.

It’s funny, I have always used rotosound stainless, but I thought I’d try d’addario XL nickels on my p-bass since lots of other people use them. So far I really don’t like the top end sound, at least from new. They are zingy, but not in a pleasing way. I’ll stick with them until they dull down a bit and see if they improve.

Not exactly a cheap driver at £60 though?

+1 for working on muting. This is quite a good video:

Control.

That has been hacked about quite a bit. “Investment” - LOL. Frets look rather flat too, I wonder how much meat is left? The sellers attitude indicates buying that won’t work out well.

The standard analogue Rumble 40 schematic shows a 56Hz 2nd order high-pass built in, it would be consistent for the digital version to have something like this if the box/speaker is similar.

I always did this in business. There are many clients that conveniently forget/mis-remember what was agreed and CYA was essential with them.

This is why I don't like trying instruments in music shops, that kind of sneery snobby superior attitude is pretty common. (the Bass Centre back in the 80s in Wapping is the honourable exception, they were great)