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Burns-bass

⭐Supporting Member⭐
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Everything posted by Burns-bass

  1. Laura Marling. An incredible guitar player, songwriter And singer. Genuinely an amazing talent that I’ve loved getting to learn her back catalogue.
  2. I feel my description is a little hard on this beautiful bass. It’s lovey, great and amazing and could be yours! Let me know if you have a Stingray for trade. My Precision itch has now been scratched!
  3. What model did you go for? Id love to hear what you think about it. A few people have been a little disparaging about the EUB until it’s plugged in!
  4. Turn up on time. Be polite. Learn the parts. Have gear that works. Don’t turn up drunk. Don’t drink while playing. Don’t play a solo in the middle of the track. Don’t stop playing completely if you mess up. Look at the other players while playing and smile. Offer to pay your share for the rehearsal space. Help the drummer carry his/her gear out at the end. Don’t leave abruptly at the end. Don’t arrange anything straight after the rehearsal so you have to leave quickly. Don’t say you’ve got loads on and can’t commit. Do all this and you’ll be ok!
  5. You’re a journalist too aren’t you? Everyone assumes it’s all boozy lunches and non-declared income. I make most of my money writing about dull software or gearboxes. HMRC allows you to self-declare expenses of up to £1000.
  6. I’ve had two Snark tuners break too, so interested in this!
  7. Wrong place. The idea that small business people are always on the take is cynical and offensive. How many gigging musicians declare all of their income?
  8. Just seems like pointless negativity to me. Now if he started making guitars, that would be a different story!
  9. These are bespoke instruments aren’t they? So rather than criticise a massively talented bass builder, question the tastes of some of his customers! If you’ve got almost £10k to drop on a hand-built bass I imagine you’d be confident in your choice.
  10. Traders often prefer using PayPal as it creates an audit trail.
  11. Here’s my 2011 Marcus Miller Jazz. It’s in great condition, but had a few marks as you can see (all pictured). There was a sticker on the headstock that’s has caused a minor discolouration which is hard to see in normal daylight. There are some dents commensurate with use and age, but nothing particularly nasty or upsetting. Other then that, it is in excellent used nick. Frets are fine and the action is low. The neck is beautiful and the whole bass feels exquisite. Now wearing a lovely set of Rotosounds for that Miller thwack and twang! I don’t have a case and I’d prefer not to ship. Looking for £680 - price is firm. I have just discovered I need to pay for a new roof for my daughters bedroom so need a sale.
  12. I recently sold one like this and the build quality was exceptional and it sounded amazing.
  13. Given a £22,000 Bass appears to have just sold on Basschat, I think we can deduce two things: 1) The market for vintage Fenders is bouyant. 2) Basschat is the best place to sell a bass in Europe.
  14. My kids are the same age as yours (3 and 18 months) and I experienced the same. As well as music I work as a writer (which I enjoy), run, ride bikes and enjoy gardening. My wife an I co-parent, which essentially means we try and share childcare as much as is possible as she works too. I just had a realisation at some point that I can’t do everything I used to, but I can do something - so I make time every day to do one thing. That might be an hour long run, half an hour practice on DB or reading some short stories. My wife is learning Norwegian which is her escape. When you have kids there’s a tendency to give everything over to that endeavour, but it’s worth trying to keep as much of you intact because they’ll soon be doing their own thing.
  15. Having personally owned some beauties, in my opinion it’s pretty much all nostalgia. But there is something that’s unquestionably romantic about an old guitar, and Fenders in particular. The vintage market is an odd one, and like all collectibles can crash at any time, but if I had the money I’d prefer to have a room full of old guitars than anything else.
  16. I had the guitar version of this and it was super cool and played amazingly well. I reckon this would be fantastic!
  17. I’m not impugning you or questioning your knowledge on these things, it’s just difficult (well, impossible) to be definitive on these. Your guesswork informed by experience is most likely to be correct I’m sure.
  18. Guess so. I’ve seen a fair few basses that purport to be one thing and turn out to be another. When you strip a body it could really be anything... Anyway, the best result is a ‘74 neck on a ‘69 body and I guess without going back in time we’ll never know so it’s all good guesswork!
  19. Fender didn’t offer natural bodies in the 60s (first in the 72 catalogue apparently) so it’s either refinished or it’s actually a 70s Jazz with a swapped out neck plate. Early 70s basses had a long G intonation screw, so that would fit with this being a 74. The pickups should be dated on the bottom if they’re original. It doesn’t look like cloth wiring from the pickups, which suggests 70s. It’s not an exact science this, but I’d say it’s worth taking the whole thing to bits and going over it properly. I know some people don’t like to do this, but if you’re expecting a premium for a vintage instrument it comes with the territory. I remember seeing a fair few parts basses on the late 90s as they vintage market took off. The stuff at Musicground is worth looking at. Sometimes these basses are built from multiple donor instruments and can be hard to piece it all together. That doesn’t stop them being great instruments and having some value, but obviously less than a 100% honest instrument.
  20. Can’t believe I lost my lengthy post first time!
  21. It’s a step-by-step process that follows a clear logic. In this case, you play certain intervals in a prescribed order. The steps are the same wherever you start (so the pattern for G will be the same for b) with no deviation. I appear to have become a fanboy for this book. I should say that I found it really useful when I was looking at 2 octave scales particularly for playing jazz.
  22. It’s a lot of fun. Slowly and methodically. I did about 10 years ago, but I’ll crack it back open for the DB.
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