Hellzero

TC Electronic Polytune, quite cheap (compared to a Peterson) and very accurate.

Looks like microphonic pickups, had no issues with my Jerzy Drozd with the same pickups. Strange. That said, good luck if you contact the man himself, he'll certainly charge you 1.000 Euros to change the pickups...

May I enter the shirt and sandals contest ?

Listen to Chris SQUIRE, Lemmy, Paul McCARTNEY, Geddy LEE, Roger GLOVER, Cliff BURTON and some others. They make it sound right. I had one a long time ago, sold it after one week, hated it so much. A friend of mine had one and he had a great sound, funny, no ?

One is there since 12 years and another since 5 years. And be lucky, I didn't put the amps and guitars... 🤣

Here is my short alphabetical and chronological list after a bit more than 30 years of playing and collecting. Some are still there, most of them have been sold. Enjoy : 1. Alpher Mako Elite Custom Fretless 5, 2014, natural maple burl. 2. Ampeg Dan Armstrong, 1971, fretless, see-thru. 3. Aria Diamond 1420 (Höfner 500/1 copy),1960’s, sunburst. 4. Aria SB 1000, 1980’s, defretted, natural light oak. 5. Aries Bajadera 6, 2002, natural bajadera . 6. Aries Senes VS 6 Signature, 2009, natural translucent redwood. 7. Aries Senes VS 6 Tomek, 2006, natural ebony. 8. Bass Collection SB 401, 1990’s, black. 9. Bassline Buster CW Fretless 6, 2000’s, natural maple. 10. Belle Isle 5, 1990’s, white. 11. Berne Harpobasse, 2000’s, violin burst. 12. Blade B4, 1991-92, translucent red. 13. Byl 6, 2005, natural walnut. 14. Capelli DM Signature Pro 6, 2001, natural sophora. 15. Carvin LB70F 2TEK, fretless, 2000’s, blueburst. 16. Celinder Custom 6 Michael Andersen, 1994, natural flamed maple. 17. Cimar (Jazz Bass copy with Cimar pickups), 1970’s, sunburst. 18. Cort A6, 1990’s, natural maple. 19. Cort B4FL, fretless, 2000’s, natural mahogany. 20. Cort B4FL, fretless, 2000’s, natural walnut. 21. Cort C4, 1990’s, natural walnut. 22. Cort Curbow 5, 1990’s, blue. 23. Daion (Jazz Bass copy with Daion pickups), 1970’s, sunburst. 24. Daion Power Series, 1980’s, neck-through, natural. 25. De Gier Elevation 6, 2004, natural burl maple. 26. De Gier Origin Deluxe Fretless 6, 2009, natural buckeye burl maple. 27. DeArmond Ashbory Bass, 1999, red. 28. DeArmond Ashbory Bass, 2001, blue. 29. Eko Violin Bass, 1970’s, sunburst. 30. El Maya (Precision Bass copy with Maya pickup), 1970’s, red burst (my first bass). 31. Epiphone EBM 5, 1990’s, natural. 32. Ergo 6, 2009, natural. 33. Esh Impact 6, 2005, natural mahogany. 34. Esh Stinger 4, 1990’s, Musik Messe Edition, translucent black. 35. Esh Various 5, Neuser NFS bridges, 1990’s, translucent green. 36. F-Bass AC6, fretless, 2006, antique violin. 37. F-Bass BN4, 1986, natural ash. 38. Fender Jazz Bass, 1968, sunburst. 39. Fender Jazz Bass, 1970, defretted, black. 40. Fender Jazz Bass, 1971, sunburst. 41. Fender Jazz Bass, 1972, sunburst. 42. Fender Jazz Bass, 1976, natural. 43. Fender Jazz Bass, 2001, sunburst. 44. Fender Precision Bass American Vintage ’57, 2010, white blonde. 45. Fender Precision Bass, 1964, fiesta red. 46. Fender Precision Bass, 1964, natural (sanded). 47. Fender Precision Bass, 1964, with Jazz Bass pickup added, olympic white. 48. Fender Precision Bass, 1966, sunburst à la Rory Gallagher. 49. Fender Precision Bass, 1970, fretless, sunburst. 50. Fender Precision Bass, 1972, brush white. 51. Fender Precision Bass, 1975, fretless maple board, sunburst. 52. Fender Precision Bass, 1978, antigua. 53. Fender Precision Bass, 1978, sunburst. 54. Fernandes ABM 70, 1990’s, vintage natural. 55. G&L SB2, 1990’s, sunburst. 56. Gibson EB 3, 1970’s, cherry. 57. Gibson Grabber G1, 1980’s, natural. 58. Godin A4, fretless, 1990’s, natural. 59. Godin Z1, fretless, 1980’s, black. 60. Godin Z1, fretless, 1980’s, white. 61. Guild SB 605 Pilot, 1986-88, black. 62. Höfner 185, 1962-64, red. 63. Höfner 500/1, 1967, sunburst. 64. Höfner 500/1, 1968, sunburst. 65. Hohner B Bass 5, 1990’s, natural. 66. Hohner B2A FL, fretless, 1980’s, black. 67. Hohner B2A, 1980’s, black. 68. Hohner Professional B Bass VI, 1990’s, amber maple. 69. Hohner The Jack Bass Custom V, 1989, black. 70. Ibanez 2030 (Jazz Bass copy with Ibanez pickups), 1970-73, sunburst. 71. Ibanez Affirma A 204 F, 1992, fretless, natural kralo walnut. 72. Ibanez Affirma A 305, 1992, natural flamed maple. 73. Ibanez ATK 305, 1990’s, black. 74. Ibanez EDA 900, 2000’s, blue. 75. Ibanez MC 924, 1980’s, yellow. 76. Ibanez Roadster RS 800, 1980’s, yellow. 77. Ibanez Soundgear SR 700 WH, 1992, white. 78. Ibanez SR400, defretted, 1990’s, white. 79. James Trussart Custom 6, fretless, 1988, Parisian period, amber burst. 80. Jerzy Drozd Obsession Basic 7, 2007, natural etimoe. 81. JP Basses Plume 5, 2006, natural burl redwood. 82. Ken Lawrence Associate 5, 1994, natural koa. 83. Kramer 650 B, 1978, natural. 84. Kramer DMZ 4000, 1979, vibrato, natural. 85. Kramer The Duke, 1980’s, black. 86. Langowski AJ6, 2016, natural flamed maple. 87. Lasido Z1, 1980’s, grey. 88. Le Fay Herr Schwarz 5, 2000’s, black. 89. Leduc BD3, 1982, translucent red. 90. Leduc HMP 528 SF, fretless, 1999, honey yellow flamed maple. 91. Leduc Lady B 4, fretless, 1980’s, translucent red. 92. Leduc Maurad 4, 200’s, natural. 93. Leduc Maurad 4, 2000’s, blue. 94. Leduc MNV 6 SF, fretless, 1990, yellow pearl. 95. Leduc MNV 6, Vigier Nautilus preamp, 1989, translucent green. 96. Leduc Moaï U-Contrebasse 6, 2013, natural mahogany. 97. Leduc Modern 5, 1989, yellow pearl (stolen). 98. Leduc MP 624, 2003, natural ash. 99. Leduc MP 628 SF, fretless, 1990, active, natural bubinga. 100. Leduc MP 628 SF, fretless, 1990, passive, natural bubinga. 101. Leduc MP 628 SF, fretless, 1999, active, honey yellow flamed maple. 102. Leduc MP 631 SF, fretless, 1990, passive, natural bubinga. 103. Leduc PAD 6, 1998, natural padauk. 104. Leduc PAD Rock 5, 1998, natural padauk. 105. Leduc UMM-6, 1999, honey yellow. 106. Leduc UMM-6, 2006, high gloss honey yellow. 107. Lightwave Saber 4, 2000’s, flamed maple. 108. LTD B-206SM NS, 2016, natural. 109. MTD 635-24 Fretless, 2002, natural red. 110. Music Man Sabre Bass, 1986, black. 111. Music Man Stingray 5, 1989, translucent red. 112. Music Man SUB Bass 5, 2003-06, cinnamon. 113. Neuser Cloudburst 5, 1990’s, red burst. 114. Neuser Courage 4, 2000’s, natural. 115. Neuser Courage 6, 1986, honeyburst flamed maple. 116. Nexus Gom Jabbar Magellan Fretless 6, 2000’s, natural spalted maple. 117. Noguera Expression Plus Deluxe 6, 2000, natural birdseye maple. 118. NS Design EU 5, 2000’s, natural flamed maple. 119. Overwater Progress 4, 1986, natural zebrano. 120. Pedulla Thunderbolt 5, 1990’s, red. 121. Rickenbacker 4003, 1980’s, black. 122. Roland G77, 1985, white. 123. Rybski 4, Rybski pickups, 1990’s, natural. 124. Sandberg Thinline Custom Fretless 6, 1990’s, sunburst. 125. Sanox Logabass 4, 1980’s, red. 126. SD Curlee 4, 1970’s, natural. 127. Sei Flambloyant 6, 2006, natural burl thuya. 128. Shuker Series One 6, 2001, natural. 129. Skjold Custom Series Whaleback 6, 2005, natural birdseye maple. 130. Spector NS 4 CR, 1990’s, black. 131. Squier Vintage Modified Jazz Bass 70, 2010’s, natural. 132. Squier Vintage Modified Jazz Bass Fretless, 2006, sunburst. 133. Stanford B61CM5FL OP, fretless, 2000’s, natural cedar. 134. Status 2000 Graphite, 1980's, black. 135. Status Electro 4 Fretless, 2010, natural rosewood. 136. Status Electro 6 II Jonas Hellborg, 2001, natural rosewood. 137. Status Energy Matrix 4, 1990's, natural. 138. Status KingBass Black Beauty, 2009, black. 139. Steinberger XL2, 1980's, black. 140. Stradi Symphony Bass 5 Fretless, 2015, natural 2110 years old swamp oak. 141. Takamine B10, 1990’s, antique stain. 142. Tobias Growler GR 4, 1990's, natural. 143. Trace Elliot T-Bass 4, 1990's, sunburst. 144. Tune Bass Maniac TBC 4, 1980's, black. 145. Veillette-Citron 4 short scale, 1980's, natural. 146. Vigier Arpège IV, fretless, Delta metal fretboard, 1980’s, black. 147. Vigier Excess 4, 2000’s, black. 148. Vigier Excess 4, fretless, Delta metal fretboard, 2000’s, antique violin. 149. Vigier Passion Custom III, 1999, red. 150. Wal MK 1 Fretless 4, 1980’s, natural shedua. 151. Warrior DM7 Signature Custom, 1990's, natural flamed maple. 152. Warwick Streamer Stage II Fretless, Bartolini, 1990's, chameleon purple. 153. Warwick Streamer Stage II, EMG, 1990's, natural maple. 154. Warwick Thumb Bass NT 4 SE, 2008, natural burl bubinga. 155. Warwick Thumb Bass NT 6, 2006, natural burl bubinga. 156. Washburn Status 1000 S70, 1980's, natural. 157. Westone The Rail, 1985, red. 158. Wood & Tronics Zoid 5, 2007, natural quilted maple. 159. Yamaha BB N4, 1990's, natural. 160. Yamaha BB5000A Wide Neck, 1990’s, purple pearl. 161. Yamaha John Patitucci II, 2008, amber quilted maple. 162. Yamaha Nathan East Signature, first generation, 1990’s, amber burst. 163. Yamaha TRB6P, defretted, Crel-Noguera, 1980’s, natural. 164. Zeta Crossover 4, 1990’s, natural. 165. Zeta Crossover 5, 1990’s, black. 166. Zeta Prism, 1980’s, green. 🤘 💪 🖖

That said, the lead guitar player deserves an extra mention too with his marine blue socks on bermuda pants. Very stylish !

GSS 06B400. You can have it as a head or very small combo. I've opened a thread here : Check the price : http://www.guitarsoundsystems.com/gss-06b400bh-100-watts-mini-bass-amplifier-head-c2x24693748

It was too obvious, but these socks, wow !

Nice socks on the left side.

Don't buy another one, Russ, or you'll need a new couch. 🤣 Three of them used to be mine, guess which ones.

This is what you need : http://www.luminlay.com/shopen_fret lines.html With the torch to charge them, of course, or a cell phone front light (which works very well too).

There are two sets of P X series that were just advertised a few minutes ago on Zikinf in France at a more than decent price for almost new items. The PA-X set : https://www.zikinf.com/annonces/dispannonce.php?annonce=1600013 The P-X set : https://www.zikinf.com/annonces/dispannonce.php?annonce=1600012

Or Allen keys.

Have you been to a doctor to assess this ? Because if you didn't, you might be in real danger if this was really a heart attack. Go and see a doctor IMMEDIATELY !!! Stress or ingestion have the same symptoms, that said.

This is very low. My low action goes from 1,5 mm under the C string (on my 6 strings basses) to 2 mm under the B string at 12th fret. That said on a P-Bass, a higher action means better dynamics. I set my newly acquired Fender Precision Bass AVRI '57 at 2 mm under the G string to 3 mm under the E string at 12th fret. This is just terrific sounding with new Ernie Ball flatwounds cobalt. Thanks @HazBeen for the tip for these strings. The pickup is also far away from the strings which gives also better dynamics. I'm now in the process of raising the action on all my basses as that very P-Bass effect is something I really like.

Nice job. 👍

Nice pictures Harry. 🤣

Makes me think, we have to build back this wooden terrace. Thanks @HazBeen for the visit. That said the P-Bass is great too. 😊

Partially traded my Status Electro 4 fretless bass for Harry's Fender AVRI '57 P-Bass. Harry came home for lunch and we had a great time playing the basses and talking about everything, not always bass related. Come back whenever you want, you'll always be welcome. This was another smooth and easy transaction with a great BassChatter.

Started the "Harmonic Layering - Arpeggios, Chord Tones & Scales." course and I must say that it's way much better and useful than this introduction "thing". I've already done the fretless course with Steve Lawson.

I wanted to go to the end, even if I downloaded immediately that page and saw the very very very thin program with such an ambitious title. What I can tell after having watched the video all along (doing scales while waiting for the end) is that it's simply an easy way to get money. There is lot of harassment behaviour in the way the SBL is managed : two or more emails a day, always repeating the same things, telling you what to do because this is the only way, superlatives in every sentence, ... Sorry I'm 53, playing for more than 30 years, mainly fretless, and I've studied all my life because I like it, but this is just too much, I'm not a 5 years old kid. So, I'll turn down the notifications, attend the courses I want to and certainly get to where I want to get. I'lll come back later after more courses and give my honest feedback.

The NJ4SE is a split coil, not a stacked humbucker, so more on the P-Bass side, as it's the same approach. You will loose that magic sparkle of the single coil.