Musicman20

How do these compare with the Fodera basses?

This is very interesting. My Orange cabs are now (almost) sold, apart from the 1x15 being picked up. I'll miss them in a way, more so the 1x15, but I just don't use them. They sound great but they are awkward. The Vanderkley is cheaper than I anticipated, considering Mesa Boogie now charge more for a 1x12 and Aguilar charge an extortionate £739 for a 1x12. What is the weight on it Dave? I've seen two different weights. Does the 6" have a control? How is the high end?

Ashdown are hitting out of the park recently IMO. I do like the look of their Rootmaster EVO amps. The only thing that concerns me is that they change every 12 months, but I suppose if they like to revise quickly, then no problems.

There are certainly times when a passive bass with flats (eg a nice Precision) sits excellently under the mix and provides a solid foundation for a band. I suppose the same could be said for almost all basses though....if you dial down the treble or use older strings/old flats, again, you can make an active bass sit under the mix, although it may have a different feel to a P bass. However, recently I've found a lot of bands that previously/currently used/use a Stingray (you knew I was going to say that!) and that classic aggressive bite just does something to a band mix that I can't describe. The low mid punches in with the bass drum and provides the thump, but the snarl has character. Back to when I was about 14/15, I first heard a Stingray and that was it, I was sold for life. Very very distinctive.

Cheaper here which is good! [url="http://www.projectmusic.net/music-man-809-c.asp"]http://www.projectmusic.net/music-man-809-c.asp[/url]

I actually ended band rehearsals early for the lads to get in my car and whack on the radio loud whilst driving for a few pints (I didn't drive back before you ask!). I like it. The best parts for me are the Squire guitar parts (on form as usual) and the pre-chorus. It has clearly been written for their upcoming gigs to have a new anthem, and fair play. I absolutely understand why people don't like bands or styles, but for me the Roses are more than just a band, it's a whole movement of music. Why are they so popular? Because so many bands keep referencing them as major influences. I've only lived in Manchester for a year now, but I've realised I should have been here ages ago.

Cannot quote, but I do NOT think it is an odd question to ask. Some players can afford to be collectors or just are collectors due to time not being able to play. It is best to be clear and honest about what you want. I have asked this question before. Some gear has been on walls for 12 months+, so inevitably things can happen.

With the worldwide presence they no doubt have, especially in Europe, I think it would be a really good idea.

I'm with Chris B on this. I assume they are the biggest bass specialist in the UK? The most well known? I am not entirely sure. When you have shops like Andertons releasing very very informative guitar/amp/effects (drums as well) and now a weekly bass video, and very basic home recorded musicians doing a similar (albeit lower budget) versions, it really shows when you see the BD videos. My input would be: 1. Perhaps employ a really solid player (no offences to the guys who do it now - they can play but it takes more than that) who is not worried about talking on camera to go through a huge amount of stock over a weekend and record it. Talking about the basses is much better than the text appearing. Add some flair and personality to it. Some passion. 2. Less slap. We do need to hear slap, I agree, but less of it. More standard fingerstyle rock playing, pick playing, blues playing. Less jazz. If a player can't play indie/rock with a pick, don't let them try, it is VERY obvious. A lot of the market is rock/blues/indie players. 3. Use one quite clear and clean amp and say what amp it is. Explain the EQ. Explain the cabs. Are we hearing DI only or a mix? 4. Use a set of well known effects for each video an stick to the set. Just basics. E.g. this is the bass with some drive on it, the bass with a little compression and EQ. 5. Price of the bass, what it comes with, what we get for our money, what it is build from, why it is such a good instrument. Comparisons in tone, feel, what do the controls do, weight, etc. Any options? Can we order in? 6. Amp and cab videos - a must. 7. Effects pedals. Drive pedal shootout? Delay shootout? What are the differences? Hundreds to show off and sell! Use a simple P bass/J Bass/Stingray with rounds...nothing too odd. 8, Allow comments as some will be positive and some will be negative. Sometimes you can learn a lot from negative comments. It needs some flair and fun. Plus, the intro music (might not be on the latest ones) has to go. The current generation of 15-40+ year old plus musicians rely on Youtube, Instagram, Twitter and Facebook for a lot of their communication with companies.

Ah I think I really need to seriously consider one of these. The problem is the amount of options is baffling!

That is a seriously nice piece of history. If I was ever to have a huge influx of money, I would be a vintage guitar and bass collector, but the recent price jumps on this suggests that someone or a number of people have just tried to make a quick bit of cash very quickly.

I miss Frusciante. Perfect backing vocals and super melodic and tasteful solos are his forte.

'Burn the Witch' is slowly becoming addictive. Today, I've listened to it at least 6 times during morning tram and lunch.

Looks like it has gone back up (the white one anyway). It was more than likely one off prices for the last one or teo before new stock.....missed it!

Cheers!

I have been extremely lucky not to do any proper damage to my ears and I am thankful for it. About 10 years back I decided I had to wear some ear protection, no matter how crap or cheap, at every live gig and rehearsal. Even bands I go to see when I'm not near the front. I've been in a band with a guy who clearly had caused some damage to his ears judging by his guitar tone and volume. A 4x12 Orange and a JCM2000 can create serious serious volume, and he had it loud in rehearsals, to the point that at one time, I almost fell over as the volume was so much that I lost my balance and thought I was going to faint. I had ear protection in so I assume it was low frequencies from the cab which was shaking the room. Recent tests have said my hearing is basically perfect, so I am extremely lucky. I hope it stays that way. Just protect protect protect at all times, even if you may have already damaged your hearing. I hope you get to the bottom of it.

Always wanted to try one of these beasts!

Aye I'm close. Selling a cab and ALWAYS wanted one of these....purely because I now cross over into bass/guitar playing land, and the current band is leaning toward a 90s melodic shoegaze type of thing. Perfect timing.

I briefly owned a Gamechanger. Had it been in a colour I liked and been a 5er, I would have kept it. It sounded absolutely amazing, and the body shape was fabulous. It hasn't taken off though. Shame....the Bongo eventually did and still proves popular now.

Unfortunately these are coming out at over £1600. Considering I bought a Classic 5 Ray/Big Al 5 SSS in upgraded colours for around that, it just seems too high for the UK market. A shame, because I'd really like one.

Hmmm...I've wanted one for ages! How are these as a company for deliveries? Good to deal with?

'The Bends' and 'OK Computer' are simply stunning. I need to spend more time listening to their later output, but I really liked 'Kid A'. They are extremely original, and quite dark/mysterious, which is interesting in a rather bland and over saturated market.

Unfortunately, I can't see that happening. The quietest band I've been in was a 3 piece covers band, with the singer playing electro-acoustic (most of the time). I'm afraid my days of yearning a loud drummer and thrashing about are yet to pass....still trying to do it and probably won't learn (although I do wear ear protection).

The AD200b Mk3 is not being sold. Despite it's huge weight, I would regret not having such a tone monster capable of excessive volume. The 4x10 has gone. I was going to keep the 1x15 but I have no plans on using it, and I'll use my DB212 with the Orange amp, so the 1x15 is now on hold locally. It has made a huge amount of space free, but I'm pretty certain now that I'll just see how things go. If I were to buy any bass related cabs now, I think I'd go as small and as light as possible (modular).