Jump to content
Why become a member? ×

Musicman20

Member
  • Posts

    10,668
  • Joined

  • Last visited

Everything posted by Musicman20

  1. [quote name='AlanP2008' post='804878' date='Apr 13 2010, 01:58 PM']You are probably better off keeping the 2x10 vertical though - it will keep the dispersion more horizontal - help avoid the sound disappearing into the roof.... (Raise it by all means - although there are definitely benefits to keeping it on the floor, you being able to hear it whilst you are standing close to it, isn't one of them...) Alan[/quote] Actually, yes I see what you mean. I will try a few different arrangements. All this talk of large rigs when their is a huge professional PA there just doesnt seem to make sense. As long as Ive got my sound, and the band can hear it through at least monitoring, ill be happy. The PA can do the work...
  2. Recently I joined a covers band who play rock, pop and funk. Anything from The White Stripes to Foo Fighters to Stevie Wonder. Volumes at rehearsals tend to be mid level for me which is fantastic, but I do wear ear protection. My now ex band back home were too loud so it just sounded like a big wall of mush. Because my location means I travel via the metro to practice, they have a cheap backup carlsbro amp (100 watt ish) and 2 unknown make PA cabs, (1x12 no horn 8 ohms). If it's rubbish weather, they also have a cheapie bass that's left at the practice rooms. Sounds daft when I've got all this nice gear, but at the moment I don't need a car due to living right near everything apart from where they practice, Normally, both 1x12s are plugged in, side by side, and I use my sansamp to make the amp sound half decent. The sansamp is also plugged into desk, at low levels. This setup works for practice. Last night, I was only plugged into 1 112; the other was being used. I was also NOT turned on on the desk. All the volume was through ONE cheap 112 with a low powered amp. We didn't even realise I wasn't coming through the PA. I was pretty much loud enough. It wasnt brilliant, but it worked. The band is drums, 3 guitars, (one is a brilliant tube 1x12 combo, one is a Tiny Terror through a 4x12, the last guitar is only on certain tracks to add depth) and lastly vocals. This has made me realise that you just do not need massive rigs for certain bands. So, live, will my TC RS210 be enough? They use a professional 10k rig for most the gigs. I'm thinking RS210 raised and placed horizontal, with amp on top, then DI'd through amp or sansamp to push out to the crowd and for my monitoring.
  3. [quote name='eude' post='804519' date='Apr 13 2010, 07:25 AM']Thanks guys, kind of what I expected. I run a pretty hot output too, so I guess I'd struggle to get a clean sound at all out of the Terror then. F1 it is I reckon then, unless OutToPlayJazz comes along with some wise words about the LittleGiant... Cheers, Eude[/quote] I tested the Bass Terror and it's filthy! In a good way...if you like some tubey gain the Terror is perfect. There is a great F1 comparison video here by talkbass amp/cab expert Kjung: [url="http://www.youtube.com/watch?v=-eUrmYZlSnY&feature=related"]http://www.youtube.com/watch?v=-eUrmYZlSnY...feature=related[/url] If you want crisp clear bass, giving you masses of volume in a tiny well made package, I cannot see many amps that come close. Some of them do state more wattage, but markbass, and recently TC, are probably the only amp companies making micros that are honest with ratings. Personally, I love the little mark 2/3. Slightly warmer, still precise and clear, very loud. I still want an f1 though.
  4. [quote name='51m0n' post='804474' date='Apr 13 2010, 12:30 AM']Well I bit the bullet the other day and got myself a T-Rex Chameleon, needed to power a variety of voltages, wanted a kettle lead not figure of 8, and wanted isolated outputs as the TriMod Phaser is a noisy b*****d. Was rather unsure as to whether I'd done the right thing. Build quality is incredible - weighs alot for a power supply this. Plugged it all in today, and every pedal I've got seems to sound better than it did, and no noise from the phaser. Result! Very expensive solution though I'm afraid [/quote] Ive got one of these on order....expensive yes, but im hoping its amazing.
  5. [quote name='eude' post='803986' date='Apr 12 2010, 06:38 PM']+1 Yup, interested to hear your opinions too. I'm looking to move up from my LittleMark250 to something with more wattage, but it needs to sound good, or at least be very transparent, and be cheap. Currently thinking about a Terror Bass, or perhaps a MB F1 if I can get one cheap enough, but hadn't considered the Little Giant... Cheers, Eude[/quote] The Bass Terror is too warm and dirty I think for this. A good amp for the money but its more of a rockers/blues amp. Transparent, crisp and clear = Markbass F1 or LM2/3.
  6. I think after listening to demos of the TC/LM3 and F1, I need an F1 or 500 to complete the trio hahah. Seriously, that amp is TINY and very very powerful, crisp, and clear.
  7. The old Trace 12 band EQ slider was very flexible, but now I dont own it, I must admit I prefer the rotary controls. Nowadays most my amps are set flat...esp Markbass. The TC gets tweaked purely for fun and the fact I can store 3 presets.
  8. I think they must have researched into it, and I can picture what Bass Doc is saying right now....good way of testing the 'sweet' spot. The Jazz and Precision sounds are iconic.
  9. PS Glad to see some Futurama DVDs....
  10. Thats a cool review....and ive just been learning some Arctic Monkeys for the covers band ive joined..they have some pretty fun lines. Its a nice looking bass, and I agree with the flatwounds....it just works. Im tempted to get one of these later in the year as a backup.
  11. [quote name='ikay' post='803907' date='Apr 12 2010, 04:54 PM']The main things you need to watch out for are significant swings in temperature and humidity. This goes for whether it's being stored for a few months or just out on a stand in a room somewhere. Some basic things to avoid are leaving it anywhere near a radiator, in an attic or in a garage as all these areas have massive swings in temp and hum. I have several basses and keep them in their cases when not being played but they all get a regular airing and check over. I have the radiator in the room where I keep my basses turned down low (or off) to avoid sudden blasts of central heating. If you're not going to play it for a few months then detune by a semitone or so (but not too much). Unless it's in a temp/hum controlled environment the ambient temperature will inevitably vary a little from day to night and when the temp drops the strings will contract and put more stress on the neck - detuning a small amount just provides some leeway for this to happen.[/quote] Good advice....my bass room has no heating on...the room is warm as it is...so I dont have any kind of heating on in the room. Dont put the case or bass near any type of sunlight...it can do a fair bit of damage.
  12. Luckily I now have a room for my gear. I take them out and play/polish them all especially if ive been neglecting any. Because they are all in proper supported hardcases, I dont worry about it. Its better than having them on a stand getting bumped. Personally, hardcase with a few hours play every now and then wont hurt. Just watch out as sometimes the chrome can get strange 'bits' collected on it...so I always wipe the chrome down. In
  13. [quote name='OutToPlayJazz' post='803467' date='Apr 12 2010, 10:17 AM']Never really gone for the "clones". Always wanted a Sadowsky, but they've all disappointed me bar one Metro model I played recently. In a Fender clone, I'd be looking for a combination of the classic tones of the original with some added adaptability and modern overtones. Most of them cost significantly more than the real thing, so I'd be expecting something literally twice as good. Am I being overly optimistic here? I've had a few Fenders and ended up selling them all, whether because they weren't gigged or they just didn't fit. All either Standard, American Standard or Artist series. So I'm upping the ante now and picking up a 62 RI American Vintage Precision next weekend. This particular bass is the only P that's ever made me go "Wow!" when I played it. We'll see how it fares... [/quote] Im in agreement here...the Sadowsky's I played never really did it for me. Very 'polite'....I immediately tested a 75 Reissue Jazz that was next to them, and that bass barked and growled perfectly. I found Sadowskys to be far too 'modern' for me. Lovely QC and finish though. The Metro prices now are silly. For some of them, you could buy two new American Standard Fenders (and they are much better nowadays) and still have £300 or so change. I look forward to the pics of the 62 reissue Rich.
  14. +1 on being the boss....if you join a band thats ongoing, obviously be friendly and compromise, but dont compromise too much. If its a covers band (and I personally have rejoined the covers scene after 8 years of originals bands) then make sure you can fit into their rehearsal regime....and most importantly make sure you enjoy it! Covers bands can be REALLY good if you get hold of some good musicians. My current drummer is a loud bugger, but he knows how to plays the drums very well indeed. The band have been playing as a covers band for years, and I feel very much like ive struck gold seen as though my first gigs with them are quite large. Definitely have an originals band as well if you have the time. Writing your own lines from scratch is, as you probably know, really satisfying. Good luck, and dont give up. I advertised in a fairly professional manner and the responses were mainly a waste of time, but you WILL strike a good band eventually. Im learning new styles all the time now. My fingerstyle is MUCH better now...Ive forced myself to play almost everything with my fingers and its worked. Only the really fast stuff in my punk band need a pick....helps it cut through as well.
  15. [quote name='JTUK' post='803683' date='Apr 12 2010, 01:29 PM']Markbass 102 combo..features two 10's that have real depth and the LMll amp.. This is a great standalone combo IMV..and if you wanted to add another 8 ohm cab, you'd be able to get 500watts or thereabouts.. It is pretty light as well....[/quote] +1....you cannot go wrong.
  16. The pure and simple sound of the Precision split pickup fitting seamlessly into any genre. Classic.
  17. I can see that amp being awesome, but yep the Orange weight and 8 ohm capability makes it much easier to use if you have no roadie etc. Nice to see a USA SVT cracking example.
  18. WITHDRAWN There is no need to introduce this amp... This is merely a feeler as I might not get to use it much. Not quite sure yet. Gigged once, rehearsed with lightly. 5 months old. Not one mark, ding, issue, etc. 10/10 better than showroom condition. As per all my gear I treat it with care. Still has the Markbass signed sticker of QC on it! Never had this amp past half at 8 ohms. Fabulous warm, crisp and full tone from a small package. Specs on here: [url="http://www.markbass.it/products.php?lingua=en&cat=1&vedi=99"]http://www.markbass.it/products.php?lingua...t=1&vedi=99[/url] Basically an upgraded Little Mark 2. Comes with all packaging and powerlead. £480 ono plus P&P. I am based in the North East but I imagine Royal Mail or a courier will be approx £10-12 depending on insurance. Pictures: [attachment=47078:DSC00267.JPG]
  19. Is that the Maze in Nottingham?!
  20. [quote name='Conan' post='802442' date='Apr 11 2010, 11:25 AM']Jeez man! Are you [i][b]ever[/b][/i] satisfied?!? You've got more gear than most music stores!! [/quote] I know. I'm hard work. It's the fault if the bass amp Market. There are so many good amps and cabs out now compared to 10 years ago I have trouble with not looking into all of them! It's ok, I have realised I don't need to even try this gear...as much as I'd like to. If I do, i'd have nowhere to put it. I have sold some cabs though, I realised they were too good to be unused. If I do ever get more gear, it will be small and light.
  21. Are the features of the f500 worth the extra money? Just looking around at the F1 prices at the moment, as I have a serious amp addiction. It seems the extra features on the F500 are £150 extra... What is a reasonable price for the F1 new?
  22. I'm guessing it might be popularity and changes with finish. I've seen a lot of prices rising recently on gear. It's getting ridiculous with some of it. I still think the rs210 is a good buy for £450.
  23. I just read about this...it's the shortest signal path for their amp design...when they used to hand wire them all back in the early days. Sound quality of eq I do believe. I hate how much gas I get for amps and cabs!!!
  24. Thanks! Interesting to know. There was a point where I nearly went 'all GK' with a rig...before I go into the Markbass amps. I still do think they look very interesting....I like the bi-amp feature etc etc. The main attraction at the moment is their 39lb 2x12 Neo 4 ohm 500W combos....
×
×
  • Create New...