
alanbass1
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Everything posted by alanbass1
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[quote name='lozbass' post='622919' date='Oct 11 2009, 10:23 AM']Personally, certainly not in the current market (I think £6k would be the outside - I really wouldn't pay that either). Someone with much superior knowledge of Fenders will know - why no paint stick mark in the neck pocket (and is that a shim I see)?[/quote] Fender used the method of spraying with woodedn baton screwed into the neck pocket early 1963, so you would not expect to see the bare wood for this period of guitar. Also, the shim material is consistent with what Fender was using back then. 10k is a lot and probably too much in the current economic climate but, and it is a big but, where else would you get an original item in this condition.
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[quote name='Musicman20' post='621811' date='Oct 9 2009, 05:04 PM']Will a Mono fit a Lakland Joe Osborn 5 (35 scale) ? If so, then it will fit all of my basses.[/quote] Yes it will. Anyone who buys one won't regret it.
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For those who love StingRays but like thinner necks...
alanbass1 replied to Duarte's topic in Bass Guitars
But having the choice is a great thing -
I would get (another) Celinder if I were after a 5 string jazz. I would love an all white one with the white fingerboard like the Larry Graham model he once did.
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I picked up a Mono gig bag from Bass Direct and it really is better protection than other gigbag/case I own with the exception of my Anvil flightcase. [url="http://www.bassdirect.co.uk/bass_guitar_specialists/MONO_Bags.html"]http://www.bassdirect.co.uk/bass_guitar_sp.../MONO_Bags.html[/url] Expensive, yes, but so are my basses!
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If the problem only started to exhibit itself with the Barefaced cab then surely that's where you need to look first. The F1 has a gain input to match the output of any bass so I doubt it is a simple case of overloading the amp (I'm making the assumption that you have turned the input gain down on the amp). It might just be that the particular bass/amp/cab combination just doesn't sound right to your ears and therefore one of these components would need to be changed. To be honest, I find my US Spector very much a grinding rock machine and perhaps the Markbass/Barefaced combination is a little too clean/sterile for the bass.
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Used the Celinder at a gig last night and wound what I believe is the passive tone control fully anti-clockwise (hard to tell whether this is truly passive as it's directly coupled to the 'board) and got a wonderful old school sound - deep but with definition. Make me decide to keep her as she is a truly wonderful modern jazz and also, as I have just discovered, has a great old school tone as well. I know I should have tried earlier - but I never before wound passive tone controls fully anti clockwise as the loss of definition is something I can't live with and never thought to do so on this bass before. Obviously there is a little more going on in the circuit than just a straight capacitor sucking out the treble - wonder what it is.
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I also had a MK Signature and sold it in the end. Very noce bass but just far too heavy and, as a result, I used it at just one gig.
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They are nice basses and great quality but you really should try one before you take the plunge - especially at the sort of money they command. I have owned both a Metro and NYC but traded both of them on - and that in itself tells a story. But some people love them and if you do get one second hand you shouldn't lose out if it turns out not for you.
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It's the 1x12 version. I purchased this amp new from Charlie Chandlers Guitar Experience in 2005. I used it at home for the two months prior to my going to the US on a 3 year assignment, during which time the amp was stored at my mothers house in her spare room. When I was in the US I picked up a Kingsley Deluxe 30 (with a dual voltage option) and since returning to the UK last year I have not really used the Badcat. To be honest I don't use the Kingsley that much as I'm a bass player first and foremost! As such, the amp is just sitting unused and is in immaculate condition. So I thought I would put it up here to see whether there is any interest. Ideally I would love to trade for a quality Jazz Bass. I reckon the trade value of the amp is around £1200 (these sell for over £1700 in the UK). Other guitars/basses considered and cash adjustment either way would be an option. I'm located in Richmond (Surrey / West London)
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I recently done a trade with Peter, aka GreenKing, and everything went perfectly. He is a real nice person and totally trustworthy and would recemmend him to anyone.
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So the story is that I have always fancied a Rick because I started playing bass in 1974 and my idol at the time was Chris Squire. I never got round to picking one up until a few months ago when I popped into Peter Cookes Guitar World and they had just taken delivery of 8 4003's, 4 Black and 4 Mapleglow. I played each one as they unpacked them and there were two that stood out from the pack (one of each colour). Prefering the look of Mapleglow I ended up with the one you see here. It's been my intention to get to use the Rick live, but as yet I haven't played it since bringing it home from the shop - even at home! Not a problem as I would have got round to it sooner or later until......I just did a trade with the Spector NS5XL Redwood that I picked up from Molan. Although an excellent bass in every way I just couldn't get to grips with 5 strings. So I put it up on the forum and traded it for a 4001 Chris Squire (thanks Peter), hence the reason that my totally immaculate, and as new, 4003 see's itself on this very forum. Rickenbackers aren't for everyone, but if you do fancy one this is a particularly nice one. 2009 model with the push pull vintage setting and full width inlays - and probably as untouched as you will get save picking one up direct from factory. I'm still on the look out for a real nice Custom Shop passive Jazz bass with rosewood 'board (preferably Brazilian), so if anyone has something they are looking to trade drop me a line. The other thing I would consider in a trade is a Bergantino IP112ER active cab (must be immaculate).
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Well, I purchased this superb bass off Molan a few weeks back for the band I'm currently playing in as we thought that a number of songs would benefit from some low B action. But, after 33 years of playing 4 string basses, I'm just not gonna gel with any 5 stringer. The reason I bought this particular bass is that my main gigging bass is a Spector NS4 (shown in my avatar) and I just love Spector basses - so if I was going to get on with 5 stringers this would be the most likely. The action is superb and the bass sounds fantastic, which makes it all the more of a shame that I don't think I will ever get to use her properly. So, my thoughts are that I stay in my ludite comfort zone and see if there is any interest for a trade with a high end 4 stringer or an old Fender Jazz bass (cash adjustment either way considered). TRADED Some details: The Spector Limited Edition Redwood Burl NS-5XL is crafted with 75-to-100 year-old, water-cured redwood burl. The burl rests on a platform of Spector's legendary hand-selected, premium exotic woods: maple for the neck and black walnut for the body wings. Water-cured redwood is harvested from the stumps of redwood trees cut down 75-100 years ago that fell into streams. These trunks were submerged in water the entire time, which washed all the resins out of the wood and replaced them with dissolved minerals. This natural mineral enrichment process is what gives the wood its unique color and density. This natural water curing is very similar to the method that has been used for curing violin woods in Europe for hundreds of years. The Spector NS-5XL 5 string bass guitar is constructed with 3-ply maple neck-thru construction with graphite stiffening rods and a heavy-duty truss rod. It has a 35" scale rosewood fretboard with Spector's abalone crown inlays, dual USA EMG-40DC humbuckers and Spector's Two band pre-amp with Treble and Bass cut/boost. Those of you who know your Spectors will know that it plays like a dream, super low action & very easy to zip around the fretboard. Personally I love the sound of Spectors and it's absolutely become my #1 gigging bass sound. It's in damn near 'as new' condition, I can't see a single mark on it anywhere! Some pictures (hope Molan is OK using some of his snaps):
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Why would a resonant frequency in a cab reveal itself with the Shuttle and not the Ampeg? Sounds a fault with the Shuttle IMO. I had a Shuttle 6 and never really took to it. It was very susceptible to overheating when in a Gig Skinz rack bag which caused the power to temporarily shut down, but in a hard 3U rack with space above the amp was fine.
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[quote name='Fraktal' post='560849' date='Aug 5 2009, 07:38 AM']I've got a Markbass CMD102P and it is almost a perfect amp. There are only 2 things that I dont like about it: 1- The piezo tweeter has a crappy sound and 2- You might need an external 15" if you play a 5 string bass. Everything else I can say about this amp is VERY GOOD. Very hard to find a better combo![/quote] +1 regarding the Piezo tweeter. Their cabs/combos fitted with horns are nice though.
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Not for me
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The amp specs look good, anyone got one or tried one and able to give a quick review?
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Got a cover made up for my Bad Cat Cub II and my Markbass combo from them - excellent quality [url="http://www.ampcovers.co.uk/search.asp?types=yes&type=Silvertone"]http://www.ampcovers.co.uk/search.asp?type...type=Silvertone[/url]
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[quote name='JanSpeeltBas' post='578771' date='Aug 24 2009, 08:47 AM']I've owned two NYC Sadowskys: a '95 fretted maple neck/ash body with Sadowsky pickups which sounded fantastic (but had to sell it because of a very nasty dead spot that I just couldn't live with) and a custom made '96 fretless (#2424 - who has it now?) with EMGs which just didn't sound right. Great basses - but not for me and probably not for you too?[/quote] The reason I decided to move the Metro was to trade for a Wal bass. However, the bass had was the pronounced deadspot on the 7th fret of the G string.
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I'm currently running a Markbass TA501 amp into Bergantino HT112ER and EX112ER cabs. I'm really happy with the sound and am especially impressed with the onboard compressor on the TA501 and for 90% of the gigs we do the power is (more than) adequate. However, there are a number of venues where a little more power would help to retain the headroom in the amp/speakers which gives me the definition in sound I want to retain. So I was thinking of adding a power amp to the equation and was thinking of getting the same power stage as the TA501. Is it a simple case of getting something like the LMII and using the effects return to patch into the power stage? Also, I notice that Markbass now do separate powerframes in their MoMark series. Again, is it simply a case of patching into their effects return on the power frame or would I have to purchase the pre-amp modules as well for the power frame to operate? Once I have the power stage sorted I will have the option of adding more speakers if/when required.
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I have owned two Sadowsky's, one NY and one Metro, and neither lasted too long in my armoury. Nice basses but not 'special' enough for me to keep - especially given their price. I ended up with a Celinder which gave me everything that I was looking for in a jazz bass, with the nicest neck I have ever played, period.
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[quote name='Lorne' post='553404' date='Jul 27 2009, 11:58 PM']I spoke with Tony Zemaitis a few times,great guy,R.I.P.,got him to build a bass for Bob Daisley [/quote] I had a Zemaitis metal top guitar which I foolishly traded in the 80's for a PRS (when PRS were all the rage)...stupid, stupid, stupid, stupid infinitum.....
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Must get a Rickenbacker 4003! Where in the UK?
alanbass1 replied to jim_at's topic in General Discussion
Whatever anyone says they are unique basses and they have retained a consistently high build quality throughout - you don't hear about the 'golden years of Rickencaker' as you do other mainstream brands. They keep manufacturing in the US and the output to a level where they can maintain this consistency. Hats off to them for that and are they that expensive when you compare to other similar volume of manufacturing passive basses, e.g. Fender Custom Shop? I got a 4003 from Peter Cookes this year, I rarely play it but it's a great bass!