TPJ

Here is a page from a Helix whiz. He's created some 810 sims with parametric eq blocks on the Helix. You may be able to use the settings and see what you come up with if you have similar eq devices. http://drtonelab.com/lab/8x10/

I don't remember if you had used a GK MB800 with the F112 (the setup I use). Seems a good match. I nearly went for a Quilter from all the hype but have stuck with the GK. Glad there is another alternative out there to use with the F112.

Bassist Available - Professionally trained musician with extensive work experience in the USA and UK playing in a variety of bands (function, rock, blues, jazz, cabaret, originals) and in a variety of settings (clubs, cabaret, cruise ships, West End, studio) using 4 and 5 string electric basses, EUB and double bass. Have pro gear and transport. Fluent in reading music & charts and transcribing. Have big ears (so can follow almost anything) and can sing both lead and backing vocals. Play other instruments as needed. Currently located in The Hague area (NL) and am looking for more musical adventures with bands, touring, theatre work, jazz, deps, etc. . . . PM for more details and contact info.

This is how I felt too when I started using a Fearless F112. You're not stuck with the sound of the cab, you can make it sound like just about anything you like. Using a HX Stomp with the F112 is like heaven

Would love to see some pics. :) Not certain what this means.

I've owned both a V1 VT and now own a VTDI. I much prefer the latter with the blend and the two buttons to enable/disable Bite and Speaker. I always carry it as backup ( using a HX Stomp now but the Tech21 was the main pedal) as it's such a great preamp. I wish they'd make a deluxe version of the VTDI to save presets. I'd buy that!

I played a gig last night and didn't "need" to bring my rig (F112/GBMB800/HXStomp) Using their Ampeg SVT PR4/HLF410, it was instant regret not having my setup. The Ampeg was so mucky and booming sounding on stage, with no end of twiddling, and I couldn't hear myself all night until I asked the sound man to put some bass in my monitor...lol. If I had my rig it would have been full, clear bass all night.

I used my 1025 for it's first recording session today. The engineer was remarking on how modern it sounded and it wasn't until I heard the first track played back that I understood what he meant. Even just using the P, it had a less vintage quality to it than I thought. I played a track with an old Tokai P with cruddy dead strings which sounded more old school. I still preferred the Yammy for playability and tone though.

Welcome to the F112 club :). The lows seem overwhelming at first but once you figure out how you amp and eq best works with the speaker you'll be in tone heaven. I still haven't found use for my second F112 in all the gigs I've played the last 2-3 years except as a PA for one gig :).

I set up some patches that have compression at the beginning and again at the end and then use the foot switches for cabs or effects. The compressors seem quite good. Here is an example of what I use. The foot switches turn on cabs for old school colour and a eq boosts. It's easy to hit 6 blocks though. Clean212.hlx

I'm going to go out on a limb here and say that a HPF does affect the sound more than you might think. I have a Thumpinator and I get different results with it in the signal chain from passive and active instruments, and I think it's more a phase issue than any thing else? My bass with EMG pickups loves the Thumpinator more than my passive instruments. I practice with headphones most of the time and notice quite a tone difference with and without the HPF. I also have a HX Stomp and notice similar tone differences when I employ an HPF with the eq blocks. When I run a pedal board with the HPF into a GK MB800 and Fearless F112, I can also hear a difference. So although a HPF should just cut the stuff we can't hear, I think it can affect the tone more than we realise. So much so that I've taken the Thumpinator out of the chain. I'd be interested to hear other's experiences with HPF's in their chain, both through amps and headphones.

Like BigRedX, I've sculpted a sound from a pedal board that I want to be heard. The stage rig is usually 1 Fearless F112 into the power section of an amp. I've had compliments from both stage and PA tone so I know it works well for both. Sound men are pleased because it's very little work on their side as I even use my own DI.

Harry kindly sold me his HX Stomp and delivered it locally. It was great to meet face to face, have a coffee and a good chat about bass and music. Very easy to deal with and a great chap. Thanks again.

Cool project. I imagine the bass bar will need cutting and/or replacing as they tend to run most of the length of the top. I'm sure your luthier friend will know. Looking forward to seeing how this turnes out.

Sorry to hear about the heart attack, hope you're ok and recovering well 😯. I got a Realist Lifeline and although it's darker sounding than some, it's been the next best thing to the Full Circle pickup. I like the fact that it's non-invasive too. Might be worth a shot.

Hipshot makes a drop D thingy for double bass @bassace. Looks cool.

Did they store that next to a radiator in the winter and in a hot loft in the summer? Quite a bit of carnage

Did you make it so you can leave the endpin extended?

I pulled this info from a talkbass thread about making these. I'l be constructing one soon too. :) The 2 x 8s are 21 1/4", the 2 x 10s are 10 5/16" with a 38 degree bevel ripped on most of the inside face and the 2 x 4 is 10 5/16" with a 1 1/2" hole in the centre. The end pieces were propped up on the other 2 x 8 to raise them 1 1/2" while I screwed the front on. The 2 x 4 endpin holder was likewise raised 1 1/2". For the dowel stand, The 1"x8"'s are 2' long and the 4 pieces of closet hanger dowel are 1' long.

Are these any good? I think Artisan used to use these when he played loud DB.

I think it was this thread . Scroll down to Hellzero's advice about the double sided adhesive.

Is IR the new name for sample? With these, you could run any old EUB and get an old german bass sound from it