spencer.b

Huge fan of Colin and backdoor, he does get talked about on here from time to time

I played an old one and it was great and really light, were the previous ones basswood?

How about a pair of barefaced 210s and a Mesa d800 I've got a svt cl that I love but I rarely take out cos it's so bloody heavy , no class D will sound the same but I find the Mesa D has a wide open clarity that has a similarity to a valve head Or a Walkabout if you want a grittier old school midrange?

I see Bassdirect has got them in stock, anyone on here got one yet?

Wow, I was expecting a fusion bass shred up, loved that , I'm hearing the 90s Soundgarden AIC thing too

One of my biggest influences when I started , just watched a fender vid of him playing Maggot Brain that popped up on YouTube, Absolute rubbish!

Mark Sandman on 2 string slide bass

I like it, bit different isn't it Are the strings cobalt flats?

Pick one song ( how about Pressure Drop, Toots and the Maytals) and play it over and over , harmonically it's simple , just major triads but the magic is in the articulation , really try to mimic the note length and rythmic placement feeling how the bass relates to the drums and guitar Tone down volume up

Luthier definitely is a real thing and pre dates the term guitar tech by 100s of years!( I know what you mean, bit pretentious isn't it)

I totally agree , I just thought I'd mention incase the OP didn't know you could get small loud amps these days, I love big Peavey combos

Just keep buying P basses , I've got 6 and I still lust after the next

I've got a avri and a CS and the CS definitely has a bit more low end and is a touch smoother ( although I think the avri pup is actually closer to a real 60s fender in some ways) Overwound sounds like what you're after imo

Those Peavey's are great for the money but do bare in mind they're huge and heavy and if you wanted to spend more you could get something way lighter and smaller

A lot of my rythmic approach has come from these Tommy Cogbill on Elvis in Memphis album ( especially Gentle on my mind, you gotta check this out) Jameson on Bernadette Rainey on Peg Steely Dan Willie Weeks solo on Donny Hathaway live

That's Alison Brown on banjo who was in the first lineup of Alison Krauss Union Station and I think that's the amazing Trey Hensley on guitar

Make an effort to dig in when you practice and play soft and relax when you gig, you'll still probably play harder on the gig than at home but thinking of it like this helps me

I had a TH500 for a bit , for me it was all snarling mids and really lacked proper oomph down low and any sparkle at the top, I moved it on pretty quickly, I wondered if it was the cabs I was using but I've since used a TH500 a few times when they.ve been house amps or festival backline and I felt the same, I'd try a different amp mate, last time I was in bassdirect I tried most of the class Ds and for me the Genzler and Mesa Subways were the best, I thought genzler was really versatile and the mesa had an openess and clarity to the tone . I've since got a subway D800 and now I'm really tempted by the WD800 I liked the berg CN but the ceramic bergs are for me the best cabs ever( why did I sell them???) and as good as neo cabs have got they don't quite match up, but like you say weight plays it part I'd go for option 2 change the amp

I get asked 15ish times a year, mainly hotels, they always want the cert. emailed in advance and I've never had anyone look at the gear on the day so I'm not sure getting stickers would help

A really good tech once told me that it's a bad idea to move a valve amp while the valves are still warm, anyone else heard this?

I am now, thanks for the heads up

Steve bought my Mesa mpulse , pleasure to deal with, lovely guy