Jump to content
Why become a member? ×

lozbass

Member
  • Posts

    1,632
  • Joined

  • Last visited

Everything posted by lozbass

  1. [quote name='Rich' post='586689' date='Sep 1 2009, 05:31 PM']It's a deal! [/quote] Wish I could (but then if I could afford that, I wouldn't be stuck here in Manchester)
  2. [quote name='enigmatic' post='586670' date='Sep 1 2009, 05:12 PM']Beautiful. Is it strung B-G? if so how's the b-string tension?[/quote] Oops - thanks for this, I should have mentioned it earlier - it's currently strung E-C (as are most MG's I think). I think it would take a low B (new nut?) but I'm not sure. I'm in Manchester
  3. [quote name='purpleblob' post='586644' date='Sep 1 2009, 04:45 PM']Lovely instrument. funnily enough I've been looking at other examples of these instruments over the weekend - just a shame I don't have that sort of money available at this time Anyway best of luck with the sale.[/quote] Thanks for all the kind comments! Fiver a week 'til 2026?
  4. Now SOLD subject to payment. It looks like the bass will be going home. I thought this bass would be popular but the interest was immense. I'm sad. This is one of the most stunning basses I've ever seen. Thanks to all for the comments and interest. Following much contemplation – this is not an easy decision – my Fodera Imperial MG5 is now for sale. The bass was built in 2006 (as far as I can remember) – it has seen very little use and is in ‘as new’ condition. The top is a beautifully marked chestnut, the body is black walnut, and the neck is ash with (rosewood or bubinga?) stringers and an ebony board. The tone block appears to be figured maple or alder (or possibly sycamore?). Electronics are Mike Pope 3 band with passive tone control and Seymour Duncan custom pickups. The only reason that the bass is for sale is that I have wrist rotation problems and can no longer play a 5 – I’ve moved to short-scale, skinny-necked 4s almost exclusively. I’m not going to go on about the instrument – anybody who’s looking and has a serious interest will know that this is a stunning, unique, hand-built bass – aesthetics, playability and tone are everything you’d expect from the higher-end of the Fodera range. We all know about wait times and values, so suffice to say my valuation on this is a firm $6850 (or £4250 or €4800). Price includes a brand new Hiscox hard case, strap locks, Fodera truss rod tool, and professional packing. Shipping, taxes and duty will be the responsibility of the purchaser (but I’ll be happy to work with any prospective buyer on shipping quotes and services etc.) The bass is currently in the UK but I will ship to the US, Canada, European Union, Australia, New Zealand or Japan. Other destinations, give me a try. I’m not looking for trades so this is ‘for sale’ only. Bank transfer is the preferred method of payment. Again, anybody with a serious interest is likely to have many questions – please don’t hesitate to ask anything you need to know, or for photographs of specific features of the bass. I’m available by Skype or ‘phone to serious potential buyers – please PM to arrange. Scale length is 33” (26 frets). String spacing is around 18-19mm but is adjustable. I can append details of nut width and spacing this evening. Neck profile is a fairly flat D – very comfortable all the way up with full access to the 26 frets. Indeed, the neck is super-fast, just too wide for me at the first position. Condition of the bass is superb (no gigs, no full-band rehearsals with me). Indeed, it looks (and smells) new and workshop fresh. The bass was recently set-up and re-strung with light-gauge LaBella slappers – ludicrously low action, no buzzes, and medium string tension. In the interests of full disclosure, there is a minute, very shallow impression on the rear of the bass (a semi-circular line around 4mm long) – this is almost impossible to find or see and is only visible with light at a certain angle. There is also an ultra tiny nick on the bottom rear edge (a fraction of a millimetre across and the same deep). Both marks are almost invisible and impossible to photograph – the latter wasn’t noticed until I’d had the bass for six months. I’d estimate that repair – if you could be bothered (the blemishes are almost imperceptible) – would be no more than $20 (£15). Let me know if you need to know anything at all – I’m more than happy to offer detailed responses to questions.
  5. This is making me ill...I can't spend any more money on gear just now... Just a plea really to somebody to buy it - the best pre ever built in my opinion (though I haven't yet tried a Hellborg)
  6. [quote name='GreeneKing' post='586246' date='Sep 1 2009, 09:05 AM']Maybe sometimes the money is more useful than the instrument? I'd love to have a play on one of these.[/quote] Sad but very true. If you find yourself in Manchester, give me a shout and we'll see if we can sort something out. Oh and bump again...I really can't afford another...
  7. Just a bump...what can I say...I have something very similar and another one on the way. Alembics are ludicrously expensive, however, for me the tag is justified. The finest basses on the planet (again for me - I know they're not to everybody's taste) and this looks like a superb example. If this is anything like mine, playability will be superb and the tone - if you've never had the pleasure - will make your jaw drop. To echo an earlier post, I really can't understand why this is being sold.
  8. [quote name='johnbob' post='584315' date='Aug 29 2009, 09:40 AM']My former rig with 2 Eden D210XST There's a C300 compressor from TC Electronics, a furman powerconditioner, MP11, PPA600, korg tuner, and ART Nightbass. They ar all cased now [/quote] An outstanding rig and some really lovely basses - it would be great to see more of the latter (you have some unusual and boutique items in there: it's always good to see something out of the ordinary). I'm massively impressed by the MP11. I've not had a chance to try one but have been a big fan of Trace since the Eighties - I'm just about to take delivery of a Trace again this week
  9. [quote name='jakesbass' post='585243' date='Aug 30 2009, 05:27 PM']I would like to try series electronics but to spend that money I would want the string spacing to be narrower a la MJ basses. I had a warwick with narrower spacing than my MK5 deluxe and it's the only detail of the warwick that I miss. Anyway this bass deserves a bump.[/quote] The bass certainly deserves a bump - I'm a regular visitor to the thread (the bass is beautiful) Jakesbass (not wanting to stray off topic too far) - it may be worth trying a SC or a Series II shortscale - the string spacing is very narrow (though of course, the scale length may not suit)
  10. That's really nice - the builder/seller clearly has talent - is the shape a bit Warrior-like?
  11. Just love that and may have a punt - shell pink and sonic blue are two of Fender's finest colours IMO
  12. [quote name='tonallyguitars' post='583901' date='Aug 28 2009, 06:46 PM']Well I chased up the ad, and went down to view the bass yesterday. My hunch was right about what i was expecting... this is handmade luthier quality stuff! She plays like a babe, with an ebony board, full mahogany body, kent armstrong active pickups and a beautiful sunburst finish. Needless to say, i'm very happy with my purchase, especially with the hard case thrown in. The only issue with the bass is the weight really. It's made out of a fair old slab of tree... Whilst this is a bit of pain whilst standing up, it really does enhance the tone, and the thing just resonates for days![/quote] I'm pleased this turned out to be the real deal - I had a good feeling about and and had given it serious consideration. Any chance of some good photos soon?
  13. It's nice to be able to reciprocate! Take a look at the link for 4000's Triple Omega - that is the most stunning piece of walnut I've ever seen anywhere (it's truly hypnotic in the flesh). The bass itself is incredible - one of the finest I've ever had a chance to see/play (and in 30+ years, I've seen and played a lot). Alas the Triple Omega design is just too big for me to cope with. I find myself re-visiting the photographs frequently and remember having the opportunity to play the bass with great fondness - it's one of the 3 or 4 real standout basses I've encountered [url="http://basschat.co.uk/index.php?showtopic=36516&hl=alembic+triple+omega"]http://basschat.co.uk/index.php?showtopic=...ic+triple+omega[/url]
  14. That is lovely! I'd have a tort plate on it in no time though Edit: it would be good to see an image of the back of the headstock
  15. Inspired by all the positive talk of this year's crop of Fenders, I took myself off to Dawsons in Manchester to play a few last weekend. It was quite a disappointment. Granted, the basses were reasonably well finished (but no better than you'd expect at the price point), fretwork was acceptable for a mass-produced instrument, and the improved hardware looked reasonably solid and functional. However, playability was generally poor (though a good set-up was required in some cases), 'feel' was chunky and uninviting, and the basses were tonally weak, ordinary or uninteresting. The Jazzers were going out at around £950 - it's a lot of money for a very ordinary bass and there's much better value to be had elsewhere (even Japanese and Mex Fenders). Maybe Dawsons are picking up a lot of under-par Fender 2008/9s. I'll have a look elsewhere and hope to find better basses in the new range.
  16. If you go to: [url="http://www.moon-guitar.co.jp/"]http://www.moon-guitar.co.jp/[/url] There's an extensive dealer list but it's all in Japanese and from what I can see, the dealers are all located in Japan. This isn't perhaps particularly helpful unless you have somebody to translate. You could try looking for a US distributor (as of around 2003, there wasn't a dealer in Europe - I'm not sure if this situation has changed). If you're flush, get a cheap ticket to Tokyo, it's one of the weirdest, most fascinating (but not most enjoyable) places I've been.
  17. PM'd - I'll take this if I'm first in!
  18. Sorry Stevie, I think you have your answer on a possible set of (free) rack ears. Allan's advice is good though - half an hour in the shed with some rudimentary tools should do the trick
  19. [quote name='4000' post='581533' date='Aug 26 2009, 04:03 PM']Ouch. Ok, looks like it's ebay and a can of nitro. [/quote] If you've got any left when you've sorted your melt and flamboyant out, I'll whiz round with my Sei. (On a more serious note, I hope you're feeling much improved!)
  20. [quote name='ezbass' post='581284' date='Aug 26 2009, 12:50 PM']I saw the words [i]"Basschat & Talkbass"[/i] coupled with [i][b]"informed[/b] opinion"[/i] and laughed a little bit. I know what you mean though. [/quote] Haha - maybe I should have said 'a combination of informed and ill-informed opinion, comment, bias, prejudice, humour and much more...'
  21. For me this bass just about justifies its tag (when you compare it to the alternatives) - I recently sold a Masterbuilt Jazz and the build-quality was as good as anything I've seen, though, clearly not as complex as an Alembic or Fodera etc. The real obstacle is the shipping, duty and tax - a realistic final price is something like £3450 (trust me, I've checked)
  22. I've got to be honest, I find both magazines rather poor (content, journalism, tests etc.) and come to Basschat, Talkbass and brand-specific sites for informed opinion and advice. I wasted a little over 5 minutes reading BP is Smiths last week and a little more than that on BGM (the latter had more pages but little more appeal).
  23. I keep coming back to this - the construction looks superb and the back of the neck is really lovely. It's lucky for me that this is a 35"
  24. [quote name='birdy' post='580728' date='Aug 25 2009, 09:50 PM']Here are a few pics courtesy of Russ's camera.[/quote] An absolutely beautiful bass and some great shots - I was very tempted by an oly white LG4 on TB around a month ago and now think I should have gone for it (oly and tort has a beguiling effect!) Is it a nitro finish on this bass - it appears to be (but of course, it's not easy to tell)? I've been extremely impressed with Alleva so far - I'm probably getting towards the end of the honeymoon period but really still finding more in the bass. I've not had a chance to compare my Alleva with others, but I'd say it has a dark sound - very full in the lower mids but bright and crisp in the upper mids and highs. Lower mids are much more present than with a '76 Jazz (maple board with a very heavy ash body). I'd concur on the pre - it's very usable and relatively subtle - that said, I use the bass in passive most of the time. It has such a great tone that I just tend to roll off the neck pick up a little and run flat through a db750 (strings are new so I may play around a little more as the brightness diminishes)
  25. I can't help on the wiring (it was never my forte and I was fortunate to have good techs around in my gigging days - long ago!), but if the amp comes with rack ears, you can have them for free. I'll find out later in the week and let you know.
×
×
  • Create New...