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lozbass

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Everything posted by lozbass

  1. Gorgeous - Oly white and tort on a Jazz - perfection!
  2. [quote name='bh2' post='635629' date='Oct 24 2009, 08:17 PM']This one please... That'l do nicely.[/quote] Yep, that's the one (or the sonic blue Alleva on Talkbass)
  3. Bump for edit with further details
  4. [quote name='BassBod' post='635187' date='Oct 24 2009, 11:36 AM'][attachment=35047:DSCN0617.JPG] OOeerr....Mo Clifton fretless shorty?? Not quite an Alembic, but lovely short and very light.[/quote] Oh my word, that is gorgeous! It's probably a good thing I can't play fretless (several expensive attempts in the past 25 years and now I'm sure). Thanks for the offer though (and it's lovely to see a Clifton)
  5. Those two Ps are absolutely gorgeous - I'm getting serious P GAS (after selling a couple of lovely Ps in the past two years!) If anybody has a nice old black P with a tort plate, please don't let me know The Oly Jazz is a bit lovely too - I'm a bit of a sucker for Oly (or Sonic Blue, or Shell Pink) on a Jazz Well done, an inspiring collection
  6. How sold - thanks for the interest and enquiries I don't have photographs but can get some if required (I suspect that anybody with an interest will know what these look like). The unit has been racked and is in 'as new' condition - it's the current version. I have all the accessories and manual, and I think I still have the box. The pro xt is an immensely versatile unit - it's simply getting no use with me - I'm sticking with the bass into amp route (out of laziness basically). Price is £170 - postage should be around £10 to the UK. Collection in central Manchester is good and I can deliver to Euston (I'll be there on Tuesday if somebody in the South wants one of these quickly)
  7. Thanks guys - in terms of trades, I'd only really be interested in shorter scale Alembics (signature and up) - with cash from me of course. Other very interesting and very high end or vintage shorter-scales (32" and below) would be considered
  8. Hi guys, again thanks for the comments - LMHO. Funny really, I'm frequently referred to as a bit of a polisher. Nick, thanks - I'd never really thought of the bass as a transition, but you're right. I think that development was fairly rapid around the time that my Status was built - I know that there was incredible pressure on production. Mine followed a fairly large run for the Japanese market I'm told. The features on 251 are very nice - I'm a particular fan of LED indicators and the earlier cover logo
  9. Thanks for the kind words guys - this bass is very special to me (we spent a lot of time together - some of it fun - in the late '70s and early '80s). I hadn't seen it for a while, but took it out of the case yesterday and still got a lovely buzz
  10. For sale - a stupendously beautiful Wechter ABG. Wechter hand-builds in his Indiana shop for some of the world's most accomplished acoustic (and electric) players - McLoughlin, Helborg etc. I got this bass in a cash plus cab deal (with 6stringbassist). It's too big for me and too beautiful to just have hanging around as an ornament (I only really play short-scale). I know the original commissioning purchaser of the bass and know its full history. The bass is less than three years old and in absolutely perfect condition - it comes with its TKL custom case (again, in excellent condition). The bass started life as a fretless but was fretted by Martin at the Gallery (at the request of 6stringbassist) late last year. It's an unbelievable job, as you'd expect from Martin - the rosewood binding is absolutely untouched! The bass is currently strung with TI flats and the action is lower than most electric basses - in fact, it could use a quick tweak as there's a tiny bit of buzz at the first fret. The board is rosewood bound ebony on a (very slender and comfortable) walnut neck. The top is subtly figured solid spruce and features an abalone rosette. The back and sides are very highly figured curly maple with a brown cremona finish. The split saddle bridge is beautifully carved and appears to be end-capped with ebony. The custom electronics are by Fishman - the jack socket is integrated with the strap pin. Tone is just gorgeous - full, sophisticated and warm. Amplified, the bass offers a very passable upright sound with flats. With rounds, it's possible to achieve a much brighter, though still warm and full tone (I've used the bass through an Epi ul502 with a ul112 - absolutely lush!) I have around £1000 in this bass and don't want to take a big hit - I will sell at £950 but this is a firm price (and frankly, an absolute bargain for a hand-built instrument of such quality). The 9400 model is priced at $4800 in the US, including the Fishman custom pickup (fitted by Wechter from new). It would cost at least £3400 to get a bass like this into the UK. Check Talkbass etc. for thoughts on these - amongst the most (if not the most) revered and spectacular ABGs around. You can also check-out the Wechter site at: [url="http://www.wechterguitars.com/customs/9400_bass"]http://www.wechterguitars.com/customs/9400_bass[/url] Collection in Manchester is highly preferable given the size of the bass and case, but I can ship if necessary. Professional packing will be necessary as I don't have a carton of sufficient size. I can ship to most parts of Europe and the US (with insurance and at the buyers cost of course). I can also deliver to London (Euston) but dates are limited. I'm more than happy to discuss details with any prospective buyers - just PM me and we can arrange a conversation (Edit for further details)
  11. Again, after months of promises, I finally had a chance to take some photographs of my Ripper this morning. I bought the bass from A1 in Manchester in '79: it had been there for a couple of years and had experienced a hard gigging life - it played beautifully and sounded stunning (just like Patrick Djivas' bass) and was my first expensive bass - about £280 I think. I was well-chuffed to get hold of it and it served me fantastcally well during the second period of my 'career' from around '79 to '86 (see the Status pages for period three!) I had the bass re-finished by the incomparable Ted Lee in 1981 - check out the 2 pack AC burst and attention to detail: the guy's a genius! Around a year later, I had a Seymour Duncan Precision pickup and a cloned Precision Special active circuit fitted. The bass gained a lot as a recording instrument but lost its original Ripper sound - not a great idea but I still absolutely love it. The bass is now retired as I only really play short-scale, however, playability is unbelievable and the bass has a great old school tone
  12. Thank you gentlemen, you're very kind! The padauk Series II is a lovely bass but I must admit to giving it a good polish prior to taking the photographs
  13. After promising for ages, I've finally managed to get some images of mine. This is a Series II, ordered by me from Sheffield Carlsboro Sound Centre and delivered in 1986 (Phil Oakey and his then partner - one of the HL singers - was in the shop when I visited to collect: they'd just finished a Saturday morning kids show on TV). It's number 251 and has a Padauk top. I used this bass for the second part of my 'career' (up until around '91). It is very heavily gigged but I looked after it so it's still in extremely good condition. The only signs of age are some greying of the lacquer at the sides of the fretboard (a bit of WD40 on the board helped with this but hasn't remedied it fully - thanks OTPJ!) The bass still plays beautifully and sounds thunderous (it's a Status!) Apologies for the poor quality of the images - my talent for photography is matched by that for playing bass
  14. Yep...pictures crucial here... What's the scale length etc?
  15. [quote name='al embic' post='634468' date='Oct 23 2009, 02:23 PM']where abouts rya loz...maybe if you saw her in the flesh it might help to make up your mind?[/quote] I'm sure it would, that's why I'm staying away! In central Manchester - dangerously close...
  16. Thanks neilb! I knew somebody on here would know. I'll have another look for the rig
  17. As it says in the title really - electric proms gig. The player appeared to have a lovely old (GAS inducing) black Precision with a tort plate. Anorak on now...was that also a Hiwatt amp behind the bass spot?
  18. Just a bump - I was playing my (old) Status Series II last night - these are stunning instruments! I'm very tempted!
  19. The Precision really is lovely - not many of these around and the active circuit, although an early one, is excellent (I had one cloned around '83 and put into my Ripper). I had a Precision Special a couple of years ago - excellent condition LPB - but knackered the circuit as I clumsily tried to replace a non-original knob. There's something about the Specials - a serious upgrade with respect to the standard Ps of the time - indeed, I've never played a bad one (not to say they don't exist). I'm tempted... Is this Special entirely stock, and what's the condition like?
  20. [quote name='King Tut' post='630978' date='Oct 20 2009, 12:05 AM']Just a quick word about late 70's Fenders. I have a 77 sunburst/maple ash Jazz - it's the heaviest bass I own but my god does it sound awesome - indeedy! Funnily I don't notice the weight when I gig it as it balances well![/quote] +1 - there's not a lot of affection around here for mid to late '70s Fenders, but I'm not sure that a lot of the negative opinions have much foundation in experience (however, I could be very wrong). I've owned a few such basses and all have been excellent - if basic - instruments following a good set-up. I currently only have a mid '70s Jazz - it's monstrously heavy, but has a stunning classic Jazz tone (from burp and honk through to a gut-thumping, smile-inducing slap). I suspect strongly that the mass of the body has something to do with the inherent tone and sustain of the bass. Playability is fabulous too - super-fast and ultra-low action and not a buzz anywhere.
  21. The big brother of mine (ah250smx) - extremely versatile, solid and loud! A great man to do business with too
  22. Absolutely delightful - I've yet to play one but if this sounds anything like as good as it looks...
  23. [quote name='alanbass1' post='623129' date='Oct 11 2009, 02:38 PM']Fender used the method of spraying with woodedn baton screwed into the neck pocket early 1963, so you would not expect to see the bare wood for this period of guitar. Also, the shim material is consistent with what Fender was using back then. 10k is a lot and probably too much in the current economic climate but, and it is a big but, where else would you get an original item in this condition.[/quote] Thank you - this place is an education
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