velvetkevorkian

[quote name='planethead' post='253132' date='Aug 2 2008, 08:20 AM']Thanks Dougal and... Yes and no.. if the numerals [i]are[/i] strings then it makes slightly more sense. Its the absence of a clear definition of 'position' that's throwing me. In my scale book the author refers to 'position moves' indicated by the numerals which suggests hand not string unless position indicates vertical and not horizontal movement of the hand. The Jason Heath article refers to position without ever being clear what it means - I assume he means hand.. Perhap's a thread to establish a meta-syntax to alleviate analysis paralysis would be useful...? and there's probably a market for 'fist position first degree Nanny' in the darker corners of Amsterdam or Berlin ;-) TTFN Ian[/quote] The position moves are indicated by the brackets above the stave. The roman numerals do refer to the strings. If you're translating that to electric I wouldn't recommend using the indicated fingerings/position shifts though.

So you can make sure your walls are in tune?

I'm thinking the same as yourself, so also looking for anyone with any experience there!

Excellent introduction I reckon- well detailed but not overdone, and well written too. I also came across a couple of your lessons on the Chops From Hell site and was very impressed at them also

I don't actually have a problem with going TIMR, I was meaning more that strict alternation doesn't seem to work as well (for me at least). I shall work on it I guess

How strictly do you alternate? I'm used to playing with 3 fingers in the Billy Sheehan style, with very strict alternation, but that just doesn't work for me at all when you throw the thumb in- the feel just seems totally wrong. Do you use this a lot for melodic lines or just funky staccatto stuff? Kyle

Putting your thumb "through" the string is basically double thumbing technique (exemplified by Victor Wooten, amongst others). It doesn't really work without the upstroke IMO, and does give a very different feel to the line- its not just a different motion for the same slap. Personally I prefer double thumbing but thats just cos I've practiced it more; it does take a bit of practice to get it sounding like "traditional" slap. As with most things, there's no better or worse here, just whatever suits you and your playing

Holy s**t. You the man. Thanks! [quote name='paul, the' post='86200' date='Nov 9 2007, 08:59 PM'][url="http://www.taringa.net/posts/downloads/830657/Megapost-libros-de-musica---Mucho-bajo-y-guitarra---imperdib.html"]http://www.taringa.net/posts/downloads/830...--imperdib.html[/url] [url="http://stratofede.bloringa.net/post-834748.html"]http://stratofede.bloringa.net/post-834748.html[/url] [url="http://community.livejournal.com/bass_players/361931.html?style=mine"]http://community.livejournal.com/bass_play...html?style=mine[/url] [url="http://bassko.blogspot.com/"]http://bassko.blogspot.com/[/url][/quote]

They are indeed a cracking good band. Hope you find someone soon.

I've gotten my 4/4 5 string and 3 people in a Micra. Wasn't much fun for the person in the back seat though As previously mentioned, just about any hatchback should be OK.

Most White Zombie songs kick off awesomely, then fall apart in the middle.

Don't fancy a few more strings?

I would definitely go for the 5er- one of the best low Bs I've ever tried.

Any chance of a link?

I find it lets you dig in more, although that doesn't qualify as much of a benefit IMO.

[quote name='Doc B' post='218203' date='Jun 13 2008, 11:47 AM']Good to see the return of CC Music![/quote] Indeed!

As far as I'm concerned, if you're paying me I'll play precisely whatever you want me to, with a smile on my face and all the passion I can muster. If you're not paying, I'll play precisely what I want. I think this may be an attitude I picked up doing orchestral playing up to national youth level- sometimes you just have to smile and get on with it, no matter how much you hate the piece in question, and you have to do it well.

I'm a shameless metal head, and play in an extreme powercheese band with a touch of prog- link in sig. I want to play in a band that's Cynic crossbred with Wintersun with the drummer from Meshuggah.

Can't wait to see how this one develops. Should be frankly awesome.