velvetkevorkian

Ha, it's definitely quite a specific niche... some people are ok but it is largely aggressive young American metal guitarists with too much time and money on their hands.

Possibly a stretch to get one in budget but my (unlined) Metro Express has the dots where the lines would be.

They're doing 4s and 7s only this time round, so far anyway https://www.thomann.de/gb/harley_benton_bz_4000_ii_nt.htm

Probably twice as much material in the neck and hardware on the 7 too...

My guess is that it will be pretty heavy...

I reckon their demographic is: - one third aspiring fusion shred masters - one third metal dudes who can't afford a Dingwall but want to tune to low F# - one third a bit of both ( I do own a 7 string bass, and would fall into the last third fwiw). There is also a 34" scale 4 string https://www.thomann.de/gb/harley_benton_bz_4000_ii_nt.htm

Probably not one for the purists, but a 35" scale neck through 7 string for just over £500 new. Looks pretty cool, and while the headstock is still a bit clunky looking the string pull looks sensible. https://www.thomann.de/gb/harley_benton_bz_7000_ii_nt.htm

There must be some sheep in that 10m who fancy themselves as the next Steve Baah-ai who might have one (...I'm sorry I'm trying to delete it)

I know you don't want to be a shredder but there's probably someone selling an Ibanez RG somewhere in your neighborhood, which tend to have very fast (shallow and quite flat) neck profiles.

Not quite as posh, but here's my pair of Conklin Groove Tools 7s (and their bastard offspring from the same factory)

My experience of Elixirs suggests that they probably will not protect you from the metal 100%, they tend to flake a little, especially if you're playing a lot.

Depends if it's a problem with the nut itself or if the slot isn't cut correctly. Might just need a bit of sanding?

No that doesn't look right to me -- on my fretless 5 the nut is flush with the bottom of the slot

I have a fretless 5 string which is pretty good. I upgraded the pickups to the higher spec version since they came up used but frankly it didn't make much difference.

It reads to me like the 40th anniversary thing is just coincidental timing, and I'd guess Fender might be more impacted as they often make up a large proportion of shop stock compared to other brands.

Nice job, did you have to chisel out space for the 5 string pickup too?

Presume your forklift is just out of shot here 😅

Use the least motion possible is my general advice. If you feel like you're not hitting the input hard enough turn the gain up.

When I played with a band who tuned to D standard I found it much easier to play a 5 string in standard BEADG. That was better than keeping my bass down a tone and transposing when playing with people in standard tuning.

Yep, I take plugs to anywhere there's going to be a PA or a drum kit.

If it sounds fine plugged in I wouldn't worry about it 🤷

£500 for a new bridge??? I know inflation is mad but getting a new DB bridge with adjusters cost me a fraction of that a few years ago.

When will the answer be revealed, since it seems most people already know?

No idea about the handedness debate but IME there is very little about age-group classical ensembles that is representative of the wider population -- you're largely selecting for who showed more "promise" at a very young age, and children with more affluent parents are at a massive advantage. Not sure if that makes it more likely that left-handed children are more able to adapt at that age or are filtered out.

ACG?