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  2. Still using mine, too. One of its best tricks is the Blend (wet/dry) control on the "Total" page. Allows sneaky stuff like parallel compression, eq and drive to be applied on a per-patch basis. I could be tempted by a second one run in series just as an HPF... but that might be a bit complicated for my poor noggin.
  3. An excellent 6/12-stage phaser, being a clone of the revered Moogerfooger 103. I’ve just received a brand new exemplar from Andertons today as a replacement for one I bought a few months ago that had a loose connection. I’m on a drive to raise money due to unemployment so don’t even want to put this on my board. As yet I haven’t even opened it. I’m happy to leave it unopened or to open to test and photograph for the buyer (once payment is received) if desired. Price includes recorded UK postage. Stock photo for illustrative purposes.
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  4. Having lived with the new arrangement for a bit, it has definitely had an effect. But not necessarily what one might expect; There seems to be less bass output. After a while, it becomes apparent that the bottom end is less boomy and better integrated. Treble is smoother, and mid just better resolved. It's "tidied up" the sound. The C8 is hardly unruly sounding in the first place... Negatives? It highlights all the mistakes you make! Fudge a note even a bit, and it'll make it blindingly obvious. Just as well I don't own a fretless right now!
  5. I'm Broke - Limp Bizkit
  6. "Staycation" today and tomorrow - going a bit hi-tech in the bass corner. IEMs working a bit better this week although still struggling a bit to hear the kick. This picture is also proof that I used the big muff. Loving the Yamaha monitor mix app now that we've got it to work. (before anyone asks what the SM57 is doing, it is swung out of the way as I'm sitting on a Cajon that I play for a few things).
  7. My dad reckoned there was too much lead guitar, but given what she’s been through, was a wonderful gig.
  8. They're also wonderful to play. After playing my '87 JD Thumb, I just had to have it, even though it cost about six times what I got for my tatty Precision in part exchange.
  9. You Don't Own Me - Lesley Gore
  10. 6 string fretless sounds a bit if a handful. I had a 5 string fretless and that was enough!
  11. Thanks. Its the perfect size fit so rude not too.
  12. I use a 200W amp both at home and at an open mic night, combined with a @Phil Starr 6" micro cab. I use a bigger amp and cab for pub gigs, with the 200W one as a backup. Can't see any problem with having a 200W amp for a wide range of use. After all, 40 years ago I was gigging with a Laney 150W head, which was all the power you needed.
  13. No I work as a telephone engineer and only soldering iron I have access to is on the frame. Did it on my lunch if any top bosses are looking 👀😂😂
  14. I'll take that dot, but isn't it a tad bit overpriced?
  15. I blame the "keeping up with the drummer" mindset. Even I have fallen into that trap in my post. The drummer should be playing at the appropriate volume. Too many non-musical drummers playing at one volume. But that's another thread.
  16. If people are talking about it then the finish has been worth doing.
  17. Today
  18. I agree with this. The last few times I've been to a pub with a band playing, they've been rocking 1000-watt-per-side PA speakers with bass bins for an audience of maybe 50 people. It doesn't matter how good you are, I'm not going to enjoy a pub gig where I have to lean over the bar and scream my order to the bartender.
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