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  2. Never owned one, but remember that they had a great sound and reputation. GLWTS
  3. Bump for price drop before it goes to Bass Direct. Now £1800.
  4. Don’t suppose anyone knows where I can get a rickenbacker copy from in the uk do they around 400? I’ve seen the Harley Benton version but the headstock puts me right off of it
  5. They look stunning! Love the decal on the back of the headstock like the old Status ones!
  6. Ok, its for one of those six-string things that play an octave too high, but someone might want one... Postage £3.50
  7. Sounds silly saying this. But given it has a period correct case as well it’s not a bad price compared to others.
  8. A lot of nice vintage gear coming up for sale at the moment… wonder why.
  9. I walked past Sheldon Dingwall yesterday morning walking around with that bass on the way to soundcheck. I quite like the look of the bass but would probably never buy one. It's funny seeing all these basses in real life in one place. Didn't even attempt to play anything and quickly just walked around to say I've had a look. Think it cured me of any gas!
  10. I have two used Spector USA bass bridges that once belonged to NS2 basses I no longer own, I had taken these off in favour of black hardware. One is the heavy all-brass version, this has faded somewhat on the bass side. I’m not sure if this could be polished up. The other is the lighter, aluminium version, this one in better condition. It is considerably lighter. Note: these will not drop into a Euro bass without some re-routing to enlarge the space slightly. £150 for each bridge or £285 for the pair. Price includes UK shipping.
  11. Forgot about this thread, I’ve been trying a few songs that have that great African vibe which has taken me to learning something new to me which is Seben bass along the lines of this, quite a lot of the songs are based around a 1-4-5 progression but getting up to speed is pretty tricky
  12. selling my incredible 1975 Musicman HD130 amp. Bought this back in 2021 and had a flight case made it for it straight away. Was serviced just before I bought it as well. Sounds amazing.
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  13. Great sounding cab. In really good condition, cover is a bit tatty, but has done it job keeping cab clean.
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  14. That was part of the reason for avoiding May. That and I have a holiday booked and two 90th birthday parties to organise!
  15. Do you have time to 3D print a pantechnicon?
  16. My playing style is a mix of John McVie, Duck Dunn and Bob Babbitt. The sound in my head is those guys, with a massive dose of Nathan East and all the guys Keb Mo has used on his albums in the last 30 years, especially Reggie McBride. IMO buy the best gear you can find, especially the cabs, and make sure each part of the signal chain compliments all the other parts. I am terrible when faced with an amp full of sliders. I have no idea what to do with all those frequencies and it all swims before my eyes!! I'm happiest with 3 controls. If I can't get it done with bass, mid and treble I bought the wrong amp. My Aguilar amps are perfect. Whoever designed them had the same sound in his head as me. All the controls are set at 12 o'clock. I rarely change the amp EQ from one gig to the next and never once the gig has started. I don't use pedals. I'll always bring 2 basses, usually a Jazz and a P, and I'll play the one that sounds best on the night. I'm usually sound checked in less than 20 seconds.
  17. I remember back in the 1980's when G&L had big glossy adverts in all the American guitar magazines with various prominent musicians endorsing their wares. Larry Graham had an L2000, and Dee Murray had an L1000, if I remember correctly (it's a long time ago.) They kind of lost that marketing edge and became a respected but not-so-prominent brand. I think one problem they had, similar to pre-EB- MusicMan, is that the guitars were never as popular as the basses. In the guitar business "doing the double" is pretty essential for long term success. There's a lot more guitarists than bassists.
  18. No. The 'reverse' TRs are nearly always on basses 91 or earlier (not encountered a 92 that is reverse) and it is defo NOT all Warwicks of this early period... just some!
  19. Today
  20. I'm not into Fiesta Red... but damn.
  21. My '90 & '91 Thumb basses are anti clockwise to tighten the (removable) rod, but I have reversed the rod in one so as to force forward relief when tightened.
  22. Up for sale is one of Japanese finest and almost never seen in Europe, a Sugi NB5 handmade by Sugi Guitars/Nick Sugimoto. You might have heard of them as they also build the bloody expensive Ibanez custom shop guitars and basses like the Adam Nitti, Gary Willis or Geral Veasley signature models. The craftsmanship and level of detail is as good as it gets. Neck Material: Hard Rock Maple x Walnut x Aqua Timber Maple x Walnut x Hard Rock Maple Fingerboard: Indian Rosewood Scale Length・Radius: 889mm (35") 500R Fretwire: SANKO SBB-207 Body Top Material: Flamed Maple Body Back Material: Swamp Ash Tuning key: Gotoh GB350S (Sugi Original) Bridge: Gotoh 304SBO-5(18mm saddle pitch) Sugi Original, Gold Pickups: Sugi Original Single coil WJ5/N, Wooden Casings Wiring: Volume x2 , Master Tone x1 , Side Jack, Wooden Knobs Color: Stained Seethrough blue Weight: ≈ 4.1 Kilogramms Strings: Original Fodera Nickels .130-.045 Case: Sugi Original Semi-Hard Case included The condition is like new, I am the first owner. It has been one of my main basses for the last two years but I do take obsessively good care of my instruments. Everything works flawlessly, truss rod, pick ups etc. and the fretwork is perfect. Love this bass but there some other priorities at the moment. Price is 2750 Euros. Shipping throughout Europe is no problem. If you have any questions, just PM me.
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