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  2. Canoe Dig It — King Floyd
  3. Having a clearout to try and calm my current pedal analysis paralysis problem! All prices include UK postage. Dr. Scientist BitQuest, limited Blackout Edition. Also includes the extra EEPROM kit allowing you to swap out sounds for others. Jack of all trades multi effect in a tiny package. Very cool package. Mint, boxed. £180 Dr. Scientist Phreak. Super musical ring modulator. Mint, boxed. £180 Maneco Labs Small Nimbus. Mutable Clouds in pedal format, with Parasites firmware. Powerful granular delay/verb/synth texture generator. Great condition, no box. Note that a manual for this pedal doesn’t exist, you have to use the manual for Clouds… and you’ll need it! £220 Red Panda Bitmap2. One of the best bit rushers ever made. Mint, boxed. £200 Aguilar Octamizer. V2 version. Great octave down. Mint, boxed. £120 DOD Meatbox. Sub octave madness. Excellent condition, boxed. £110. PastFX PX-101 Low Pass Filter & PX-251 Control Processor. Clone of the Moog MF-101, as well as all the LFO power of the CP-251. Incredible quality clone. Only selling as a pair as they are a match made in heaven. Offering a sizeable discount to make them a valid purchase as a pair. Mint, both boxed. £250 Also selling Iron Ether Super FrantaBit here. Any questions, please ask. Small discount given for multiple purchases. Collection in Derby is welcomed.
  4. A quick razz in the GIMP, and you're welcome! To answer your question, not always but in this case yes, there is a noticeable difference between the two pairs. Granted it's a variation on a theme, but it is there.
  5. Maybe give the Ampeg Venture a go? They can nail the SVT sound (and the B-15 sound) and they go all the way from a little 300W version up to a 1200W beast. Personally, as a former Ampeg user, I'm wary, just because Ampeg's last range of Class D heads had some major reliability issues, but the Ventures are supposed to be much better. But, once bitten and all that. Failing that, Ashdown. Maybe Aguilar. I've been using an Ashdown RM800 for years and it's been reliable, sounds great and, if I want to go down that slightly fuzzy road, it can do that, although its character is a bit different to an SVT-3.
  6. BEST BUY I would also like to add these to my best buy list. I started a thread - The Flats are off. Stating i have moved away from my Deep talking La Bella set on my CS 62 Precision. Well I have now traded it for the Bass above, but now discovered La Bella low tension flats, a completely different feel and lovely tone and guess what, they are now on all my basses. crazy world ain't it.
  7. I yacht the sheriff - E. C.
  8. Lots of love for Mike Lulls instruments. If I was in the market for a new FENDER Jazz bass... I'd buy a Lull. https://www.mikelull.com/ Nice used example in the UK: https://reverb.com/uk/item/93535040-mike-lull-v4-2014-two-tone-sunburst?bk=
  9. If buying new I think I`d be looking at the Mod Shop, as the range of choices are pretty good.
  10. Yes agreed, but the right degree of finishing (I went fine but not too fin with the sandpaper), and the right oil and wax and even a linear and relatively low contrast grain can look good, I'm about to do the same to this walnut body, although as you can see, I've been slightly more fortunate with the grain.....
  11. Hi all… here are some specs. The original listing is still on the Bass Gallery site: Nut Width: 48mm String Spacing: 18.5mm Scale Length: 34" Weight: 4kg Originally sold for £2600 so a bargain to be had here.
  12. Ours will be better 😉
  13. Having sanded a similarly finished bass - and regretted both the time and the results - I'd recommend a stripper, it will take a few coats and some elbow grease, but it will be a whole lot less hassle and will significantly reduce the risk of over-sanding
  14. it doesn't bother me at all, weird isn't it. I've got two Adam Clayton basses (for my U2 tribute) a Slash Les Paul, JMJ mustang and recently added a John Taylor Dingwall to the arsenal. But the Adam Clayton jazz bass looks lovely
  15. Mud had a 'MUD ON ROAD' sign on Top.ofthe Pops once. Funny that I remember that after about half a century!
  16. Those would all benefit from a tort scratchplate. 😁
  17. Hard to give a rational reason but it puts me off too... Not an issue with Adam Clayton, I like the bass but I'd want it to look more 'vintage' - like the Flea that just has an engraving on the neck plate.
  18. Just for clarity … AI as in artificial intelligence, or Al as in short for Al Krow? On my phone a uppercase i and lowercase L are the same. I mean if Al Krow did come steal my job, it would be, to quote him , a game changer’
  19. I’d have my fender elite over any of those , I suppose we all like different things 🙂
  20. I'm reminded of the old Arion effects that were all 'stereo'. Fine for the Chorus, but a stereo compressor? As far as I could see it split the signal into wet and dry channels. Wish I still had it, I used that pedal live for years. It was probably crap... But the point is the three easiest ways to make a mono source stereo: Use the pan control to position it on the sound stage. Use a true stereo effect to split it into two close but different signals in each channel. Use two microphones (or di and one mic) to record so one is close up and one is 'roomy' with more ambience.
  21. With this circuit, centre position on the blend control means both pickups are connected direct to the master volume and tone controls, so that would be equivalent to both volumes maxed in a VVT setup as you say, needed to reject RF interference. Neck full / bridge 20% should also be achievable.
  22. Reduced to £325. This is more than worth it for the fuzz and filter circuits alone before all the bells and whistles!
  23. what's the problem with the signature on the headstock?
  24. Lovely stuff! Reminds me of the old Viz Mud on Road, Sweet Trolley, The Pips single frame groaners.
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