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Maybe ☝️ is the important thing. Mixing different speakers is a bit random but if it sounds good go for it. BUT trying to get more of a sound you already like by adding additional speakers is actually quite hard if you are not just adding more of the same. Thus said there is a caveman side of me that does think more is more.... 😈 🤘

It was about time as she deserves it more than any other bass player. What a career!

That makes me think of the non-musical things that can make a difference. Being polite, greeting the bar staff and listeningto anything they have to say, making it easy for a venue (not fussing or too many questions in advance... but do ak about parking and load in), publicising the gig, creating a decent poster (if you can) and sending the venue a copy, sensible volume and not arguing about it, packing up promptly. These are all things every band can do that cost nothing, and having been on the organising end, all things that some bands fail to do. It's amazing how many bands can't even provide a clean logo and a decent photo for a poster*. A good number can't provide a sensible description of the type of music they play. This is essential, the venue I help gets a very different audience depending on genre. Some local bands 'refuse to be categorised' - sorry lads, you aren't Primus! Usually a quick listen to online videos provides an answer (usually the most reluctantbands turn out to play 'americana' or 'popular covers') but why make life hard for a venue? One last tip. If you are a vainglorious lead guitarist who can only get the tone you want by running a 100W Marshall or a Fender Deluxe Twin flat out... get a power brake. 115dB at the back of the audience in relatively small venue means people will leave, and you won't get invited again. *If supplying a 'poster' make it a sensibly proportioned image so they can print it out. Many venues use A4 clip frames.

Driven To Tears - The Police

Covers band, which is an offshoot of the main originals band. Last night was our third rehearsal, the gig is next week. We went through 20 songs, and have 11 more we didn't do or have done before. Still a lot of work to do but mainly just with the arrangements. The drummer plays to a click, so we can time the sets quite accurately without having to worry about gigspeed 😆

Thanks! It's an Eastwood Hooky Bass VI going through a Line6 Helix with Compression, Chorus and the Roland Jazz Chorus Combo SIM (something that would be completely unsuitable for bass in real life) plus whatever additional studio trickery was applied by our synth player during the mix.

Ahhh, that looks like the one. Mine may well have been hand painted and could easily have been a sunburst originally. This looks like the bass version of my uncle’s 6 string. Thanks!

I thought about Teisco too. My uncle has a Teisco 6 string (sunburst) that looks a lot like this bass. Same pickups and similar fittings.

https://www.rollingstone.com/music/music-news/beck-talks-mutations-going-solo-from-himself-248322/

Always a good thing when an artist's work is recognised, but all this Hall of Fame stuff is a load of corporate b/s. Imho obviously.

One here: https://richtonemusic.co.uk/teisco-short-scale-bass-sunburst-2nd-hand/