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I bought my first Panda FI Mk1 off a fellow BC'er back in 2018 - he and I have stayed mates ever since meeting up at a service station in time honoured fashion to buy/sell the goods. Never quite gelled with that or the subsequent several I bought! I always thought that this could be a great product (and fed my thoughts back to Peter) as and when: - they improved the tracking (done - v4) - came out with a more compact pedalboard friendly model (done - v4 VIP) - made this user friendly for bassists who wanted some great usable sounds out of the box and allowed for better on-board editing - looks they've cracked that with v4.5 The MXR Synth provides all that too and has demonstrated the level of demand for the above. But for an extra £20 the FIv4 provides a more capable synth engine, many more presets, and the ability to deep dive with a bespoke computer editor for those who would like to have that option. Feels like a no-brainer to me, and it's great to be able to support a home-grown product championed by one of our own. VIP just ordered 😊
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Strap Clearout
Swaff replied to Swaff's topic in Accessories & Other Musically Related Items For Sale
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The End of Tonewood ... or Tone-anything!
ezbass replied to BassApprentice's topic in General Discussion
Combined with the added frisson of being able to alter the construction of your fingers. 😳😖 -
Last night, Limehouse Lizzy at Stamford Corn Exchange Theatre, full house, the band performed brilliantly, they have now been active for 33 years. 👍
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On The Road Again - Willy Nelson
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@sifi2112 maybe? I think?
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Cheap mini rig in London - £157
Happy Jack replied to lemmywinks's topic in eBay - Weird and Wonderful
Always surprises me when eBayers (and others) put "Location = London". Big place, London. Very big. Really very big indeed. In terms of travel times, it's the equivalent of giving your location as "somewhere in the Midlands". I'm in Harrow, NW London, and I can get to Birmingham faster than I can get to Catford or Dagenham. Not really a rant, as such, more a vague musing about how inept some sellers are. -
You're far from the only one who feels this way! I read a very good piece the other day which was built around a similar argument: that an awful lot of tech "solutions" are trying to convince you that you shouldn't need to put any effort into writing reports, reading your emails, deciding what to eat, or even making music...when actually, the sense of reward and satisfaction is far greater when you've put in the hours to master your craft, work through the mistakes and the dodgy first drafts. That far from being an inconvenience, the process is the point. Not to spaff out an album and push it to market as quickly as possible, but to take the time to work on something you'll be proud of. (Plus, early studies suggest your brain is far healthier if you don't use AI as a crutch, so you were probably wise to put those hours in after all!)
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The End of Tonewood ... or Tone-anything!
Twigman replied to BassApprentice's topic in General Discussion
Is this some kind of hybrid air guitar thing? An air guitar with substance and noise? -
Do you feel the same about software engineers who have spent years training, getting a loan to see them through uni and can now be replaced with ai generating code at the press of a button? Or about language translators who find their work drying up, or ai assisting doctors with identifying cancer cells that they would have missed when looking at scans? Sure this is going to make life difficult for original songwriters looking to break through, no question! But it's already happening. Do you ever use ChatGPT? Ai is not performing music live to an appreciative audience who don't want a hologram playing for them, so your time and the rest of our time and effort learning an instrument has definitely not gone to waste! And there's nothing stopping you having fun collaborating with pals writing music - if it's decent, people will want to listen to it when you perform it live - something ai ain't going to be able to do.
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I really don't but obviously didn't intend to be insulting. If you get joy from music crafting songs and performing them with your friends AI doesn't change that at all. Why should the joy from music creation only come from the way a particular group define it to be ? The processes are different but the end point is the same.
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I was going to just order a black pick guard but I’ve just seen this vintage mint green colour with a wide bevel, this could work couldn’t it?
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The End of Tonewood ... or Tone-anything!
Graham56 replied to BassApprentice's topic in General Discussion
If Colin Furze made musical instruments? -
I've been an Ashdown fan for many years. I love their customer relations, I love the visual side of their amps, I love the philosophy of their creations - although their ideas are not always intuitive. I had one of first hundred of Little Bastard 30, although I've decided to mod it and later let it go to get my first real vintage bass I missed being part of the family. I briefly had ABM300, which I stupidly sold. Recently I got myself a little present ABM 400 NEO was briefly made around 2014, I guess in quite limited quantity by Ashdown UK Custom Shop. It is equipped with EVO III Preamp and class-D power amp combined in full size rack mountable case with around 8,5 kg of weight.
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Bassman68 started following The End of Tonewood ... or Tone-anything!
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The End of Tonewood ... or Tone-anything!
Bassman68 replied to BassApprentice's topic in General Discussion
Is it April already? 😄😄 -
To get a passable piece of AI generated music you still have to be able to write a decent prompt (or more likely a decent set of prompts) in the first place.
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FS: Radial Tonebone Bassbone OD preamp
Jakester replied to Jakester's topic in EUBs & Double Basses For Sale
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For sale, my Radial Tonebone Bassbone OD preamp pedal. A two-channel bass preamp with HPF, piezo input for double bass, DI out and switchable overdrive. A great pedal, I used it for years to double on electric and DB. Made it really easy with the dual EQ, switchable HPF, boosted input for the DB and tuner out. I've gone to more separated signal paths now (still via a Radial I/O!) so this is just sitting around not doing anything. Comes with original box, papers, and PSU. NOTE THAT THIS USES A 15v CENTRE POSITIVE PSU so you need the proper power supply or one that can feed it the correct polarity supply. A 'normal' Boss-style PSU won't work and will fry the pedal (as I found out with another one of these - this is the replacement one I bought). Recently PAT-tested too. Has Dual-lock on the bottom. These are now RRP £439! £260 posted.
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Then they shouldn't be "making" music in the first place. Sorry to get all "gatekeeper-y" on you but do you not see how utterly insulting this is? What an idiot I must be to have put the hours upon hours of effort into learning an instrument, to spend hours upon hours collaborating with my pals, trying stuff to see what works and what doesn't when creating/refining a song! It was all for nothing - you can just rock up to this bit of software, tap a few words in and hey presto! I know you're going to consider this pure histrionic theatre, but it is genuinely how I feel about it.
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Welcome to forum! I'm also a newer.
