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Everybody Hurts - R.E.M

Just releived Peter of a lovely overwater progress bass, top bloke, lovely to meet you dude 👍 and he waited for me cos I was late, loving the bass, and thanks for the extra strings Peter.

So we have black stain and a first coat of Tru-Oil on the neck More coats and lots of flatting required ... but it's really starting to look the part - old but well looked after - rather than utterly borked. 😁

This little unit looks & sounds very tempting indeed' those preset sounds are the buisiness.... myself i think i shall wait a while for the used market to flourish.. 😉

I made a simple angled stand for my Yamaha HS7 monitor using a 3d printer and some aluminium 2040 extrusion. The sides and angle of the stand are printed and the width is from the aluminium extrusion. It looks very neat and is very light. I know that it can take 100kg. Don't ask me how I know 😊 If it needed any more support I'd add a middle section, but it's basically the same as my 3d printed pedalboards. I put 3M rubber strip on the bottom and a lip at the back and it's rock solid. Not sure what the size limit is as I don't have any monster cabs or amps. If you want to put something on the top, I made a smaller but reverse angle stand that sits on the speaker that is smaller and takes a mixer. The lip then hooks over the front of the speaker. I'll add pictures when I get back if anybody is interested. Rob

+1 for this.

Thankfully, I've been divorced 40yrs now, so my living room now resembles a recording studio. 🙄

I love writing bass parts to fit interesting drum/percussion patterns, but I'm not the greatest when it comes to drum programming, so it'd be nice to have something that can just throw drum grooves at me and that I can react to. So I was wondering, is there such a thing as a drum plugin or other piece of software that can generate patterns and grooves that change over time, that you can jam along to, and that your DAW can record so you can pick bits out of later and assemble into songs? Any suggestions welcome!

Does anyone have any insight into Guy Pratt’s bass tone in the first of the three barn jams with David Gilmour? Obviously he’s using a Precision bass, but I’m wondering whether he’s gone for rounds (with tone rolled off) or flats? It has a lot of depth and fatness without sounding at all brittle. Barn Jams - David Gilmour

You'd spend more time plugging and unplugging the USB lead than replacing a battery once a year.

I sometimes ask about things, sometimes not. As the most recent one was a swap for a bass that's been sitting in a wardrobe for about 15 years, I could make a good case for it. However, I operate on the general principle that it is easier to ask for forgiveness than permission.

First rehearsal for a while - singer has been quite busy rehearsing for his part as the monster in Young Frankenstein (at the Core Theatre in Solihull from 22nd to 26th July). Successful run throughs of three songs that we're putting in the set (we've played two of them live once apiece but wanted a further brush up) and then we had a go at Hotel California, which our singer was a bit reluctant to do but after we'd run through it he was pleased with it. Seeing as we hadn't planned to do it and were doing it unpracticed, it was rather good. Guitarist had had the bridge replaced on his Variax JTV-59 (the Les Paul-ish one) and only just got it back, and we're not sure if this was related but he broke the top E twice. Feeling pretty ready for the next gigs, successive nights in Polesworth and Gloucester on 11th and 12th July.

... to those of you who joined in on tonight's Live Chat on my YouTube Channel. We shifted to a new format for the first time tonight, so to then be joined by Lee Sklar of all people, for a 45 minute chat, was a little 'headspinning' to say the least. But if you watched or joined in by video or on the text chat... THANK YOU! Legends!

I can't sleep so I've been drawing wiring diagrams. I wonder if anyone is able to validate what I've drawn please? It's my first time working with these things, and the documentation from the pickup manufacturer doesn't seem to quite include everything you'd need to know. My aim is this: A jazz neck pickup paired with a MM bridge pickup Vol/blend/tone But before the blend, the MM pickup has a four-way switch to choose either single coil or series/parallel Pickups are Delano JMVC FE/M2 (neck) and Delano MC 4 FE/M2 (bridge). Documentation for that is here: https://www.delano.de/downloads/installation guide_2018_1.pdf. The J is a 'shielded 2-conductor' and the MM 'shielded 4-conductor'. I've omitted shielding wires from the diagram as I understand they just go to ground. Thanks in advance!

I wouldn't worry about it until you are getting gigs. That gives you plenty of opportunity to see if the 200w is enough. 20W is twice as loud as 2W 200W is twice as loud as 20W 2000W blows up your cab way trying to be half as loud again. 500W is just a bump up.

Was a bit disappointed that the BBC didn't have Roy Harper's performance on the iPlayer ... either they thought he is irrelevant or he'd cause more trouble than Bob Vylan! Luckily we live in an age of smart phones so I can watch Roy's set from every single angle on Facebook. Some of the footage I'd say is better than the BBC's own work... especially that annoying shaky camera during Neil Young's set. I rarely enjoy Glastonbury on the box these days due to the onset of musicwasbetterinmydayism in my mid 50s but after watching Neil Young/Old the beeb put Doecii on (hope I've spelt that right?) and she blew my greying grey matter. Great staging, choreography and a couple of "how is she doing that?" moments. I avoided Rod the silly old sod on Sunday, I jumped in the river instead... perhaps I'm not as old as I thought I was 😁

Don't sleep the Klon on bass either. I've had an MXR sugar drive and I really like the models in helix and qc.