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  2. Hi yes it does thanks harry
  3. Interesting. What would you say is the main difference between the BF and the LfSys other than volume??
  4. I've owned this from new, it's unmodified, pro set up by Crockett Guitars, TI Jazz flats fitted in excellent condition. The bass is unmarked as far as I can see and in mint condition, ready to gig. Complete with Hiscox hard case, original case candy and Gibson strap. Reluctant sale as it is a really lovely instrument but it isn't getting played so it can move to a new home. Cash and Collection only, from Faversham.
  5. Only positive experiences with my dealings with Thomann.
  6. Thanks Jerry. That looks very interesting indeed!
  7. Just posted the bass transcription of Pino Palladino’s part in the live version of “New York Minute” by Don Henley.
  8. They don’t seem particularly special when they were new but I guess the characteristics of the nitro finish come about with age.
  9. Yes, of course, one can run that risk if not serious about what they do or deliver. But if one wants to be called up again, one makes sure they know all/most of the relevant, popular Bass lines to certain well-known songs, rather than just busking lines over changes and structures. Any regularly called up, depping musician, will have a vocabulary of 'learned' tunes stored in their brain that they need to know (or should do). That's why they get called back again, and again. Just busking over a set of chords might be okay if you get called at the last minute. In fact, some bands/MD's/leaders may well be thankful you helped out without any major disasters. However, you probably won't get the call again in favour of someone who knows the tunes/Bass lines. Or at least, you get asked to learn the tunes in advance. As 'Chris B' said further up thread, you want to do as good a job as the musician you are covering. Just busking the gig on its own, probably means you are just winging it. Successful, regular depping is an art. If you get called back regularly, it's probably because you are better than being 'just good enough'. You tend to do a lot of homework and become familiar with a lot of tunes. The only gigs I remember doing where just busking away was okay, were usually Jewish functions. A lot of the music was just solid one and five playing. Or on certain pub gigs, playing Jazz standards, or covers of soft rock/country tunes etc, but certainly still not to be taken lightly. Well, that's from my personal playing experience, along with working with excellent, reliable deps... And just as importantly, have enjoyed regularly working with them on a musical level. YMMV.
  10. Anyone using two MarkBass MB58R cans stacked and how did they perform ? I have the 102 Energy cab and just ordered a matching cab to sit on top I guess sitting them on top sideways instead of a very tall rig is more sensible ? And safer ?
  11. FS/T - in gold (right handed) .. just swapped for some Gotoh black tuners so now surplus .. £25 posted https://www.thomann.co.uk/harley_benton_parts_locking_tuners_6l_gold.htm
  12. Defo man. I’ve even taken your advise with the yoga mat!
  13. That is indeed a crazy price for a Japanese made Bacchus bass, you could not even find it second hand in Japan for that price. If I were you I would keep it.
  14. Price drop now £115! Inspired by both new and old, the AfterLife has FOUR different internal analog circuits that provide 2 distortions and 2 fuzzes. Providing plenty of headroom and a ton of gain, these four selections will cover all the distorted ground you’ve got. While the outside boasts a lone Mode selection knob and a Volume control, there’s more under the hood to this one. Internal adjustable trimpots are available for all four modes, with parameters like overall Volume, Bias, Gain and Filter. The enclosure is 100% Solid Aircraft Aluminum Machined. The artwork on the front and back is laser-engraved, and each AfterLife pedal is 100% hand-wired and hand-built. Collect from Chesterfield or add £5 for UK postage. Cheers! Sam
  15. PRICE DROP NOW £220!!! Here’s my TC Electronic RH450 in used condition. Everything works perfectly - this is a proper workhorse of an amplifier, and small/light enough to use as a backup when gigging. Collect from Chesterfield (5 mins from M1 J29) or I can post for an additional £15. Cheers! Sam
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  16. Price drop now £275!!! Fantastic lightweight cab in mint condish! Collect from Chesterfield (5 mins from M1 J29). Cheers!
  17. Here’s my 1990 green label CE-2, in great condition. It makes awesome chorus sounds, and will continue to do so far longer than any plug in (ooh, controversial! 😂). I’ll even post it within the UK for free! I must be mad! Cheers!
  18. What a thing! IMO the wear on this shows exactly why artificial ageing looks naff - that big buckle rub in the shape of South America with an odd map projection is wonderful.
  19. Today
  20. This was on my board for a few years, never let me down but just fancied a change so I’ve got a boss chorus on the board now. The toneprint options make it a pretty versatile pedal, found myself mostly using the Duff McKagan toneprint. No original box for this unfortunately but will be packaged securely. Price includes postage in the UK, cheers
  21. Got this in a trade on here recently but it’s just not got much use. Between the green Russian and the grey stache that I own I have my fuzz needs covered. This one is two big muffs running in parallel, one of them has a standard tone control, the other has a mid boost/cut. Certainly a lot to play with and a lot of sounds to be gotten out of it! No original box with this but will be packaged securely. Price will include postage in the UK
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  22. Now £400 excluding postage. Last drop. Crazy price for a virtual spotless Bacchus. If it’s not gone in a couple of weeks I will keep it. David
  23. Yea they were the industry standard through the 70' to 90's but I'm not sure how many people are putting a boss pedal in their top 5's these days. They spawned a whole cottage industry of modders and their short comings were as responsible for industry standards of boutique pedal world as their size and controls.
  24. Almost had a Basil Fawlty type moment while recording, though just about spared beating my Jazz Bass... Best not take it out on the bass when other factors are at play too, just took me a bit to realise 😂
  25. You’re better off getting a standard short scale bass because then you’ll have a better choice of strings etc. I’d say Squier Bronco is the way to go. I love mine.
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