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Posted
Just now, Stub Mandrel said:

 

Suggedt he gets a noise gate?

I have as well. He also has a tuner that can mute, it's just that he doesn't see the need to. 

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Posted

We had our final rehearsal before Rebellion Festival - we're playing on Sunday twice...

I was a bit worried before that we lacked practice, and this would result in sloppy, missed or messed up changes (we have quite a lot!), or songs would be started at dirge-like pace when they're meant to be punkfunk stompers.

However, if it goes like last night we'll have no problem at all; Knockout stopped on 3 as it should, there was distinct variation between the funky chorus, punk verse and funkabilly middle 8. All 9 changes in Reaper were perfect, Conspiracy had a millisecond tight ending, and I'd managed to download the filthiest bass tone from Line6 which worked surprisingly well with my Parker bass.

However, after some solo fiddling this morning (Keep your filthy minds out of the gutter!) I've decided to use my Sandberg through a tube driven Aguilar sound with a spot of reverb and chorus which clanks'n'danks like a Sherman tank dragging a chain over a steel pontoon bridge. I'll probably change my mind again though!

 

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Posted
1 hour ago, Stub Mandrel said:

 

Suggedt he gets a noise gate?

Our guitarist uses one of them. Does make quite a difference.

Dave

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Posted
2 hours ago, dave_bass5 said:

Had a good rehearsal last night, but one of my guitarists still thinks it's the 70s. Small Marshall combo with a stack of Gain and drive pedals. Sound was good when playing (although really too heavy for most of our songs), but my god the noise when we stopped. Its sounded like there was a rain storm in the studio. I just dont get how he (or anyone else) can have that sort of noise when not playing. I have all the answers to how he can stop it, and if I ask him (got to the point where I was telling him) to turn if off he would, but totally clueless to the fact that he needed to. Even worse, I was the only one that this bothered. 

Dreading the next gig. 

Hmm. We had a guitarists who ended up picking up the radio on his Marshall valvestate. He was mortified though and, I think, got a Hughes & Kettner and a guitar with humbuckers and that got rid of the issue.

 

At least you still have some high-frequencey hearing though, that's good to know!

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Posted
7 hours ago, dave_bass5 said:

Had a good rehearsal last night, but one of my guitarists still thinks it's the 70s. Small Marshall combo with a stack of Gain and drive pedals. Sound was good when playing (although really too heavy for most of our songs), but my god the noise when we stopped. Its sounded like there was a rain storm in the studio. I just dont get how he (or anyone else) can have that sort of noise when not playing. I have all the answers to how he can stop it, and if I ask him (got to the point where I was telling him) to turn if off he would, but totally clueless to the fact that he needed to. Even worse, I was the only one that this bothered. 

Dreading the next gig. 

 

How much band experience does this guitarist have?

 

Daryl

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Posted
24 minutes ago, Bluewine said:

 

How much band experience does this guitarist have?

 

Daryl

Our guitarist used to use Marshall stacks with various distortion etc pedals before joining us. He was using a Freidman 50W all valve amp into a Freidman 212 cab with a few pedals maybe 5 or 6. He then upgraded his amp to the Freidman 100W at a cost of £4k and his pedal board now consists of his Shure wireless, distortion/ boost pedal for solos and a delay of some kind. All the other effects he used to have are now built into the amp but what a great on stage tone he gets compared to his 50W Amp that i regularly found a bit boomy. The new amp has a much more even tone across his range. Amazing the difference between a 50W & 100W head. I guess you get what you pay for. Have to say he gets no noise between songs now either.

He generally uses Gibson Flying V and Les Paul and occasionally brings a Strat.

Dave

Posted (edited)
2 hours ago, Bluewine said:

 

How much band experience does this guitarist have?

 

Daryl

Well he has been playing for over 40 years I believe. Ive only known him for 3 of those. I joined the band and  I had a lot of work to put in. I was happy to put the work in to get them up to speed, but it seems he is so stuck in his ways that it will impact the band getting gigs. Having played the club/function scene for a  good 20+ years I know the standard thats needed. All are competent players, but struggle with the fact that thy have to be professional about it if they want paid gigs. 

Edited by dave_bass5
Posted

Tonight was the penultimate rehearsal with the new lineup before our first gig together. If we play like that on stage at the weekend, the punters will be in for a treat

 

Mixed all the levels right on the XR18 for a good room sound, and everyone was happy with their individual in ear mixes.

 

I was especially pleased with my Tonex One sounds, having gone back to Amalgams Bassman amp+DI captures from their Tonex One pack. It's the exact same captures I used for guitar but it sounded mega on bass too, so maybe the answer for me if I go back to using a proper amp for guitar is to just buy a bassman and have it cover both guitar and bass.

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