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Cat Burrito

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Everything posted by Cat Burrito

  1. I loved mine but it got sidelined when I started playing vintage gear. It was probably the best modern reissue I've owned. Very chunky neck and I know some feel they need the contours you get from '54 onwards but I liked mine. Sold now and someone got an awesome bass. Don't think I'd buy again as my GAS days have been behind me for a while now
  2. Looks great. I've always wanted a 1973 as it's my birth year. I'm currently 3 yrs off but unlikely to get any closer. Still we can dream
  3. I've always had an interest in an 8 string and like the YouTube clips (cheers). Personally I think some bands only notice when you mess up so I wouldn't take it so hard. It does grate sometimes though
  4. The Japanese Fenders are nearly always exceptional if you get a chance to come across one. Personally if I was playing funk I'd lean towards a Jazz purely because they cut through a little more but there are plenty of examples of people doing that on P-basses. I'm a life long Fender player and currently play a Jazz although I'm probably more associated with Precisions. I'd also echo the comments about trying stuff out live rather than buying online. With your budget I'd also be looking at a day trip somewhere so you can try a few. [quote name='paulbass' timestamp='1319879969' post='1419540'] Hi i'm growing an interest in fender basses.I always considered them an old mans guitar when i was younger [/quote] Just a thought but is it possible that you've just become an old man!?!
  5. This year it seems to be my 1976 Bitsa Jazz bass [IMG]http://i38.photobucket.com/albums/e125/Tim_73/WalthamForest-20111102-01276.jpg[/IMG]
  6. [quote name='Clarky' timestamp='1320352679' post='1425823'] Tim, you are virtually half the man I saw at the Half Moon in Putney ... in a good way! [/quote] Nearly 3 stone lost this year, slowly through just regulating what I eat and, I'm embarrassed to say, not sitting around on Basschat all night! I post less but definitely have a lot more energy... should come with a health warning!
  7. Sunday week (13th), it's a lunchtime show but I can't find the details so I'll have to get back to you... it was The Donkey last time & I know it was a new venue this time around
  8. Having dropped a bunch of weight this year (eating less & exercising more, incredibly) here's me at soundcheck yesterday. Say it with flowers! And onstage
  9. Cheers - a fairly nice review too although my Dad seems to be hellbent on telling everyone we got reviewed in the local paper instead of focusing on the bigger things
  10. Beat me to it on the earplugs comment! Last year (i.e this year) was good fun but I naively hadn't realised just how loud a room full of people slapping away would actually be. Having not bought any gear since the last one I guess I'm unlikely for 2012, unless I break my Orange amps mug
  11. I was using Peavey from the late 80s until around 2005 - same combo & it never let me down. I couldn't care less what haters say about gear (Rotosound strings get knocked sometimes & then there is the anti-Fender brigade). Live & let live, I say. It'd be boring if we were all the same
  12. We did our first album on vinyl having pressed on CD and it's become something of a vanity exercise really. We started selling the record at £15 and it just didn't sell. We now offer it at a tenner and it still hardly sells. The CDs will sell but even offering free digital download with the vinyl people tend to buy CD. So with the new album (that was very much conceived as an old fashioned "record") it's just available on CD with a small gap at the end of the "last track of side 1" to show it was intended as a record. It's also worth mentioning your mastering is for a CD mix so you also need to factor an album remaster into your costs for the vinyl pressing. It's great having the album on vinyl...maybe not so great having another 390 copies sitting upstairs! Oh & most firms are pretty similar price wise
  13. Thanks Mike - I've posted so fingers crossed
  14. Apologies to the mods if this should be in a different section, but my band has a gap in our gigging schedule and will be around Liverpool on Friday 11th November. We'll be available to do some stripped back acoustic Americana show. Not massively bothered about any fees, just so long as we can pass a hat around AND we're not just playing to just the bar staff. We're up playing a big Americana festival the next day before going on to Leicester so will be at a loose end. If not Liverpool, anywhere nearby would be better than not playing Can anyone help? Either with support slots, venues to try or any pointers. Cheers in advance EDITED to include wider catchment area
  15. Never liked Great White although I did like some 80s Rock, back in the day. I am sure there are those who do prefer Great White. Hadn't heard the Quo do it
  16. [quote name='Bassman Rich' timestamp='1319742435' post='1418115'] I tried a 5751 electro harmonics gold in V1, was quite good, what Harma Retro did you guys use please? [/quote] ECC83 Retro Harma Valves as mentioned in my signature strip. Takes a little of the grunt off so the sound doesn't break up quite so early. It's a subtle difference but a step in the right direction
  17. I too did the Harma Retro mod. It's been my only head for a while now
  18. File under "not for me"
  19. I just had to comment because Sami Yaffa & Hanoi got mentioned. Awesome stuff, happy days
  20. [quote name='mckendrick' timestamp='1319048694' post='1409368'] Greetings Burrito... It's a bit of an odd sensation comparing our post counts that I should be giving you my opinion on how much your girl's Dad's bass might be worth! But anyway... At the top I would have said around £2600 in good unmodified condition. Changing a bridge often leaves remnant traces of having done so, as does changing a scratchplate. It's rare you can change an original s/p for an off-the-shelf replacemment without having to 'stretch' the original screw holes a bit - and in many cases fill them and re-position them slightly, so the same applies - remnant traces will always be present and these decrease values quite markedly. De-soldering has the same effect on value. My guess at best - with original parts included - would be around fifteen hundred quid. That finish isn't too popular either, so maybe even a little less. Hope this helps. Cheers. [/quote] Post count means nothing - I have a lot of chat but nothing to say. I figured between £1500 - £1800 depending on the condition of the parts not fitted.
  21. [quote name='Spike Vincent' timestamp='1319045543' post='1409317'] Is he going to let you borrow it? [/quote] Oh yeah, definitely - he's a top bloke.
  22. I was around my girlfriend's house last night when her Dad came over. It's the second time I have met him and he's a bassist too. He'd told me he had a Fender Precision he'd bought in 1973 (I checked the serial number and his memory serves him well). Anyhow, he brought his bass over. He's got the original non-Fender case but has changed the pickguard, pickup and bridge. I gather he has all the original parts but I don't think they are in a brilliant state (all working fine though). It was his main gigging bass for most of his career so one that screams mojo rather than a museum piece. The frets have a fair bit of life on it but it would probably benefit from a refret at some point in the future. He'd quite rightly never sell it but I was curious as to what people thought it'd be worth. It's pretty lightweight too incidentally. I loved playing it! It's quite cool having a girlfriend who's Dad is a player - she did look a bit bored when we were discussing the pro's and con's of flats verses roundwounds and at my age I should know to keep such conversation away from a partner! Anyway, pics attached. Correction poor phone snaps attached
  23. My thoughts too
  24. Funnily enough I was chatting with my mate in the guitar shop today about Far East countries picking odd names - in the late 90s they had a brand called Diana and now Delilah is a new one surfacing. I had an old Diana tuner for years
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