risingson

[quote name='BigRedX' timestamp='1386677431' post='2302901'] There's no denying that Jeff Lynne did very well with taking a single idea from Roy Wood and spinning it out successfully for as long as he did, but listening to the Wizzard albums it is obvious (IMO at least) that Roy Wood was the one with the more interesting music overall. [/quote] I think that last part is entirely subjective. Lynne's arranging abilities brought him closer to the likes of someone like Brian Wilson in terms of an unreal talent, and I don't think it's obvious at all that Roy Wood's music was more interesting. It does major disservice to Jeff Lynne who was responsible for writing some excellent music.

Did a gig last night and could have kicked myself after. Wasn't feeling it at all, didn't feel like I was playing at full capacity. It definitely happens to everyone!

I'm happy with my playing most of the time mate, there will be times when I feel frustrated or like I've got bass player's equivalent of writer's block but every musician on the planet must feel like that from time to time. There are aspects of my playing that I'd like to improve on but I'd be happy if I could stay this level and get no better if you know what I mean. You don't have anything to worry about though, surely! From an outsider's point of view you're a great reader and play with feel feel and dynamics, which are what counts when it comes to being a great bassist.

[quote name='bassgurumonster' timestamp='1386343627' post='2299068'] After trying one, ive ordered the rh750 and 2x12 cab. If i need another cab i notice there are a few on feebay. !!! Should be here monday. [/quote] Great setup! The same as myself. I doubt you'll need another cab, it shifts an incredible amount. My volume is never past 10 o'clock otherwise people's ears would start to bleed!

[quote name='xilddx' timestamp='1386065205' post='2295108'] It sounds very nice indeed. What gauge strings is Pino using? They look very light. [/quote] Thomastik flatwounds on his '62 P which are crazy light. Not a fan personally but Pino manages to make them sound great as always! The song is boring for me. All the best players in one room with no decent material to work off is what it comes off sounding like.

Great book that.

My dad reliably informed me this evening that he'd owned a 'white Fender' bass guitar back in the 70's. The first time he's ever told me about it what with him being a drummer back then, apparently he sold it to a friend of his. It's not the first time that hindsight is a wonderful thing for him, he also sold a Sex Pistol's first edition copy of Never Mind the Bollocks to another friend which is worth god knows how much today! Here's another quick pic minus the ashtrays. Interesting marking by the bridge, not sure what could have caused it - maybe some of the bigger Fender nuts might be able to shine some light on this? It's unusual and adds to the quirkiness of the instrument. I do really like it

Aye, came today in the post http://basschat.co.uk/topic/224011-new-bass-74-jazz/

Love that bass. Just got my 1974 Jazz but it was just so I could have one of both from the 70's, the P will probably remain my staple.

[quote name='Lozz196' timestamp='1386192597' post='2297132'] Nice one Liam, a 70s of each now then? [/quote] Yeh! Your P isn't going anywhere, I like it way too much. [quote name='gary mac' timestamp='1386195087' post='2297173'] As a pick player I find the covers are a real pain. [/quote] They've come straight off Gary! Tust looks a lot prettier with them on. Totally impractical for me too, I palm mute so much.

I've wanted an early 70's Jazz for a while, I'd long-term borrowed my mate's '71, still one of my all time favourite bass guitars hands down, but it didn't feel like 'mine', so I jumped on this one when I saw it for sale. It's a four-bolt, with the pots dating early '74 (7405) and the neck plate indicating the same year of manufacture. It came strung with flats, I love the sound and I like doing the best impression of Joe Osborn I can with a pick, but I figured that a nice fresh set of D'Addarios would work better for me. Taken me about an hour to sort out the setup but this thing sounds fat! Solid, growling jazz bass tones. The pic doesn't really do the colour much justice, it's actually a darker more chocolate style burst that I've not seen much of in Fenders of this age. Bloody made up I am! Here's a quick pic

Top marks for Gareth as a seller. Just bought his '74 Jazz. I value communication massively and especially with high price instruments, he kept me posted through the entire deal from start to finish. He even phoned me too, a lovely guy to deal with. All the best mate!

Met some great guys on here including the both of you chaps. BC is a great place, totally unique and full of interesting people. Cheers lads!

It was a pleasure mate! At the risk of turning this into too much back slapping, Lord Sausage was playing with the house band in the musical Rent that night on fretless, superb player and an all round lovely guy, we had a blast. First time in my life I've ended up in a casino, shame we didn't walk away with much but at least it was Dan's money we were gambling! I'll see you on the next tour in Feb for much more of the same.

They're comparison to trying to slide your hand on glass is interesting. Most bass necks are wood and have a totally different surface depending on how heavily finished they are and what they're finished with. All the graphite necks I've tried have never hindered me either even though I'm not a fan. So yeh, I think it's snake oil and countless musicians that are not hindered by standard necks. That textured finish is also going to collect the worst kind of grime and dirt from hours of playing! Nasty all around.

[quote name='Roland Rock' timestamp='1386057396' post='2295005'] What's the bass? Sounds exciting! [/quote] I'll do a NBD thread when I get it! Nothing too exciting but I've been after one for a while

[quote name='noelk27' timestamp='1386027088' post='2294915'] No. [/quote] Care to share a bit more? Something you've had experience with?

It sounds like you've not really played enough instruments to really know what you want. None of the basses you've listed below the Fodera are comparable, none of them merit any more deluxe status than the other because personal preference is everything. There was some good advice to go and try out a lot more luthiers including Fodera if you haven't already, the the U.S you've got MTD, Sadowsky, Skjold, Elrick, Mike Lull, Alleva Coppolo, F-Bass (in Canada actually), the U.K you've got Sei, Overwater, ACG, Shuker. Get down to the Bass Gallery Camden, Bass Direct too, try everything. [quote name='White Cloud' timestamp='1386015516' post='2294687'] Fodera = Aston Martin Fender = Ford Mondeo Do you want an Aston Martin or a fleet of Ford Mondeo's? [/quote] Funny how perspective can mean everything. Fender for me = Classic Ford Mustang. Fodera = Liberace's solid gold Cadillac.

[quote name='Platypus' timestamp='1386010564' post='2294601'] I have insured an expensive bass to go from UL to Findland using an insurance broker that catered for musical instruments. It was a couple of years back, though will try to find details for you later. [/quote] Cheers, this is what I'd be looking at if I could get the details. Is it notably tricky business splitting insurance and courier?

Just bought a new bass but I'd like to ensure the delivery of it privately (i.e. not through the courier) because of it's high value, does anyone have any experience doing this and if so who would be your recommendations? Any help on this would be hugely appreciated!

Youtube is just one major factor that I can think of that goes in part to help answer the OP's question. It's easier to evolve a virtuosic style if you have peers and people to compete against or aspire to be and Youtube has really opened the door to the visual aspect of bass playing, which in turn I've noticed has propelled a lot of musicians on to really push themselves hard. The fact that we can access Youtube easily will have also brought to our general attention an abundance of virtuosic musicians who were previously unnoticed, which is possibly to say that maybe there aren't more virtuosic bass players than before, it's simply much easier for them to be seen. Realistically though I think the role of the bass has remained the same. What's enjoyable now as bass players is that we can afford to be retrospective and nostalgic about how we play or really push the boundaries. Technological advances in recording and a lack of bias against what is deemed 'acceptable' within the confines of the instrument mean that no longer to bass players have to fill the stereotypical role in a band. I personally have my preferences on how I like bass to sound and be played but I also like keeping my ears firmly open as well.

I'd struggle to put my finger on why a Sandberg doesn't sound like a Stingray but it doesn't. Both are great basses, if you want a Stingray sound though then buy a Stingray. Me personally if I were to get a Sandberg it would likely be the JM5 they do as they sound excellent.

[quote name='bubinga5' timestamp='1385238735' post='2286064'] im loving those Pensa's. what was the neck like Ris.? ive heard they are Pbass big.? [/quote] It's been about 7 or so months but as my memory serves me the necks were perfectly manageable, flat in profile maybe for the 5? The 4 I tried was was not quite as thick as the '71 Jazz I'm used to, let alone my '78 P which is pretty beefy so I'd say they were fairly normal J profile. Their preamp is really impressive. I always find Sadowsky preamps overpowering but the Pensa was very musical. Push/pull for series wiring too which sounded awesome, nice substitute for a lack of mid control.

It really is a masterful piece of bass guitar playing, one of my all time favourite bass lines in fact.